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Author: Marle Hammond
Publisher: Edinburgh University Press
ISBN: 1474435807
Category :
Languages : en
Pages : 389
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Book Description
From the exaggerated emotions of 1930s Egyptian melodrama to the cryptic allegories of late 20th-century Palestinian cinema, Arab World Cinemas guides you through 28 Arabic-language feature films released between 1933 and 2021, including Muhammad Khan's 'Dreams of Hind and Camilia' (1989), Moufida Tlatli's 'Silences of the Palace' (1994) and Elia Suleiman's 'Divine Intervention' (2002). Written specially for students, the book is split into 3 parts: Egypt, North Africa and the eastern Arab world. Each part begins with an introductory essay that highlights the aesthetic and socio-historical trends and currents in the cinematic traditions particular to that region. Marle Hammond then dedicates individual chapters to a group of films from the highlighted region, interpreting their form and content through the lenses of cinematic technique and concepts drawn from various disciplines in the arts, humanities and social sciences.
Author: Valerie Orlando
Publisher: Ohio University Press
ISBN: 0896802817
Category : Performing Arts
Languages : en
Pages : 213
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Book Description
'Screening Morocco' focuses on Moroccan films produced and distributed from 1999 to the present. Valerie K. Orlando introduces American readers to the richness in theme and scope of the cinematic production of Morocco.
Author: Marle Hammond
Publisher: Edinburgh University Press
ISBN: 1474435807
Category :
Languages : en
Pages : 389
Get Book Here
Book Description
From the exaggerated emotions of 1930s Egyptian melodrama to the cryptic allegories of late 20th-century Palestinian cinema, Arab World Cinemas guides you through 28 Arabic-language feature films released between 1933 and 2021, including Muhammad Khan's 'Dreams of Hind and Camilia' (1989), Moufida Tlatli's 'Silences of the Palace' (1994) and Elia Suleiman's 'Divine Intervention' (2002). Written specially for students, the book is split into 3 parts: Egypt, North Africa and the eastern Arab world. Each part begins with an introductory essay that highlights the aesthetic and socio-historical trends and currents in the cinematic traditions particular to that region. Marle Hammond then dedicates individual chapters to a group of films from the highlighted region, interpreting their form and content through the lenses of cinematic technique and concepts drawn from various disciplines in the arts, humanities and social sciences.
Author: Kaya Davies Hayon
Publisher: Bloomsbury Publishing USA
ISBN: 1501335995
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
Sensuous Cinema: The Body in Contemporary Maghrebi Film examines a cluster of recent films that feature Maghrebi(-French) people and position corporeality as a site through which subjectivity and self-other relations are constituted and experienced. These films are set in and between the countries of the Maghreb, France and, to a lesser degree, Switzerland, and often adopt a sensual aesthetic that prioritizes embodied knowledge, the interrelation of the senses and the material realities of emotional experience. However, despite the importance of the body in these films, no study to date has taken corporeality as its primary point of concern. This new addition to the Thinking Cinema series interweaves corporeal phenomenology with theological and feminist scholarship on the body from the Maghreb and the Middle East to examine how Maghrebi(-French) people of different genders, ethnicities, sexualities, ages and classes have been represented corporeally in contemporary Maghrebi and French cinemas. Via detailed textual and phenomenological analyses of films such as Red Satin (Amari 2002), Exiles (Gatlif 2004), Couscous (Kechiche 2007) and Salvation Army (Taïa 2014), Kaya Hayon Davies conveys the pivotal role that corporeality plays in articulating identity and the emotions in these films.
Author: Suzanne Gauch
Publisher: Oxford University Press
ISBN: 0190262583
Category : History
Languages : en
Pages : 257
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Book Description
'Maghrebs in Motion' analyzes nine key films and film cycles from Algeria, Morocco, and Tunisia made in the twenty-five years leading up to the Arab Spring. This study shows how each film draws on diverse cinematic and sociopolitical legacies to prefigure and capture the shifts of perception and relation that so stunned onlookers worldwide when nonideological protests in Tunisia overthrew the long-standing autocratic government.
Author: Valérie K. Orlando
Publisher: Ohio University Press
ISBN: 089680478X
Category : Performing Arts
Languages : en
Pages : 213
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Book Description
Since 1999 and the death of King Hassan II, Morocco has experienced adramatic social transformation. Encouraged by the more openly democraticclimate fostered by young King Mohammed VI, filmmakers have begunto explore the sociocultural and political debates of their country whilealso seeking to document the untold stories of a dark past.Screening Morocco: Contemporary Film in a ChangingSociety focuses on Moroccan films produced and distributedfrom 1999 to the present. Moroccan cinema serves as an all-inclusive medium that providesa sounding board for a society that is remaking itself.Male and female directors present the face of an engaged,multiethnic and multilingual society. Their cinematographypromotes a country that is dynamic and connected to theglobal sociocultural economy of the twenty-first century. Atthe same time, they seek to represent the closed, obscurepast of a nation’s history that has rarely been told, drawingon themes such as human rights abuse, the former incarcerationof thousands during the Lead Years, women’semancipation, poverty, and claims for social justice. Screening Morocco will introduce American readers to therichness in theme and scope of the cinematic production ofMorocco.
Author: Michela Ardizzoni
Publisher: Lexington Books
ISBN: 1498528090
Category : Social Science
Languages : en
Pages : 191
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Book Description
This book documents and analyzes how the contemporary Mediterranean city manages and negotiates its identity as a result of recent reconfigurations in its cultural, religious, and social landscape. The events of Sept. 11, 2001 have recast difference as a central trope of identification in urban borderland settings, unleashing heated debates about cultural convergences and animating anxieties about an arguable clash of civilizations in modern cities. These emerging uncertainties have also grown stronger as the homogenizing forces of globalization unsettle essential principles of the nation-state and nationhood and render fixed perceptions of distinctive and singular people and cultures more tenuous. Recent scholarship and public discourse have accordingly framed discussions of these encounters around concerns of geo-political security and international policy. Unfortunately, framed within these terms, our understanding of how various groups within the Mediterranean metropolis deal with the intensification of difference as a lived experience has remained regrettably thin. This volume transcends this limitation and explores new, interdisciplinary research paradigms that will help us gain a comprehensive perspective on how complex macro and micro tensions, contradictions and similarities are negotiated in building urban identities in the Mediterranean basin. The contributors to this volume explore the multi-faceted nature of Mediterranean cities and engage a critical discussion of identity production and consumption in the Mediterranean basin. By spanning two centuries and examining both the Northern and Southern shores of the Mediterranean, the chapters in this book provide a broad and comprehensive investigation of the ways in which recent cultural productions have framed and re-imagined the Mediterranean city as a locus of departures, arrivals and contested belonging. By focusing on cinema, photography, new media, magazines, music and literature as different stages for the performative representation of Mediterraneity, the authors highlight the vibrancy of the intercultural discourses taking place along the shores of the mare nostrum and provide new perspectives from which to explore the relationship between North and South, East and West.
Author: Foluke Ogunleye
Publisher: Cambridge Scholars Publishing
ISBN: 1443857491
Category : Performing Arts
Languages : en
Pages : 295
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Book Description
African Film: Looking Back and Looking Forward acknowledges all those filmmakers and film scholars who, through their productions and theorization, have made a difference to the filmic universe in Africa. Their substantial contribution reflects our world and has the potential to change our lives. The book adopts an interdisciplinary character, traversing, as it does, the diverse subjects of politics, economics and history, among others. It interrogates Africa’s filmic past, analyses current productions, projects into the future of the film in Africa, and deals with the nature of the filmmaking profession. This book contributes to the growing literature on the African film and will provide the opportunity for filmmakers, academics and students to learn about the history, theories, problems, and various approaches to production, marketing, gender issues, race and legal issues, and a host of other subjects that impinge upon the African film.
Author: Fatima Sadiqi
Publisher: Routledge
ISBN: 1135136734
Category : Social Science
Languages : en
Pages : 267
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Book Description
Women in the Mediterranean have helped constitute new meanings of knowledge whilst simultaneously providing a wealth of material that is now part of the knowledge archive of the area. The inception of types of knowledge that differ from the conventional necessitates a re-definition of the concept of ‘knowledge,’ an issue which is addressed in this volume. Employing a range of theories and methodologies, this book explores four main domains in which women’s knowledge is attested: women and written knowledge; women and oral knowledge; women and legal, religious, and economic knowledge; and women and media knowledge. By presenting untapped women’s expressions of knowledge in these domains, this book opens new avenues of research in fields such as sociology, history and literature, amongst others. This book will be an invaluable resource for students and scholars of the Middle East, Women and Gender studies and Mediterranean Studies.
Author: Edwige Tamalet Talbayev
Publisher: Fordham Univ Press
ISBN: 0823275175
Category : Political Science
Languages : en
Pages : 364
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Book Description
The writer Gabriel Audisio once called the Mediterranean a “liquid continent.” Taking up the challenge issued by Audisio’s phrase, Edwige Tamalet Talbayev insists that we understand the region on both sides of the Mediterranean through a “transcontinental” heuristic. Rather than merely read the Maghreb in the context of its European colonizers from across the Mediterranean, Talbayev compellingly argues for a transmaritime deployment of the Maghreb across the multiple Mediterranean sites to which it has been materially and culturally bound for millennia. The Transcontinental Maghreb reveals these Mediterranean imaginaries to intersect with Maghrebi claims to an inclusive, democratic national ideal yet to be realized. Through a sustained reflection on allegory and critical melancholia, the book shows how the Mediterranean decenters postcolonial nation-building projects and mediates the nomadic subject’s reinsertion into a national collective respectful of heterogeneity. In engaging the space of the sea, the hybridity it produces, and the way it has shaped such historical dynamics as globalization, imperialism, decolonization, and nationalism, the book rethinks the very nature of postcolonial histories and identities along its shores.
Author: Kenneth W. Harrow
Publisher: Indiana University Press
ISBN: 0253016037
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
Frieda Ekotto, Kenneth W. Harrow, and an international group of scholars set forth new understandings of the conditions of contemporary African cultural production in this forward-looking volume. Arguing that it is impossible to understand African cultural productions without knowledge of the structures of production, distribution, and reception that surround them, the essays grapple with the shifting notion of what "African" means when many African authors and filmmakers no longer live or work in Africa. While the arts continue to flourish in Africa, addressing questions about marginalization, what is center and what periphery, what traditional or conservative, and what progressive or modern requires an expansive view of creative production.
