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Author: Clarence Budington Kelland
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 328
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Book Description
"A small-town New England merchant with a genius for business and politics." Cf. Hanna, A. Mirror for the nation
Author: Clarence Budington Kelland
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 328
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Book Description
"A small-town New England merchant with a genius for business and politics." Cf. Hanna, A. Mirror for the nation
Author: Clarence Budington Kelland
Publisher: Wildside Press LLC
ISBN: 1434412717
Category : Fiction
Languages : en
Pages : 320
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Book Description
Scattergood Baines -- the country storekeeper who has become a national hero -- returns in a book filled with homespun philosophy, shrewd American humor, and common sense.
Author: Clarence Budington Kelland
Publisher: New York : Harper
ISBN:
Category : Baines, Scattergood (Fictitious character)
Languages : en
Pages : 334
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Book Description
Author: Vincent Terrace
Publisher: McFarland
ISBN: 1476605289
Category : Performing Arts
Languages : en
Pages : 406
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Book Description
This is an encyclopedic reference work to 1,802 radio programs broadcast from the years 1924 through 1984. Entries include casts, character relationships, plots and storylines, announcers, musicians, producers, hosts, starting and ending dates of the programs, networks, running times, production information and, when appropriate, information on the radio show's adaptation to television. Many hundreds of program openings and closings are included.
Author: Vincent Terrace
Publisher: McFarland
ISBN: 1476688362
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
The early years of television relied in part on successful narratives of another medium, as studios adapted radio programs like Boston Blackie and Defense Attorney to the small screen. Many shows were adapted more than once, like the radio program Blondie, which inspired six television adaptations and 28 theatrical films. These are but a few of the 1,164 programs covered in this volume. Each program entry contains a detailed story line, years of broadcast, performer and character casts and principal production credits where possible. Two appendices ("Almost a Transition" and "Television to Radio") and a performer's index conclude the book. This first-of-its-kind encyclopedia covers many little-known programs that have rarely been discussed in print (e.g., Real George, based on Me and Janie; Volume One, based on Quiet, Please; and Galaxy, based on X Minus One). Covered programs include The Great Gildersleeve, Howdy Doody, My Friend Irma, My Little Margie, Space Patrol and Vic and Sade.
Author: Vincent Terrace
Publisher: McFarland
ISBN: 1476612234
Category : Performing Arts
Languages : en
Pages : 285
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Book Description
The openings and closings to radio programs of all types, from comedies (Blondie, The Jack Benny Program, Lum and Abner) to mysteries (Inner Sanctum Mysteries, The Black Chapel) to game shows (Can You Top This?, Truth or Consequences) to serials (Second Husband, Bachelor's Children) to crime dramas (The Falcon, Eno Crime Clues, The Green Hornet, Mr. and Mrs. North) to westerns (Gunsmoke, Wild Bill Hickok, Hawk Larabee) that were aired between 1931 and 1972, are included in this work. Each entry has a brief introductory paragraph that provides information about the storyline, principal cast, sponsors and air dates. Commercials have been included if the programs were under regular sponsorship. Includes three appendices (sponsors; slogans and jingles; and World War II announcements) and an index.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1236
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1120
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Book Description
Author: Hal Erickson
Publisher: McFarland
ISBN: 0786477571
Category : Performing Arts
Languages : en
Pages : 317
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Book Description
There was a time when "American popular entertainment" referred only to radio and motion pictures. With the coming of talking pictures, Hollywood cashed in on the success of big-time network radio by bringing several of the public's favorite broadcast personalities and programs to the screen. The results, though occasionally successful, often proved conclusively that some things are better heard than seen. Concentrating primarily on radio's Golden Age (1926-1962), this lively history discusses the cinematic efforts of airwave stars Rudy Vallee, Amos 'n' Andy, Fred Allen, Joe Penner, Fibber McGee & Molly, Edgar Bergen, Lum & Abner, and many more. Also analyzed are the movie versions of such radio series as The Shadow, Dr. Christian and The Life of Riley. In addition, two recent films starring contemporary radio headliners Howard Stern and Garrison Keillor are given their due.
Author: Tim Hollis
Publisher: Univ. Press of Mississippi
ISBN: 1628467266
Category : Performing Arts
Languages : en
Pages : 397
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Book Description
There was a time when rural comedians drew most of their humor from tales of farmers' daughters, hogs, hens, and hill country high jinks. Lum and Abner and Ma and Pa Kettle might not have toured happily under the "Redneck" marquee, but they were its precursors. In Ain't That a Knee-Slapper: Rural Comedy in the Twentieth Century, author Tim Hollis traces the evolution of this classic American form of humor in the mass media, beginning with the golden age of radio, when such comedians as Bob Burns, Judy Canova, and Lum and Abner kept listeners laughing. The book then moves into the motion pictures of the 1930s, 1940s, and 1950s, when the established radio stars enjoyed second careers on the silver screen and were joined by live-action renditions of the comic strip characters Li'l Abner and Snuffy Smith, along with the much-loved Ma and Pa Kettle series of films. Hollis explores such rural sitcoms as The Real McCoys in the late 1950s and from the 1960s, The Andy Griffith Show, The Beverly Hillbillies, Green Acres, Hee Haw, and many others. Along the way, readers are taken on side trips into the world of animated cartoons and television commercials that succeeded through a distinctly rural sense of fun. While rural comedy fell out of vogue and networks sacked shows in the early 1970s, the emergence of such hits as The Dukes of Hazzard brought the genre whooping back to the mainstream. Hollis concludes with a brief look at the current state of rural humor, which manifests itself in a more suburban, redneck brand of standup comedy.
