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Author: Bill Findlay
Publisher: Association for Scottish Literary Studies (ASLS)
ISBN:
Category : Drama
Languages : en
Pages : 384
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Book Description
This publication contains five of Glasgow Unity Theatre's most important plays, including Ena Lamont Stewart's 'Men Should Weep' and a play from the 1950s, 'All in Good Faith', by Roddy McMillan, who had begun his career as one of Unity's outstanding performers.
Author: Bill Findlay
Publisher: Association for Scottish Literary Studies (ASLS)
ISBN:
Category : Drama
Languages : en
Pages : 384
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Book Description
This publication contains five of Glasgow Unity Theatre's most important plays, including Ena Lamont Stewart's 'Men Should Weep' and a play from the 1950s, 'All in Good Faith', by Roddy McMillan, who had begun his career as one of Unity's outstanding performers.
Author: Theresa Breslin
Publisher: A&C Black
ISBN: 1408181576
Category : Drama
Languages : en
Pages : 160
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Book Description
Nominated for ten UK book awards, Theresa Breslin's hit novel tells of how two young boys - one Rangers fan, one Celtic fan - are drawn into a secret pact to help a young asylum seeker in a city divided by prejudice. Now adapted for the stage by Martin Travers, the play has already been produced to great acclaim at Glasgow's Citizens Theatre. Graham and Joe just want to play football and be selected for the new city team, but a violent attack on Kyoul, an asylum seeker, changes everything when they find themselves drawn into a secret pact to help the victim and his girlfriend Leanne. Set in Glasgow at the time of the Orange Order walks, Divided City is a gripping tale about two boys and how they must find their own way forward in a world divided by difference. This educational edition has been prepared by national Drama in Secondary English experts Ruth Moore and Paul Bunyan. Published in Methuen Drama's Critical Scripts series the book: - meets the curriculum requirements for English at KS3, GCSE and Scottish CfE. - features detailed, structured schemes of work utilising drama approaches to improve literary and language analysis - places pupils' understanding of the learning process at the heart of the activities - will help pupils to boost English GCSE success and develop high-level skills at KS3 - will save teachers considerable time devising their own resources.
Author: Eugène Van Erven
Publisher: Indiana University Press
ISBN: 9780253347886
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
Author: Ian Brown
Publisher: Edinburgh University Press
ISBN: 0748688374
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
The ideal guide for students and theatre-lovers alike, the Companion explores the longstanding and vibrant Scottish dramatic tradition and the important developments in Scottish dramatic writing and theatre over the last hundred years.
Author: Mark Brown
Publisher: Springer
ISBN: 3319986392
Category : Performing Arts
Languages : en
Pages : 266
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Book Description
This book argues that Scottish theatre has, since the late 1960s, undergone an artistic renaissance, driven by European Modernist aesthetics. Combining detailed research and analysis with exclusive interviews with ten leading figures in modern Scottish drama, the book sets out the case for the last half-century as the strongest period in the history of the Scottish stage. Mark Brown traces the development of Scottish theatre’s Modernist revolution from the arrival of influential theatre director Giles Havergal at the Citizens Theatre, Glasgow in 1969 through to the advent of the National Theatre of Scotland in 2006. Finally, the book contemplates the future of Scotland’s theatrical renaissance. It is essential reading for anyone interested in contemporary theatre and/or the modern history of live drama in Scotland.
Author: Ian Brown
Publisher: Edinburgh University Press
ISBN: 0748636951
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
This volume considers the major themes, texts and authors of Scottish literature of the twentieth and, so far, twenty-first century. It identifies the contexts and impulses that led Scottish writers to adopt their creative literary strategies. Moving beyond traditional classifications, it draws on the most recent critical approaches to open up new perspectives on Scottish literature since 1900. The volume's innovative thematic structure ensures that the most important texts or authors are seen from different perspectives whether in the context of empire, renaissance, war and post-war, literary genre, generation, and resistance. In order to provide thorough coverage, these thematic chapters are complemented by chronological 'Arcade' chapters, which outline the contexts of the literature of the period by decades, and by 'Overview' chapters which trace developments across the century in theatre, language and Gaelic literature. Taken together, the chapters provide a thorough and thought-provoking account of the century's literature.
Author: Laurence Raw
Publisher: Rowman & Littlefield
ISBN: 1442257350
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Throughout World War II, audiences in the United Kingdom craved entertainment, even during the country’s darkest days. During this period, actor-manager Donald Wolfit and his theatre troupe toured Great Britain and Europe—often at great risk. After the war, Wolfit broadened his tour, bringing his brand of Shakespearean theatre to North American audiences. Wolfit believed that theatre should be accessible to everyone, regardless of their socioeconomic origins. It was this quality above all that accounted for his huge popularity throughout the fifteen years of his operation. In Theatre of the People: Donald Wolfit’s Shakespearean Productions 1937–1953, Laurence Raw looks at this tenacious personality whose determination to serve the nation by performing Shakespeare inspired audiences and fellow actors. Drawing on a series of hitherto unpublished materials—including letters and interviews—this part biography and part social history creates a vivid picture of what life was like for the touring actor during WWII and beyond. Recreating twelve of Wolfit’s touring dates throughout Great Britain and North America, this volume also demonstrates theatre’s importance as a source of mass entertainment and education, as well as a propaganda tool. Despite Wolfit’s popular appeal at the time, he was doomed to remain on the periphery of the theatrical establishment. This book contends that Wolfit deserves to be recognized for his efforts in maintaining public morale during times of stress. Theatre of the People will appeal not only to those interested in drama but also to students and scholars of history and popular entertainment in the 1940s and 1950s.
Author: Nadine Holdsworth
Publisher: Bloomsbury Publishing
ISBN: 1350316296
Category : Performing Arts
Languages : en
Pages : 87
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Book Description
How has theatre engaged with the nation-state and helped to formulate national identities? What impact have migration and globalisation had on the relationship between theatre and nation? Theatre & Nation explores how theatre institutions, playwrights, theatre-makers and performance artists engage with the nation, nationalism and national identity in their work. The book argues that theatrical representations of the nation are constantly in flux and that the way theatre engages with the nation changes according to different geographical, political, economic, social and cultural circumstances. Foreword by Nicholas Hytner.
Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 68
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Book Description
Author: Ian Brown
Publisher: Rodopi
ISBN: 9401209944
Category : History
Languages : en
Pages : 256
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Book Description
Challenging the dominant view of a broken and discontinuous dramatic culture in Scotland, this book outlines the variety and richness of the nation ́s performance traditions and multilingual theatre history. Brown illuminates enduring strands of hybridity and diversity which use theatre and theatricality as a means of challenging establishment views, and of exploring social, political, and religious change. He describes the ways in which politically and religiously divisive moments in Scottish history, such as the Reformation and political Union, fostered alternative dramatic modes and means of expression. This major revisionist history also analyses the changing relationships between drama, culture, and political change in Scotland in the 20th and 21st centuries, drawing on the work of an extensive range of modern and contemporary Scottish playwrights and drama practitioners. Ian Brown is a playwright, poet and Professor of Drama at Kingston University, London. Until recently Chair of the Scottish Society of Playwrights, he was General Editor of the Edinburgh History of Scottish Theatre (EUP, 2007) and editor of From Tartan to Tartanry: Scottish Culture, History and Myth (EUP, 2010) and The Edinburgh Companion to Scottish Drama (EUP, 2011). He has published widely on theatre, cultural policy and literature and language.
