Images of Goethe through Schiller's Egmont PDF Download
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Author: David G. John
Publisher: McGill-Queen's Press - MQUP
ISBN: 077356697X
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
John argues that shifting the focus from the text to the efficacy of performance requires broadening our concept of performance beyond what occurs on stage and its critical reception to include the daily life of the society that provides its context. It follows from this semiotic approach that there can be no fixed text or understanding of Egmont or of Goethe himself - only multiple images. John's exploration of image includes literary motifs, acting, staging, and social role playing, with particular reference to Goethe's development as an artist and cultural icon. In addition to presenting a comprehensive analysis of the play and a discussion of Egmont's reception from its first appearance to the present (including productions on both stage and screen), John provides an in-depth performance analysis based on the theories of Alter, Burns, Carson, Fischer-Lichte, Goffman, Pavis, and Schechner. The book includes the complete Mannheim manuscript (M372), critically edited and published as a performance text for the first time.
Author: David Gethin John
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773516816
Category : Drama
Languages : en
Pages : 344
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Book Description
John argues that shifting the focus from the text to the efficacy of performance requires broadening our concept of performance beyond what occurs on stage and its critical reception to include the daily life of the society that provides its context. It follows from this semiotic approach that there can be no fixed text or understanding of Egmont or of Goethe himself - only multiple images. John's exploration of image includes literary motifs, acting, staging, and social role playing, with particular reference to Goethe's development as an artist and cultural icon. In addition to presenting a comprehensive analysis of the play and a discussion of Egmont's reception from its first appearance to the present (including productions on both stage and screen), John provides an in-depth performance analysis based on the theories of Alter, Burns, Carson, Fischer-Lichte, Goffman, Pavis, and Schechner. The book includes the complete Mannheim manuscript (M372), critically edited and published as a performance text for the first time.
Author:
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ISBN:
Category : Current events
Languages : en
Pages : 570
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Book Description
Author: Sotheran
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 514
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Author:
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ISBN:
Category : Phrenology
Languages : en
Pages : 408
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Book Description
Author: Jerome Charyn
Publisher: Open Road Media
ISBN: 1453251537
Category : Fiction
Languages : en
Pages : 220
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Book Description
DIVA cop and his disgraced mentor attempt to bust a white slavery ring/divDIV/divDIVBefore Isaac Sidel adopts him, Manfred Coen is a mutt. A kid from the Bronx, he joins the police academy after his father’s suicide leaves him directionless, and is trudging along like any other cadet when first deputy Sidel, the commissioner’s right hand man, comes looking for a young cop with blue eyes to infiltrate a ring of Polish smugglers. He chooses Coen, and asks the cadet to join his department after he finishes the academy. Working under Sidel means fast promotions, plush assignments, and, when a corruption scandal topples his mentor, the resentment of every rank-and-file detective on the force./divDIV /divDIVNow just an ordinary cop, Coen hears word that his old mentor has a line on a human trafficking operation. When Sidel’s attempt at infiltration fails, he sends in Coen. For Coen, it’s a shot to prove himself and redeem his mentor, but it could cost the blue-eyed cop his life./div
Author: Lawrence Schiller
Publisher: Nan A. Talese
ISBN: 0385536682
Category : Biography & Autobiography
Languages : en
Pages : 110
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Book Description
An intimate memoir recalling a young photographer's relationship with Marilyn Monroe just months before her death, with extraordinary photographs, some of which have never been published. "With the precision of a surgeon, Schiller slices through the façade of Marilyn Monroe in his unflinching memoir. Revealing and readable, it’s a book I couldn’t put down." —Tina Brown When he pulled his station wagon into the 20th Century-Fox studios parking lot in Los Angeles in 1960, twenty-three-year-old Lawrence Schiller kept telling himself that this was just another assignment, just another pretty girl. But the assignment and the girl were anything but ordinary. Schiller was a photographer for Look magazine and his subject was Marilyn Monroe, America's sweetheart and sex symbol. In this intimate memoir, Schiller recalls the friendship that developed between him and Monroe while he photographed her in Hollywood in 1960 and 1962 on the sets of Let's Make Love and the unfinished feature Something's Got to Give, the last film she worked on. Schiller recalls Marilyn as tough and determined, enormously insecure as an actress but totally self-assured as a photographer’s model. Monroe knew how to use her looks and sexuality to generate publicity, and in 1962 she allowed Schiller to publish the first nude photographs of her in over ten years, which she then used as a weapon against a studio that wanted to have her fired—and ultimately succeeded. The Marilyn Schiller knew and writes about was adept at hiding deep psychological scars, but she was also warm and open, candid and disarming, a movie star who wished to be taken more seriously than she was. Accompanying the text are eighteen of the author’s own photographs, some never previously published. Many writers have tried to capture her essence on the page, but as someone who was in the room, a young man Marilyn could connect with and trust, Schiller gives us a unique look at the real woman offscreen. "In this short, splendid memoir, Lawrence Schiller offers us another cut on the scintillating diamond that is Marilyn Monroe. In clear honest straightforward prose, Schiller allows us to dwell in the heart of another time. He captures Marilyn, both in photographs and words, and in so doing he gives us intimate access into one of the great stories of the 20th century: the complicated cocktail of joy and sadness that goes along with both beauty and fame." —Colum McCann
Author: Gail Kathleen Hart
Publisher: University of Delaware Press
ISBN: 9780874138955
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
"A final chapter addresses Schillerian intertextuality in the twentieth century, and the survival of Schillerian ideals of freedom and aesthetic education in modern mutations. Foremost among these texts are Anthony Burgess's A Clockwork Orange and Stanley Kubrick's film of that novel."--Jacket.
Author: British Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 964
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Book Description
Author: Sandra Dudley
Publisher: Routledge
ISBN: 1136616543
Category : History
Languages : en
Pages : 419
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Book Description
This is an innovative interdisciplinary book about objects and people within museums and galleries. It addresses fundamental issues of human sensory, emotional and aesthetic experience of objects. The chapters explore ways and contexts in which things and people mutually interact, and raise questions about how objects carry meaning and feeling, the distinctions between objects and persons, particular qualities of the museum as context for person-object engagements, and the active and embodied role of the museum visitor. Museum Materialities is divided into three sections – Objects, Engagements and Interpretations – and includes a foreword by Susan Pearce and an afterword by Howard Morphy. It examines materiality and other perceptual and ontological qualities of objects themselves; embodied sensory and cognitive engagements – both personal and across a wider audience spread – with particular objects or object types in a museum or gallery setting; notions of aesthetics, affect and wellbeing in museum contexts; and creative and innovative artistic and museum practices that seek to illuminate or critique museum objects and interpretations. Phenomenological and other approaches to embodied experience in an emphatically material world are current in a number of academic areas, most particularly strands of material culture studies within anthropology and cognate disciplines. Thus far, however, there has been no concerted application of this kind of approach to museum collections and interactions with them by museum visitors, curators, artists and researchers. Bringing together essays by scholars and practitioners from a wide disciplinary and international base, Museum Materialities seeks to make just such a contribution. In so doing it makes a valuable and original addition to the literature of both material culture studies and museum studies.
