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Author: Cyril Birch
Publisher: Columbia University Press
ISBN: 9780231102636
Category : Drama
Languages : en
Pages : 288
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Book Description
Ming drama represents the classical Chinese theatre at its most mature. Between 1368 and 1644, more than 400 playwrights produced over 1500 plays, ranging from one-act skits to works with 50 scenes or more. As a performing art, Ming theatre includes polished singing, enchanting music, fantastic plotting, and intricate choreography.
Author: Cyril Birch
Publisher: Columbia University Press
ISBN: 9780231102636
Category : Drama
Languages : en
Pages : 288
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Book Description
Ming drama represents the classical Chinese theatre at its most mature. Between 1368 and 1644, more than 400 playwrights produced over 1500 plays, ranging from one-act skits to works with 50 scenes or more. As a performing art, Ming theatre includes polished singing, enchanting music, fantastic plotting, and intricate choreography.
Author: Ryunosuke Akutagawa
Publisher: Archipelago
ISBN: 1935744127
Category : Fiction
Languages : en
Pages : 257
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Book Description
Prefiguring the vital modernist voices of the Western literary canon, Akutagawa writes with a trenchant psychological precision that exposes the shifting traditions and ironies of early twentieth-century Japan and reveals his own strained connection to it. These stories are moving glimpses into a cast of characters at odds with the society around them, singular portraits that soar effortlessly toward the universal. "What good is intelligence if you cannot discover a useful melancholy?" Akutagawa once mused. Both piercing intelligence and "useful melancholy" buoy this remarkable collection. Mandarins contains three stories published in English for the first time: "An Evening Conversation," "An Enlightened Husband," and "Winter."
Author: David Shannon
Publisher: Scholastic Inc.
ISBN: 1338113143
Category : Juvenile Fiction
Languages : en
Pages : 38
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Book Description
Caldecott Honor artist and bestseller David Shannon make readers laugh aloud in this next story about the troublemaking David! "When David gets in trouble, he always says . . . 'NO! It's not my fault! I didn't mean to! It was an accident!'" Whatever the situation, David's got a good excuse. And no matter what he's done "wrong," it's never really his fault. Soon, though, David realizes that making excuses makes him feel bad, and saying he's sorry makes him feel better. Once again, David Shannon entertains us with young David's mischievous antics and a lighthearted story that's sure to leave kids (and parents) laughing.
Author: Jing Shen
Publisher: Lexington Books
ISBN: 0739138596
Category : Social Science
Languages : en
Pages : 335
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Book Description
Playwrights and Literary Games in Seventeenth-Century China: Plays by Tang Xianzu, Mei Dingzuo, Wu Bing, Li Yu, and Kong Shangren is a full-length study of chuanqi (romance) drama, a sophisticated form with substantial literary and meta-theatrical value that reigned in Chinese theater from the sixteenth to eighteenth centuries and nourished later theatrical traditions including jingju (Beijing Opera). Highly educated dramatists used chuanqi to present in artistic form personal, social, and political concerns of their time. There were six outstanding examples of these trends, considered masterpieces in their time and ever since. This study presents them in their social and cultural context during the long seventeenth century (1580D1700), the period of great experimentation and political transition. The romantic spirit and independent thinking of the late Ming elite stimulated the efflorescence of the chuanqi, and that legacy was inherited and investigated during the second half of the seventeenth-century in early Qing. Jing Shen examinees the texts to demonstrate that the playwrights appropriate, convert, or misinterpret other genres or literary works of enduring influence into their plays to convey subtle and subversive expressions in the fine margins between tradition and innovation, history and theatrical re-presentation. By exploring the components of romance in texts from late Ming to early Qing, Shen reveals creative readings of earlier themes, stories, plays and the changing idea of romanticism for chuanqi drama. This study also shows the engagement of literati playwrights in closed literary circles in which chuanqi plays became a tool by which literati playwrights negotiated their agency and social stature. The five playwrights whose works are analyzed in this book had different experiences pursuing government service as scholar-officials; some failed to achieve high office. But their common concerns and self-conscious literary choices reveal important insights into the culture of the seventeenth century, and into the sociopolitical implications of the chuanqi genre. In addition to classical Chinese commentaries on chuanqi drama, this book uses modern critical theories and terminology on Western drama to enhance the analysis of chuanqi plays.
Author: Honggang Jin
Publisher: Cheng & Tsui
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 748
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Book Description
The China Scene textbook explores modern Chinese through a range of contemporary social and cultural topics, such as the market economy and private enterprise
Author: Ruth Rendell
Publisher: Random House
ISBN: 1409068846
Category : Fiction
Languages : en
Pages : 192
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Book Description
Readers of PD James, Ann Cleeves and Donna Leon will love this gripping crime thriller full of twists and turns from multi-million copy and SUNDAY TIMES bestselling author Ruth Rendell. 'The most brilliant mystery writer' -- Patricia Cornwell 'Probably the greatest crime writer in the world' -- Ian Rankin 'Totally gripping with superb twist at the end!' -- ***** Reader review 'Fascinating' -- ***** Reader review 'Superb on all counts' -- ***** Reader review 'Keeps the reader rooted to the spot and in the dark till the very end' -- ***** Reader review ************************************************************************************************ Wherever Reggie Wexford goes, death and intrigue are close on his heels. Having just returned from a once-in-a-lifetime holiday in China, Wexford finds himself haunted by memories of the old woman with bound feet who mysteriously followed him from one city to the next and the man who tragically drowned. Now, back in England, he finds himself investigating the murder of a fellow tourist. Knowing that the clue to these three mysteries lies in the East, Wexford turns his investigative skills to that place of unfathomable and sinister depths...
Author: Eliot Pattison
Publisher: Minotaur Books
ISBN: 1250012082
Category : Fiction
Languages : en
Pages : 306
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Book Description
In Mandarin Gate, Edgar Award winner Eliot Pattison brings Shan back in a thriller that navigates the explosive political and religious landscape of Tibet. In an earlier time, Shan Tao Yun was an Inspector stationed in Beijing. But he lost his position, his family and his freedom when he ran afoul of a powerful figure high in the Chinese government. Released unofficially from the work camp to which he'd been sentenced, Shan has been living in remote mountains of Tibet with a group of outlawed Buddhist monks. Without status, official identity, or the freedom to return to his former home in Beijing, Shan has just begun to settle into his menial job as an inspector of irrigation and sewer ditches in a remote Tibetan township when he encounters a wrenching crime scene. Strewn across the grounds of an old Buddhist temple undergoing restoration are the bodies of two unidentified men and a Tibetan nun. Shan quickly realizes that the murders pose a riddle the Chinese police might in fact be trying to cover up. When he discovers that a nearby village has been converted into a new internment camp for Tibetan dissidents arrested in Beijing's latest pacification campaign, Shan recognizes the dangerous landscape he has entered. To find justice for the victims and to protect an American woman who witnessed the murders, Shan must navigate through the treacherous worlds of the internment camp, the local criminal gang, and the government's rabid pacification teams, while coping with his growing doubts about his own identity and role in Tibet.
Author: Ricardo Padrón
Publisher: University of Chicago Press
ISBN: 0226820017
Category : History
Languages : en
Pages : 357
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Book Description
Padrón reveals the evolution of Spain’s imagining of the New World as a space in continuity with Asia. Narratives of Europe’s westward expansion often tell of how the Americas came to be known as a distinct landmass, separate from Asia and uniquely positioned as new ground ripe for transatlantic colonialism. But this geographic vision of the Americas was not shared by all Europeans. While some imperialists imagined North and Central America as undiscovered land, the Spanish pushed to define the New World as part of a larger and eminently flexible geography that they called las Indias, and that by right, belonged to the Crown of Castile and León. Las Indias included all of the New World as well as East and Southeast Asia, although Spain’s understanding of the relationship between the two areas changed as the realities of the Pacific Rim came into sharper focus. At first, the Spanish insisted that North and Central America were an extension of the continent of Asia. Eventually, they came to understand East and Southeast Asia as a transpacific extension of their empire in America called las Indias del poniente, or the Indies of the Setting Sun. The Indies of the Setting Sun charts the Spanish vision of a transpacific imperial expanse, beginning with Balboa’s discovery of the South Sea and ending almost a hundred years later with Spain’s final push for control of the Pacific. Padrón traces a series of attempts—both cartographic and discursive—to map the space from Mexico to Malacca, revealing the geopolitical imaginations at play in the quest for control of the New World and Asia.
Author: Janet Y. Chen
Publisher: Columbia University Press
ISBN: 0231557752
Category : History
Languages : en
Pages : 262
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Book Description
Mandarin Chinese is the most widely spoken language in the world today. In China, a country with a vast array of regional and local vernaculars, how was this “common language” forged? How did people learn to speak Mandarin? And what does a focus on speech instead of script reveal about Chinese language and history? This book traces the surprising social history of China’s spoken standard, from its creation as the national language of the early Republic in 1913 to its journey into postwar Taiwan to its reconfiguration as the common language of the People’s Republic after 1949. Janet Y. Chen examines the process of linguistic change from multiple perspectives, emphasizing the experiences of ordinary people. After the fall of the Qing dynasty, a chorus of influential elites promoted the goal of a strong China speaking in one unified voice. Chen explores how this vision fared in practice, showing the complexities of transforming an ideological aspiration into spoken reality. She tracks linguistic change in schools, rural areas, and urban life against the backdrop of war and revolution. The Sounds of Mandarin draws on a novel aural archive of early twentieth-century sound technology, including phonograph recordings, films, and radio broadcasts. Following the uneven trajectory of standard speech, this book sheds new light on the histories of language, nationalism, and identity in China and Taiwan.
Author: Frances Dickey
Publisher: Edinburgh University Press
ISBN: 1474405290
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
From his early "e;Curtain Raiser"e; to the late Four Quartets, T. S. Eliot took an interest in all the arts, drawing on them for poetic inspiration and for analysis in his prose. T. S. Eliot and the Arts provides extensive, high quality research about his many-sided engagement with painting, sculpture, museum artefacts, architecture, music, drama, music hall, opera and dance, as well as the emerging media of recorded sound, film and radio. Building on the newly published editions of Eliot's prose and poetry, this contemporary research collection opens avenues for understanding Eliot both in his own right as a poet and critic and as a foremost exemplar of interarts modernism.
