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Author: Bob Saenz
Publisher:
ISBN: 9781734347913
Category : Performing Arts
Languages : en
Pages : 350
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Book Description
You want to be a screenwriter. You've read all the screenwriting books. But you're left wanting more. Here is a fresh book written by a screenwriter who has spent years in the trenches.T hat's Not The Way It Works is a no holds barred look at the craft and business of screenwriting, told in a "let's sit down and chat over a cup (or pot) of coffee" manner. So grab a cup of coffee and start reading. You'll get the inside scoop from a screenwriter who had more than a dozen proudced screenplays between movies and television.
Author: Bob Saenz
Publisher:
ISBN: 9781734347913
Category : Performing Arts
Languages : en
Pages : 350
Get Book Here
Book Description
You want to be a screenwriter. You've read all the screenwriting books. But you're left wanting more. Here is a fresh book written by a screenwriter who has spent years in the trenches.T hat's Not The Way It Works is a no holds barred look at the craft and business of screenwriting, told in a "let's sit down and chat over a cup (or pot) of coffee" manner. So grab a cup of coffee and start reading. You'll get the inside scoop from a screenwriter who had more than a dozen proudced screenplays between movies and television.
Author: Clive Frayne
Publisher:
ISBN: 9781083083012
Category :
Languages : en
Pages : 269
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Book Description
"The main difference between an early-career screenwriter and a great screenwriter is their process. Screenwriters with an effective and professional process tend to write great scripts."This book teaches a method called process-driven screenwriting. The process is a series of planning steps we take before writing our script. This process works for any kind of movie. It works for Hollywood Blockbusters or experimental art-house films. As long as our intention is to create drama, the process will help us write better scripts. This book doesn't offer a formula or plot-template. Instead, it helps screenwriters find a writing technique that works for them. At the heart of this book is a simple idea... dogma is the enemy of creativity.This book contains a set of practical tools. Tools designed to help writers create drama and to craft great cinematic stories. This is also a book that explores the ideas behind drama, story and what it means to write cinema. Although the tools in this book are simple, the conversation about how we write movie scripts isn't. I have not separated the conversation about writing from the discussion about the tools. That's because the two things are connected. We need tools like this because writing cinematic drama is complicated. It's not possible to separate the process from the challenges of screenwriting. Process-driven screenwriting is very simple. Anyone can learn the basic steps in a short period of time. However, as with any tools, it takes time and practice to master their use. These tools can be used to create simple stories or to craft complex narratives.So, what are these tools? What are the steps? raw idea - our initial inspiration or ideatheme - decide what facet of human experience we're exploringcompass logline - decide who the film is about, when and where it is setchase our fascination to create the world of story - creating a fictional worldcharacter development - populate the world with characterscreate a plot - decide what happens and the order in which the audience finds things outwrite the script - write cinematic drama in a form that is acceptable to the production teamIn reality, everyone is a process-driven screenwriter whether they know it or not. Every writer has a process, even if that process is to stare at a blank page until they have an idea. Every writer's process is unique to them. We do what works best for us. Writers with great processes write great screenplays. In this book, we will look at ways any writer can improve their process without giving up the things that make them unique.
Author: Francis Ford Coppola
Publisher: Simon and Schuster
ISBN: 1942872313
Category : Performing Arts
Languages : en
Pages : 786
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Book Description
THE PUBLISHING SENSATION OF THE YEAR FOR EVERY FILM FAN The never-before-published edition of Francis Ford Coppola’s notes and annotations on The Godfather novel by Mario Puzo reveals the story behind one of the world’s most iconic films. The most important unpublished work on one of the greatest films of all time, The Godfather, written before filming, by the man who wrote and directed it—Francis Ford Coppola, then only thirty-two years old—reveals the intense creative process that went into making this seminal film. With his meticulous notes and impressions of Mario Puzo’s novel, the notebook was referred to by Coppola daily on set while he directed the movie. The Godfather Notebook pulls back the curtain on the legendary filmmaker and the film that launched his illustrious career. Complete with an introduction by Francis Ford Coppola and exclusive photographs from on and off the set, this is a unique, beautiful, and faithful reproduction of Coppola’s original notebook. This publication will change the way the world views the iconic film—and the process of filmmaking at large. A must-have book of the season. Nothing like it has ever been published before
Author: Oren Klaff
Publisher: Penguin
ISBN: 052553394X
Category : Business & Economics
Languages : en
Pages : 258
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Book Description
THE BESTSELLING AUTHOR OF PITCH ANYTHING IS BACK TO FLIP YOUR ENTIRE APPROACH TO PERSUASION. Is there anything worse than a high-pressure salesperson pushing you to say "yes" (then sign on the dotted line) before you're ready? If there's one lesson Oren Klaff has learned over decades of pitching, presenting, and closing long-shot, high-stakes deals, it's that people are sick of being marketed and sold to. Most of all, they hate being told what to think. The more you push them, the more they resist. What people love, however, is coming up with a great idea on their own, even if it's the idea you were guiding them to have all along. Often, the only way to get someone to sign is to make them feel like they're smarter than you. That's why Oren is throwing out the old playbook on persuasion. Instead, he'll show you a new approach that works on this simple insight: Everyone trusts their own ideas. If, rather than pushing your idea on your buyer, you can guide them to discover it on their own, they'll believe it, trust it, and get excited about it. Then they'll buy in and feel good about the chance to work with you. That might sound easier said than done, but Oren has taught thousands of people how to do it with a series of simple steps that anyone can follow in any situation. And as you'll see in this book, Oren has been in a lot of different situations. He'll show you how he got a billionaire to take him seriously, how he got a venture capital firm to cough up capital, and how he made a skeptical Swiss banker see him as an expert in banking. He'll even show you how to become so compelling that buyers are even more attracted to you than to your product. These days, it's not enough to make a great pitch. To get attention, create trust, and close the deal, you need to flip the script.
Author: Tom Stempel
Publisher: Bloomsbury Continuum
ISBN:
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
No Marketing Blurb
Author: Cybulski Mary
Publisher: CRC Press
ISBN: 113604065X
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
First published in 2013. A guide to the craft of script supervising, Beyond Continuity features practical instruction through real-world examples demonstrating and explaining the skills needed by a professional script supervisor. Mary Cybulski, one of Hollywood's premier script supervisors, imparts her sage wisdom as she walks you through the process of training and working as a professional script supervisor,, covering the basic skills of breaking down a script, taking notes on set, matching, cheating, determining screen direction, and knowing what the director, actors, and editor expect from a script supervisor. She also details many of the more subtle, but just as important skills- how to get a job, how to think like an editor, how to tell what is important in a script and on set, how to get along with the cast and crew, and how not to get overwhelmed when there is too much information to process.
Author:
Publisher:
ISBN:
Category : Questions and answers
Languages : en
Pages : 1124
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Book Description
Author: Craig Batty
Publisher: Springer Nature
ISBN: 303048713X
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
This book offers the first international look at how script development is theorised and practiced. Drawing on interviews, case studies, discourse analysis, creative practices and industry experiences, it brings together scholars and practitioners from around the world to offer critical insights into this core, but often hidden, aspect of screenwriting and screen production. Chapters speculate and reflect upon how creative, commercial and social practices – in which ideas, emotions, people and personalities combine, cohere and clash – are shaped by the practicalities, policies and rapid movements of the screen industry. Comprising two parts, the book first looks ‘into’ script development from a theoretical perspective, and second looks ‘out from’ the practice to form practitioner-led perspectives of script development. With a rising interest in screenwriting and production studies, and an increased appetite for practice-based research, the book offers a timely mapping of the terrain of script development, providing rich foundations for both study and practice.
Author: Society for Psychical Research
Publisher:
ISBN:
Category :
Languages : en
Pages : 458
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Book Description
Author: Michael Tabb
Publisher: Routledge
ISBN: 1351058258
Category : Art
Languages : en
Pages : 246
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Book Description
Prewriting Your Screenplay cements all the bricks of a story’s foundations together and forms a single, organic story-growing technique, starting with a blank slate. It shows writers how to design each element so that they perfectly interlock together like pieces of a puzzle, creating a stronger story foundation that does not leave gaps and holes for readers to find. This construction process is performed one piece at a time, one character at a time, building and incorporating each element into the whole. The book provides a clear-cut set of lessons that teaches how to construct that story base around concepts as individual as the writer’s personal opinions, helping to foster an individual writer’s voice. It also features end-of-chapter exercises that offer step-by-step guidance in applying each lesson, providing screenwriters with a concrete approach to building a strong foundation for a screenplay. This is the quintessential book for all writers taking their first steps towards developing a screenplay from nothing, getting them over that first monumental hump, resulting in a well-formulated story concept that is cohesive and professional.
