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Author: Ilan Avisar
Publisher:
ISBN:
Category : Holocaust, Jewish (1939-1945), in motion pictures
Languages : en
Pages : 212
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Book Description
Author: Ilan Avisar
Publisher:
ISBN:
Category : Holocaust, Jewish (1939-1945), in motion pictures
Languages : en
Pages : 212
Get Book Here
Book Description
Author: Marek Haltof
Publisher: Northwestern University Press
ISBN: 9780810136083
Category : Performing Arts
Languages : en
Pages : 188
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Book Description
Screening Auschwitz examines the classic Polish Holocaust film The Last Stage (Ostatni etap), directed by the Auschwitz survivor Wanda Jakubowska (1907–1998). Released in 1948, The Last Stage was a pioneering work and the first narrative film to portray the Nazi concentration and extermination camp complex of Auschwitz-Birkenau. Marek Haltof’s fascinating book offers English-speaking readers a wealth of new materials, mostly from original Polish sources obtained through extensive archival research. With its powerful dramatization of the camp experience, The Last Stage established several quasi-documentary themes easily discernible in later film narratives of the Shoah: dark, realistic images of the camp, a passionate moral appeal, and clear divisions between victims and perpetrators. Jakubowska’s film introduced images that are now archetypal—for example, morning and evening roll calls on the Appelplatz, the arrival of transport trains at Birkenau, the separation of families upon arrival, and tracking shots over the belongings left behind by those who were gassed. These and other images are taken up by a number of subsequent American films, including George Stevens’s The Diary of Anne Frank (1959), Alan Pakula’s Sophie’s Choice (1982), and Steven Spielberg’s Schindler’s List (1993). Haltof discusses the unusual circumstances that surrounded the film's production on location at Auschwitz-Birkenau and summarizes critical debates surrounding the film’s release. The book offers much of interest to film historians and readers interested in the Holocaust.
Author: Paul Cooke
Publisher: Camden House
ISBN: 1571134379
Category : History
Languages : en
Pages : 314
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Book Description
Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath.
Author: Tony Barta
Publisher: Bloomsbury Publishing USA
ISBN: 031302362X
Category : Performing Arts
Languages : en
Pages : 294
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Book Description
Film and television have been accepted as having a pervasive influence on how people understand the world. An important aspect of this is the relationship of history and film. The different views of the past created by film, television, and video are only now attracting closer attention from historians, cultural critics, and filmmakers. This volume seeks to advance the critical exploration scholars have recently begun. Barta begins by addressing the various ways the past is screened for our understanding and relates the art of film to other media. The essays that follow deal primarily with the changing perspectives of political and social developments—and changing concepts of ideology, gender, or culture—in films and television programs made for historically shaped reasons. Chapters by filmmakers explore issues of context and intent in their own projects. Scholars and general readers interested in film and cultural studies will find this an important volume.
Author: David Sterritt
Publisher: SIU Press
ISBN: 9780809388745
Category :
Languages : en
Pages : 164
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Book Description
Author: Toby Haggith
Publisher: Wallflower Press
ISBN: 9781904764519
Category : History
Languages : en
Pages : 354
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Book Description
Based on an event held at the Imperial War Museum in 2001, this book is a blend of voices and perspectives - archivists, curators, filmmakers, scholars, and Holocaust survivors. Each section examines films and how they have contributed to wider awareness and understanding of the Holocaust since the war.
Author: David Bathrick
Publisher: Camden House
ISBN: 1571133836
Category : Holocaust, Jewish (1939-1945)
Languages : en
Pages : 347
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Book Description
Collection of essays exploring the controversies surrounding images of the Holocaust
Author: Marek Haltof
Publisher: Northwestern University Press
ISBN: 0810136090
Category : Performing Arts
Languages : en
Pages : 226
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Book Description
Winner of The 2019 Waclaw Lednicki Humanities Award Screening Auschwitz examines the classic Polish Holocaust film The Last Stage (Ostatni etap), directed by the Auschwitz survivor Wanda Jakubowska (1907–1998). Released in 1948, The Last Stage was a pioneering work and the first narrative film to portray the Nazi concentration and extermination camp complex of Auschwitz-Birkenau. Marek Haltof’s fascinating book offers English-speaking readers a wealth of new materials, mostly from original Polish sources obtained through extensive archival research. With its powerful dramatization of the camp experience, The Last Stage established several quasi-documentary themes easily discernible in later film narratives of the Shoah: dark, realistic images of the camp, a passionate moral appeal, and clear divisions between victims and perpetrators. Jakubowska’s film introduced images that are now archetypal—for example, morning and evening roll calls on the Appelplatz, the arrival of transport trains at Birkenau, the separation of families upon arrival, and tracking shots over the belongings left behind by those who were gassed. These and other images are taken up by a number of subsequent American films, including George Stevens’s The Diary of Anne Frank (1959), Alan Pakula’s Sophie’s Choice (1982), and Steven Spielberg’s Schindler’s List (1993). Haltof discusses the unusual circumstances that surrounded the film's production on location at Auschwitz-Birkenau and summarizes critical debates surrounding the film’s release. The book offers much of interest to film historians and readers interested in the Holocaust.
Author: Marvell Ginsburg
Publisher:
ISBN: 9781646385515
Category : Juvenile Fiction
Languages : en
Pages : 40
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Book Description
Now more than ever, it is essential to continue teaching the lessons of the Holocaust to young children in an impactful and palatable way, so that such horrific events are never forgotten, nor repeated. The beloved children's book by Marvell Ginsburg, The Tattooed Torah, has been beautifully reimagined for a new generation and is a powerful resource for Holocaust education all over the world. Stunningly illustrated by Martin Lemelman, the book recounts the true story of the rescue and restoration of a small Torah from Brno, Czechoslovakia, and teaches the Holocaust not only as a period of destruction, but also as an opportunity for redemption. Whether teaching little ones about their heritage or giving children an introduction of the historical event through World War 2 books for kids, your family will treasure this beautifully-told story for years to come. This third edition of The Tattooed Torah is dedicated in loving memory of Marvell Ginsburg. Boys and girls will enjoy learning the rich history of the Jewish people The hardcover book and paper pages make it a timeless and classic storybook to enjoy reading over and over again Easy-to-read text with a vibrant and beautiful picture on each page A portion of the proceeds from the sales of this book will go to support further educational resources to promote empathy and understanding among all people A great library addition if you're looking for Jewish books, Hanukkah gifts, historical books, or nonfiction Holocaust books
Author: Christina Gerhardt
Publisher: Bloomsbury Publishing USA
ISBN: 150133669X
Category : History
Languages : en
Pages : 322
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Book Description
Screening the Red Army Faction: Historical and Cultural Memory explores representations of the Red Army Faction (RAF) in print media, film and art, locating an analysis of these texts in the historical and political context of unfolding events. In this way, the book contributes both a new history and a new cultural history of post-fascist era West Germany that grapples with the fledgling republic's most pivotal debates about the nature of democracy and authority; about violence, its motivations and regulation; and about its cultural afterlife. Looking back at the history of representations of the RAF in various media, this book considers how our understanding of the Cold War era, of the long sixties and of the RAF is created and re-created through cultural texts.
