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Author: Jennifer Wingate
Publisher: Routledge
ISBN: 1351549758
Category : Art
Languages : en
Pages : 412
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Book Description
Redressing the neglect of World War I memorials in art history scholarship and memory studies, Sculpting Doughboys considers the hundreds of sculptures of American soldiers that dominated the nation's sculptural commemorative landscape after World War I. To better understand these 'doughboys', the name given to both members of the American Expeditionary Forces and the memorials erected in their image, this volume also considers their sculptural alternatives, including depictions of motherhood, nude male allegories, and expressions of anti-militarism. It addresses why doughboy sculptures came to occupy such a significant presence in interwar commemoration, even though art critics objected to their unrefined realism, by considering the social upheavals of the Red Scare, America's burgeoning consumer and popular culture, and the ambitions and idiosyncrasies of artists and communities across the country. In doing so, this study also highlights the social and cultural tensions of the period as debates grew over art's changing role in society and as more women and immigrant sculptors vied for a place and a voice in America's public sphere. Finally, Sculpting Doughboys addresses the fate of these memorials nearly a century after they were dedicated and poses questions for reframing our relationship with war memorials today.
Author: Jennifer Wingate
Publisher: Routledge
ISBN: 1351549758
Category : Art
Languages : en
Pages : 412
Get Book Here
Book Description
Redressing the neglect of World War I memorials in art history scholarship and memory studies, Sculpting Doughboys considers the hundreds of sculptures of American soldiers that dominated the nation's sculptural commemorative landscape after World War I. To better understand these 'doughboys', the name given to both members of the American Expeditionary Forces and the memorials erected in their image, this volume also considers their sculptural alternatives, including depictions of motherhood, nude male allegories, and expressions of anti-militarism. It addresses why doughboy sculptures came to occupy such a significant presence in interwar commemoration, even though art critics objected to their unrefined realism, by considering the social upheavals of the Red Scare, America's burgeoning consumer and popular culture, and the ambitions and idiosyncrasies of artists and communities across the country. In doing so, this study also highlights the social and cultural tensions of the period as debates grew over art's changing role in society and as more women and immigrant sculptors vied for a place and a voice in America's public sphere. Finally, Sculpting Doughboys addresses the fate of these memorials nearly a century after they were dedicated and poses questions for reframing our relationship with war memorials today.
Author: Allison S. Finkelstein
Publisher: University of Alabama Press
ISBN: 0817321012
Category : History
Languages : en
Pages : 284
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Book Description
Investigates the groundbreaking role American women played in commemorating those who served and sacrificed in World War I In Forgotten Veterans, Invisible Memorials: How American Women Commemorated the Great War, 1917–1945 Allison S. Finkelstein argues that American women activists considered their own community service and veteran advocacy to be forms of commemoration just as significant and effective as other, more traditional forms of commemoration such as memorials. Finkelstein employs the term “veteranism” to describe these women’s overarching philosophy that supporting, aiding, and caring for those who served needed to be a chief concern of American citizens, civic groups, and the government in the war’s aftermath. However, these women did not express their views solely through their support for veterans of a military service narrowly defined as a group predominantly composed of men and just a few women. Rather, they defined anyone who served or sacrificed during the war, including women like themselves, as veterans. These women veteranists believed that memorialization projects that centered on the people who served and sacrificed was the most appropriate type of postwar commemoration. They passionately advocated for memorials that could help living veterans and the families of deceased service members at a time when postwar monument construction surged at home and abroad. Finkelstein argues that by rejecting or adapting traditional monuments or by embracing aspects of the living memorial building movement, female veteranists placed the plight of all veterans at the center of their commemoration efforts. Their projects included diverse acts of service and advocacy on behalf of people they considered veterans and their families as they pushed to infuse American memorial traditions with their philosophy. In doing so, these women pioneered a relatively new form of commemoration that impacted American practices of remembrance, encouraging Americans to rethink their approach and provided new definitions of what constitutes a memorial. In the process, they shifted the course of American practices, even though their memorialization methods did not achieve the widespread acceptance they had hoped it would. Meticulously researched, Forgotten Veterans, Invisible Memorials utilizes little-studied sources and reinterprets more familiar ones. In addition to the words and records of the women themselves, Finkelstein analyzes cultural landscapes and ephemeral projects to reconstruct the evidence of their influence. Readers will come away with a better understanding of how American women supported the military from outside its ranks before they could fully serve from within, principally through action-based methods of commemoration that remain all the more relevant today.
Author: Jennifer Wingate
Publisher: Taylor & Francis
ISBN: 1351549766
Category : Art
Languages : en
Pages : 244
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Book Description
Redressing the neglect of World War I memorials in art history scholarship, this volume shows why sculptures of 'doughboys' (US soldiers during World War I) were in such demand during the 1920s, and how their functions and meanings have evolved. Jennifer Wingate recovers and interprets the circumstances of the doughboy sculptures' creation, and offers a new perspective on the complex culture of interwar America and on present-day commemorative practices.
Author: Carol Morris Little
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 518
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Book Description
In this irresistibly browsable book, Carol Morris Little offers thumbnail descriptions of over 800 pieces of outdoor sculpture. The entries are grouped by city and, within city, by artist. A typical entry includes the artist's name, birth date, and nationality; the sculpture's date, type, size, material, location, and source of funding; and a comments section that gives interesting facts about the work. Many of the sculptures are also illustrated by black-and-white photographs.
Author:
Publisher:
ISBN:
Category : Kansas
Languages : en
Pages : 320
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Book Description
Author: David M. Lubin
Publisher: Oxford University Press
ISBN: 0190218614
Category : Art
Languages : en
Pages : 380
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Book Description
War, modernism, and the academic spirit -- Women in peril -- Mirroring masculinity -- Opposing visions -- Opening the floodgates -- To see or not to see -- Being there -- Behind the mask -- Monsters in our midst.
Author: Richard Rubin
Publisher: HMH
ISBN: 0547843690
Category : History
Languages : en
Pages : 549
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Book Description
“Before the Greatest Generation, there was the Forgotten Generation of World War I . . . wonderfully engaging” (Kirkus Reviews, starred review). “Richard Rubin has done something that will never be possible for anyone to do again. His interviews with the last American World War I veterans—who have all since died—bring to vivid life a cataclysm that changed our world forever but that remains curiously forgotten here.” —Adam Hochschild, author of To End All Wars: A Story of Loyalty and Rebellion, 1914–1918 In 2003, eighty-five years after the end of World War I, Richard Rubin set out to see if he could still find and talk to someone who had actually served in the American Expeditionary Forces during that colossal conflict. Ultimately he found dozens, aged 101 to 113, from Cape Cod to Carson City, who shared with him at the last possible moment their stories of America’s Great War. Nineteenth-century men and women living in the twenty-first century, they were self-reliant, humble, and stoic, never complaining, but still marveling at the immensity of the war they helped win, and the complexity of the world they helped create. Though America has largely forgotten their war, you will never forget them, or their stories. A decade in the making, The Last of the Doughboys is the most sweeping look at America’s First World War in a generation, a glorious reminder of the tremendously important role America played in the “war to end all wars,” as well as a moving meditation on character, grace, aging, and memory. “An outstanding and fascinating book. By tracking down the last surviving veterans of the First World War and interviewing them with sympathy and skill, Richard Rubin has produced a first-rate work of reporting.” —Ian Frazier, author of Travels in Siberia “I cannot remember a book about that huge and terrible war that I have enjoyed reading more in many years.” —Michael Korda, The Daily Beast
Author:
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ISBN:
Category : American literature
Languages : en
Pages : 84
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Book Description
Author: Sarah Elisabeth Sawyer
Publisher: RockHaven Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 375
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Book Description
DISCOVER THE EPIC STORY OF THE ORIGINAL WWI CODE TALKERS… The day I betrayed Isaac, I vowed never again to speak my native language in front of white men. When America enters the Great War in 1917, Bertram Robert (B.B.) Dunn and his Choctaw buddies from Armstrong Academy join the army to protect their homes, their families, and their country. Hoping to find redemption for a horrible lie that betrayed his best friend, B.B. heads into the trenches of France—but what he discovers is a duty only his native tongue can fulfill. Stationed in worn-torn Europe since 1914, war correspondent Matthew Teller, B.B.’s uncle, is ready to quit until an encounter with a fellow Choctaw sets him on a path to write the untold story of American Indian doughboys. But entrenched stereotypes and prejudices tear at his burning desire to spread truth. With the Allies building toward the greatest offensive drive of the war, the American Expeditionary Forces face a superior enemy who intercepts their messages and knows their every move. Can the solution come from a people their own government stripped of culture and language? Experience the powerful tale of these courageous first American people through Anumpa Warrior. Based on true events, this faith-filled historical fiction takes you on a journey of our shared world history—and of hope for all people. “Anumpa Warrior (Language Warrior) is the first novel on the Choctaw Code Talkers of World War I. Combining extensive historical research on the code talkers, insights into Choctaw culture, solid character development, and stimulating narrative, Choctaw author Sarah Elisabeth Sawyer has written a gem.” —Dr. William C. Meadows, Missouri State University, Code Talker scholar “As the granddaughter of a WWI Choctaw Code Talker, I was spellbound, speechless, and teary-eyed.” —Beth (Frazier) Lawless, granddaughter of Tobias Frazier “Sarah’s eloquent style and words give the story so much life and spirit. I say châpeau, hats off to you!” —Jeffrey Aarnio, former superintendent, American Battle Monuments Commission
Author: Jeffrey A. Lowdermilk
Publisher: George F Thompson Publishing
ISBN: 9781938086182
Category : History
Languages : en
Pages : 0
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Book Description
The author's passion for World War I and of military history began as a lad when he listened to his grandfather, George A. Carlson, tell his life's stories about serving as a 'doughboy' in Europe during the Great War. When his grandfather passed away in 1982, his mother gave to Jeff her father's amazing diary, which included not only lengthy descri
