Author: Peter Svenson
Publisher: Rowman & Littlefield
ISBN: 1611462843
Category : History
Languages : en
Pages : 665
Book Description
Although she was one of the leading thinkers and writers of the women’s suffrage movement, Matilda Joslyn Gage (1826–1898) was largely written out of history. After working in collaboration with Elizabeth Cady Stanton and Susan B. Anthony, and after serving as president of the National Woman Suffrage Association, Gage developed increasingly radical views on feminism, religious liberty, and equality under the law. She eventually parted ways with the suffrage movement and founded the more progressive Woman’s National Liberal Union. In Witness to Rebellion, award-winning author Peter Svenson presents and examines Gage's last significant work, a scrapbook that collects newspaper clippings about the Civil War from the 1860s onward. Providing relevant contextual information, Svenson formats the content of the scrapbook to transform this important artifact into a readable work that offers a new and engaging perspective on nineteenth-century American history. Gage’s scrapbook sheds light on her thinking, both as a feminist and a Union patriot, as she lived through the bloodshed and upheaval of the war years and their aftermath. Witness to Rebellion is a valuable resource not only for scholars of history, women’s studies, and material culture, but also for general readers with interest in women’s suffrage and the Civil War.
The "War Scrap Book" of Matilda Joslyn Gage
Author: Peter Svenson
Publisher: Rowman & Littlefield
ISBN: 1611462843
Category : History
Languages : en
Pages : 665
Book Description
Although she was one of the leading thinkers and writers of the women’s suffrage movement, Matilda Joslyn Gage (1826–1898) was largely written out of history. After working in collaboration with Elizabeth Cady Stanton and Susan B. Anthony, and after serving as president of the National Woman Suffrage Association, Gage developed increasingly radical views on feminism, religious liberty, and equality under the law. She eventually parted ways with the suffrage movement and founded the more progressive Woman’s National Liberal Union. In Witness to Rebellion, award-winning author Peter Svenson presents and examines Gage's last significant work, a scrapbook that collects newspaper clippings about the Civil War from the 1860s onward. Providing relevant contextual information, Svenson formats the content of the scrapbook to transform this important artifact into a readable work that offers a new and engaging perspective on nineteenth-century American history. Gage’s scrapbook sheds light on her thinking, both as a feminist and a Union patriot, as she lived through the bloodshed and upheaval of the war years and their aftermath. Witness to Rebellion is a valuable resource not only for scholars of history, women’s studies, and material culture, but also for general readers with interest in women’s suffrage and the Civil War.
Publisher: Rowman & Littlefield
ISBN: 1611462843
Category : History
Languages : en
Pages : 665
Book Description
Although she was one of the leading thinkers and writers of the women’s suffrage movement, Matilda Joslyn Gage (1826–1898) was largely written out of history. After working in collaboration with Elizabeth Cady Stanton and Susan B. Anthony, and after serving as president of the National Woman Suffrage Association, Gage developed increasingly radical views on feminism, religious liberty, and equality under the law. She eventually parted ways with the suffrage movement and founded the more progressive Woman’s National Liberal Union. In Witness to Rebellion, award-winning author Peter Svenson presents and examines Gage's last significant work, a scrapbook that collects newspaper clippings about the Civil War from the 1860s onward. Providing relevant contextual information, Svenson formats the content of the scrapbook to transform this important artifact into a readable work that offers a new and engaging perspective on nineteenth-century American history. Gage’s scrapbook sheds light on her thinking, both as a feminist and a Union patriot, as she lived through the bloodshed and upheaval of the war years and their aftermath. Witness to Rebellion is a valuable resource not only for scholars of history, women’s studies, and material culture, but also for general readers with interest in women’s suffrage and the Civil War.
Writing with Scissors
Author: Ellen Gruber Garvey
Publisher: Oxford University Press
ISBN: 0199986355
Category : Literary Criticism
Languages : en
Pages : 315
Book Description
Men and women 150 years ago grappled with information overload by making scrapbooks-the ancestors of Google and blogging. From Abraham Lincoln to Susan B. Anthony, African American janitors to farmwomen, abolitionists to Confederates, people cut out and pasted down their reading. Writing with Scissors opens a new window into the feelings and thoughts of ordinary and extraordinary Americans. Like us, nineteenth-century readers spoke back to the media, and treasured what mattered to them. In this groundbreaking book, Ellen Gruber Garvey reveals a previously unexplored layer of American popular culture, where the proliferating cheap press touched the lives of activists and mourning parents, and all who yearned for a place in history. Scrapbook makers documented their feelings about momentous public events such as living through the Civil War, mediated through the newspapers. African Americans and women's rights activists collected, concentrated, and critiqued accounts from a press that they did not control to create "unwritten histories" in books they wrote with scissors. Whether scrapbook makers pasted their clippings into blank books, sermon collections, or the pre-gummed scrapbook that Mark Twain invented, they claimed ownership of their reading. They created their own democratic archives. Writing with Scissors argues that people have long had a strong personal relationship to media. Like newspaper editors who enthusiastically "scissorized" and reprinted attractive items from other newspapers, scrapbook makers passed their reading along to family and community. This book explains how their scrapbooks underlie our present-day ways of thinking about information, news, and what we do with it.
Publisher: Oxford University Press
ISBN: 0199986355
Category : Literary Criticism
Languages : en
Pages : 315
Book Description
Men and women 150 years ago grappled with information overload by making scrapbooks-the ancestors of Google and blogging. From Abraham Lincoln to Susan B. Anthony, African American janitors to farmwomen, abolitionists to Confederates, people cut out and pasted down their reading. Writing with Scissors opens a new window into the feelings and thoughts of ordinary and extraordinary Americans. Like us, nineteenth-century readers spoke back to the media, and treasured what mattered to them. In this groundbreaking book, Ellen Gruber Garvey reveals a previously unexplored layer of American popular culture, where the proliferating cheap press touched the lives of activists and mourning parents, and all who yearned for a place in history. Scrapbook makers documented their feelings about momentous public events such as living through the Civil War, mediated through the newspapers. African Americans and women's rights activists collected, concentrated, and critiqued accounts from a press that they did not control to create "unwritten histories" in books they wrote with scissors. Whether scrapbook makers pasted their clippings into blank books, sermon collections, or the pre-gummed scrapbook that Mark Twain invented, they claimed ownership of their reading. They created their own democratic archives. Writing with Scissors argues that people have long had a strong personal relationship to media. Like newspaper editors who enthusiastically "scissorized" and reprinted attractive items from other newspapers, scrapbook makers passed their reading along to family and community. This book explains how their scrapbooks underlie our present-day ways of thinking about information, news, and what we do with it.
Georgia Civil War Manuscript Collections
Author: David H. Slay
Publisher: University of Alabama Press
ISBN: 0817317449
Category : History
Languages : en
Pages : 297
Book Description
This book provides historians and genealogists with a one-stop guide to every Civil War–related manuscript collection stored in Georgia’s many repositories. With this guide in hand, researchers will no longer spend countless hours pouring through online catalogs, emailing archivists, and wondering if they have exhausted every lead in their pursuit of firsthand information about the war and the experiences of those who lived through and were impacted by it. In assembling the first state-specific bibliography to be compiled since the Indiana and Illinois bibliographies were assembled for the Civil War Centennial in the 1960s, David Slay has expanded the scope of this survey to include works relating to women, African Americans, and social history, as well as the letters and diaries of soldiers who fought in the war, reflecting society’s evolving understanding and interest in this defining period of American life. In addition, this compilation is not confined to material produced from 1861 to 1865, but also includes collections spanning the lives of prominent Civil War figures, making it an invaluable source for biographers. Organized by institution, Georgia Civil War Manuscript Collections has many time-saving features, all designed to increase efficiency of research. Each collection description contains the title and catalog number used in the holding institution. Where possible, collection descriptions have been improved upon, providing the researcher with information beyond what is listed in the holding institution’s card catalog and finding aid. It also cross-references duplicate collections that are held in two or more institutions as microfilm or photocopies. Simply put, Georgia Civil War Manuscript Collections takes the mystery out of Civil War research in Georgia.
Publisher: University of Alabama Press
ISBN: 0817317449
Category : History
Languages : en
Pages : 297
Book Description
This book provides historians and genealogists with a one-stop guide to every Civil War–related manuscript collection stored in Georgia’s many repositories. With this guide in hand, researchers will no longer spend countless hours pouring through online catalogs, emailing archivists, and wondering if they have exhausted every lead in their pursuit of firsthand information about the war and the experiences of those who lived through and were impacted by it. In assembling the first state-specific bibliography to be compiled since the Indiana and Illinois bibliographies were assembled for the Civil War Centennial in the 1960s, David Slay has expanded the scope of this survey to include works relating to women, African Americans, and social history, as well as the letters and diaries of soldiers who fought in the war, reflecting society’s evolving understanding and interest in this defining period of American life. In addition, this compilation is not confined to material produced from 1861 to 1865, but also includes collections spanning the lives of prominent Civil War figures, making it an invaluable source for biographers. Organized by institution, Georgia Civil War Manuscript Collections has many time-saving features, all designed to increase efficiency of research. Each collection description contains the title and catalog number used in the holding institution. Where possible, collection descriptions have been improved upon, providing the researcher with information beyond what is listed in the holding institution’s card catalog and finding aid. It also cross-references duplicate collections that are held in two or more institutions as microfilm or photocopies. Simply put, Georgia Civil War Manuscript Collections takes the mystery out of Civil War research in Georgia.
Guide to Federal Archives Relating to the Civil War
Author: Kenneth White Munden
Publisher: Washington, National Archives, National Archives and Records Service, General Services Administration
ISBN:
Category : Administrative agencies
Languages : en
Pages : 740
Book Description
Publisher: Washington, National Archives, National Archives and Records Service, General Services Administration
ISBN:
Category : Administrative agencies
Languages : en
Pages : 740
Book Description
A Hercules in the Cradle
Author: Max M. Edling
Publisher: University of Chicago Press
ISBN: 0226829367
Category : Business & Economics
Languages : en
Pages : 331
Book Description
Explores the origin and evolution of American public finance and shows how the nation’s rise to great-power status in the nineteenth century rested on its ability to go into debt. Two and a half centuries after the American Revolution the United States stands as one of the greatest powers on earth and the undoubted leader of the western hemisphere. This stupendous evolution was far from a foregone conclusion at independence. The conquest of the North American continent required violence, suffering, and bloodshed. It also required the creation of a national government strong enough to go to war against, and acquire territory from, its North American rivals. In A Hercules in the Cradle, Max M. Edling argues that the federal government’s abilities to tax and borrow money, developed in the early years of the republic, were critical to the young nation’s ability to wage war and expand its territory. He traces the growth of this capacity from the time of the founding to the aftermath of the Civil War, including the funding of the War of 1812 and the Mexican War. Edling maintains that the Founding Fathers clearly understood the connection between public finance and power: a well-managed public debt was a key part of every modern state. Creating a debt would always be a delicate and contentious matter in the American context, however, and statesmen of all persuasions tried to pay down the national debt in times of peace.
Publisher: University of Chicago Press
ISBN: 0226829367
Category : Business & Economics
Languages : en
Pages : 331
Book Description
Explores the origin and evolution of American public finance and shows how the nation’s rise to great-power status in the nineteenth century rested on its ability to go into debt. Two and a half centuries after the American Revolution the United States stands as one of the greatest powers on earth and the undoubted leader of the western hemisphere. This stupendous evolution was far from a foregone conclusion at independence. The conquest of the North American continent required violence, suffering, and bloodshed. It also required the creation of a national government strong enough to go to war against, and acquire territory from, its North American rivals. In A Hercules in the Cradle, Max M. Edling argues that the federal government’s abilities to tax and borrow money, developed in the early years of the republic, were critical to the young nation’s ability to wage war and expand its territory. He traces the growth of this capacity from the time of the founding to the aftermath of the Civil War, including the funding of the War of 1812 and the Mexican War. Edling maintains that the Founding Fathers clearly understood the connection between public finance and power: a well-managed public debt was a key part of every modern state. Creating a debt would always be a delicate and contentious matter in the American context, however, and statesmen of all persuasions tried to pay down the national debt in times of peace.
Writing with Scissors
Author: Ellen Gruber Garvey
Publisher: Oxford University Press
ISBN: 0199987025
Category : Literary Criticism
Languages : en
Pages : 315
Book Description
Men and women 150 years ago grappled with information overload by making scrapbooks-the ancestors of Google and blogging. From Abraham Lincoln to Susan B. Anthony, African American janitors to farmwomen, abolitionists to Confederates, people cut out and pasted down their reading. Writing with Scissors opens a new window into the feelings and thoughts of ordinary and extraordinary Americans. Like us, nineteenth-century readers spoke back to the media, and treasured what mattered to them. In this groundbreaking book, Ellen Gruber Garvey reveals a previously unexplored layer of American popular culture, where the proliferating cheap press touched the lives of activists and mourning parents, and all who yearned for a place in history. Scrapbook makers documented their feelings about momentous public events such as living through the Civil War, mediated through the newspapers. African Americans and women's rights activists collected, concentrated, and critiqued accounts from a press that they did not control to create "unwritten histories" in books they wrote with scissors. Whether scrapbook makers pasted their clippings into blank books, sermon collections, or the pre-gummed scrapbook that Mark Twain invented, they claimed ownership of their reading. They created their own democratic archives. Writing with Scissors argues that people have long had a strong personal relationship to media. Like newspaper editors who enthusiastically "scissorized" and reprinted attractive items from other newspapers, scrapbook makers passed their reading along to family and community. This book explains how their scrapbooks underlie our present-day ways of thinking about information, news, and what we do with it.
Publisher: Oxford University Press
ISBN: 0199987025
Category : Literary Criticism
Languages : en
Pages : 315
Book Description
Men and women 150 years ago grappled with information overload by making scrapbooks-the ancestors of Google and blogging. From Abraham Lincoln to Susan B. Anthony, African American janitors to farmwomen, abolitionists to Confederates, people cut out and pasted down their reading. Writing with Scissors opens a new window into the feelings and thoughts of ordinary and extraordinary Americans. Like us, nineteenth-century readers spoke back to the media, and treasured what mattered to them. In this groundbreaking book, Ellen Gruber Garvey reveals a previously unexplored layer of American popular culture, where the proliferating cheap press touched the lives of activists and mourning parents, and all who yearned for a place in history. Scrapbook makers documented their feelings about momentous public events such as living through the Civil War, mediated through the newspapers. African Americans and women's rights activists collected, concentrated, and critiqued accounts from a press that they did not control to create "unwritten histories" in books they wrote with scissors. Whether scrapbook makers pasted their clippings into blank books, sermon collections, or the pre-gummed scrapbook that Mark Twain invented, they claimed ownership of their reading. They created their own democratic archives. Writing with Scissors argues that people have long had a strong personal relationship to media. Like newspaper editors who enthusiastically "scissorized" and reprinted attractive items from other newspapers, scrapbook makers passed their reading along to family and community. This book explains how their scrapbooks underlie our present-day ways of thinking about information, news, and what we do with it.
New Directions in American Reception Study
Author: Philip Goldstein
Publisher: Oxford University Press
ISBN: 0190295694
Category : Literary Criticism
Languages : en
Pages : 416
Book Description
Contemporary reception study has developed a diversity of approaches and methods, including the institutional, textual, historical, authorial, and reader-response, which, to a greater or lesser extent, acknowledge the various ways in which readers have found texts-- literature, television shows, movies, and newspapers--meaningful. This collection emphasizes that new diversity, examining movies, newspapers, fans, television shows, and traditional American as well as modern Hispanic, Black, and Women's literature. The essays on literature include James Machor on Melville's short fiction, Kenneth Roemer on Edward Bellamy's utopian work Looking Backward, Amy Blair on the popularity of Sinclair Lewis's Main Street, Marcial Gonzalez on Danny Santiago and his Hispanic novel Famous All Over Town, and Leonard Diepeveen on modernist fiction and criticism. The theoretical essays on reader-oriented criticism include Patsy Schweickart on interpretation and the ethics of careand Jack Bratich on active audiences. Media versions of response criticism include Andrea Press and Camille Johnson's ethnographic analysis of fans of the Oprah Winfrey Show, Janet Staiger on Robert Aldrich's film version of Mickey Spillane's Kiss Me Deadly, and Rhiannon Bury on the fans of the HBO television show Six Feet Under. History-of-the-book versions include Barbara Hochman on the popularity of the 1890s editions of Harriet Beecher Stowe's Uncle Tom's Cabin, Ellen Garvey on nineteenth-century scrapbooks of newspaper, and David Nord on early twentieth-century newspapers' relations to audience charges of bias and unfairness. Poststructuralist studies include Philip Goldstein on Richard Wright's Native Son, Steve Mailloux on Reading Lolita in Tehran, and Tony Bennett on the cultural analyses of Pierre Bourdieu. The collection concludes with essays by Janice Radway on the limits of these methods and on the possibility of new forms of sociological and anthropological reception study and byToby Miller on the "reception deception" in relation to the worldwide distribution and reception of movies and television shows.
Publisher: Oxford University Press
ISBN: 0190295694
Category : Literary Criticism
Languages : en
Pages : 416
Book Description
Contemporary reception study has developed a diversity of approaches and methods, including the institutional, textual, historical, authorial, and reader-response, which, to a greater or lesser extent, acknowledge the various ways in which readers have found texts-- literature, television shows, movies, and newspapers--meaningful. This collection emphasizes that new diversity, examining movies, newspapers, fans, television shows, and traditional American as well as modern Hispanic, Black, and Women's literature. The essays on literature include James Machor on Melville's short fiction, Kenneth Roemer on Edward Bellamy's utopian work Looking Backward, Amy Blair on the popularity of Sinclair Lewis's Main Street, Marcial Gonzalez on Danny Santiago and his Hispanic novel Famous All Over Town, and Leonard Diepeveen on modernist fiction and criticism. The theoretical essays on reader-oriented criticism include Patsy Schweickart on interpretation and the ethics of careand Jack Bratich on active audiences. Media versions of response criticism include Andrea Press and Camille Johnson's ethnographic analysis of fans of the Oprah Winfrey Show, Janet Staiger on Robert Aldrich's film version of Mickey Spillane's Kiss Me Deadly, and Rhiannon Bury on the fans of the HBO television show Six Feet Under. History-of-the-book versions include Barbara Hochman on the popularity of the 1890s editions of Harriet Beecher Stowe's Uncle Tom's Cabin, Ellen Garvey on nineteenth-century scrapbooks of newspaper, and David Nord on early twentieth-century newspapers' relations to audience charges of bias and unfairness. Poststructuralist studies include Philip Goldstein on Richard Wright's Native Son, Steve Mailloux on Reading Lolita in Tehran, and Tony Bennett on the cultural analyses of Pierre Bourdieu. The collection concludes with essays by Janice Radway on the limits of these methods and on the possibility of new forms of sociological and anthropological reception study and byToby Miller on the "reception deception" in relation to the worldwide distribution and reception of movies and television shows.
Report of the Librarian of the University of North Carolina
Author: University of North Carolina (1793-1962). Library
Publisher:
ISBN:
Category : Academic libraries
Languages : en
Pages : 228
Book Description
Publisher:
ISBN:
Category : Academic libraries
Languages : en
Pages : 228
Book Description
Report of the Division of Library and Library School
Author: University of North Carolina (1793-1962). Library
Publisher:
ISBN:
Category : Academic libraries
Languages : en
Pages : 396
Book Description
Publisher:
ISBN:
Category : Academic libraries
Languages : en
Pages : 396
Book Description
Guide to Manuscripts in the Bentley Historical Library
Author: Bentley Historical Library
Publisher: Ann Arbor : University of Michigan
ISBN:
Category : Manuscripts
Languages : en
Pages : 406
Book Description
Publisher: Ann Arbor : University of Michigan
ISBN:
Category : Manuscripts
Languages : en
Pages : 406
Book Description