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Author: Steven Jacobs
Publisher: Edinburgh University Press
ISBN: 147441091X
Category : Performing Arts
Languages : en
Pages : 456
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Book Description
A dynamic, scholarly engagement with Susanne Bier's work
Author: Steven Jacobs
Publisher: Edinburgh University Press
ISBN: 147441091X
Category : Performing Arts
Languages : en
Pages : 456
Get Book Here
Book Description
A dynamic, scholarly engagement with Susanne Bier's work
Author: Lisa Maurice
Publisher: Edinburgh University Press
ISBN: 1474425755
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
''Covers the history of screen portrayals of both mythological and Biblical gods and their heroic offspring. Provides an over-arching picture that allows historical trends and developments to be demonstrated and contrasted . Investigates a single issue over a range of genres, both in cinema and television, fantasy movies, mythology on screen, biopics, Jesus films and those based on the Bible.''--
Author: Christina Parker-Flynn
Publisher: Rutgers University Press
ISBN: 1978825064
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
Artificial Generation: Photogenic French Literature and the Prehistory of Cinematic Modernity looks at nineteenth-century literary representation and film theory, arguing that the depth of amalgamation that occurred within literary representation during this era is a key aesthetic tradition that continues to inform movies and contemporary culture today.
Author: Mark William Padilla
Publisher: Rowman & Littlefield
ISBN: 1498563511
Category : Philosophy
Languages : en
Pages : 413
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Book Description
Mark Padilla’s classical reception readings of Alfred Hitchcock features some of the director’s most loved and important films, and demonstrates how they are informed by the educational and cultural classicism of the director’s formative years. The six close readings begin with discussions of the production histories, so as to theorize and clarify how classicism could and did enter the projects. Exploration of the films through a classical lens creates the opportunity to explore new themes and ideological investments. The result is a further appreciation of both the engine of the director’s storytelling creativity and the expressionism of classicism, especially Greek myth and art, in British and American modernism. The analysis organizes the material into two triptychs, one focused on the three films sharing a wrong man pattern (wrongly accused man goes on the run to clear himself), the other treating the films starring the actress Grace Kelly. Chapter One, on The 39 Steps (1935), finds the origins of the wrong man plot in early 20th-century British classicism, and demonstrates that the movie utilizes motifs of Homer’s Odyssey. Chapter Two, on Saboteur (1942), theorizes the impact of the director’s memories of the formalism and myths associated with the Parthenon sculptures housed in the British Museum. Chapter Three, on North by Northwest, participates in the myths of the hero Oedipus, as associated with early Greek epic, Freud, Nietzsche, and Sophocles. Chapter Four, on Dial M for Murder (1954), returns to Homer’s Odyssey in the interpretive use of “the lay of Demodocus,” a story about the sexual triangle of Hephaestus, Aphrodite, and Ares. Chapter Five, on Rear Window (1954), finds its narrative archetype in The Homeric Hymn to Aphrodite; the erotic theme of Sirius, the Dog Star, also marks the film. Chapter Six, on To Catch a Thief (1955), offers the opportunity to break from mythic analogues, and to consider the film’s philosophical resonances (Plato and Epicurus) in the context of motifs coalesced around the god Dionysus/Bacchus.
Author: Laura Sava
Publisher: Edinburgh University Press
ISBN: 0748697489
Category : Art
Languages : en
Pages : 251
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Book Description
Laura Sava critically engages with the filmic representation of theatre, focusing on a selection of art house and independent films which provide a sophisticated commentary on the interaction between the two media.
Author: Jeffrey A. Brown
Publisher: Rutgers University Press
ISBN: 1978825285
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
Impossibly muscular men and voluptuous women parade around in revealing, skintight outfits, and their romantic and sexual entanglements are a key part of the ongoing drama. Such is the state of superhero comics and movies, a genre that has become one of our leading mythologies, conveying influential messages about gender, sexuality, and relationships. Love, Sex, Gender, and Superheroes examines a full range of superhero media, from comics to films to television to merchandising. With a keen eye for the genre’s complex and internally contradictory mythology, comics scholar Jeffrey A. Brown considers its mixed messages. Superhero comics may reinforce sex roles with their litany of phallic musclemen and slinky femme fatales, but they also blur gender binaries with their emphasis on transformation and body swaps. Similarly, while most heroes have heterosexual love interests, the genre prioritizes homosocial bonding, and it both celebrates and condemns gendered and sexualized violence. With examples spanning from the Golden Ages of DC and Marvel comics up to recent works like the TV series The Boys, this study provides a comprehensive look at how superhero media shapes our perceptions of love, sex, and gender.
Author: Elisa Mandelli
Publisher: Edinburgh University Press
ISBN: 1474416802
Category : Performing Arts
Languages : en
Pages : 175
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Book Description
With an innovative and strongly interdisciplinary theoretical framework, this book offers an extensive investigation of the use of audio-visuals in exhibition design.
Author: Steven Jacobs
Publisher: Bloomsbury Publishing
ISBN: 1350160318
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
In the 1940s and 1950s, hundreds of art documentaries were produced, many of them being highly personal, poetic, reflexive and experimental films that offer a thrilling cinematic experience. With the exception of Alain Resnais's Van Gogh (1948), Henri-Georges Clouzot's Le Mystère Picasso (1956) and a few others, most of them have received only scant scholarly attention. This book aims to rectify this situation by discussing the most lyrical, experimental and influential post-war art documentaries, connecting them to contemporaneous museological developments and Euro-American cultural and political relationships. With contributors with expertise across art history and film studies, Art in the Cinema draws attention to film projects by André Bazin, Ilya Bolotowsky, Paul Haesaerts, Carlo Ragghianti, John Read, Dudley Shaw Aston, Henri Storck and Willard Van Dyke among others.
Author: Libby Saxton
Publisher: Edinburgh University Press
ISBN: 1474463177
Category : Art
Languages : en
Pages : 193
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Book Description
The first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms. Moving from the 'paper cinema' of magazines via newsreels and film journals, to documentary, fiction and experimental films, this fascinating book draws on original archival research and multidisciplinary icon theory to explore new ways of thinking about the confluence of still and moving images.
Author: Liam Considine
Publisher: Routledge
ISBN: 0429640609
Category : Art
Languages : en
Pages : 274
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Book Description
Pop art was essential to the Americanization of global art in the 1960s, yet it engendered resistance and adaptation abroad in equal measure, especially in Paris. From the end of the Algerian War of Independence and the opening of Ileana Sonnabend’s gallery for American Pop art in Paris in 1962, to the silkscreen poster workshops of May ’68, this book examines critical adaptations of Pop motifs and pictorial devices across French painting, graphic design, cinema and protest aesthetics. Liam Considine argues that the transatlantic dispersion of Pop art gave rise to a new politics of the image that challenged Americanization and prefigured the critiques and contradictions of May ’68.
