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Author: Steven Ungar
Publisher: U of Minnesota Press
ISBN: 9780816625277
Category : History
Languages : en
Pages : 236
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Book Description
'Scandal and Aftereffect' will make a crucial contribution to discussions about the function of memory in the relationship of history to cultural production and about the history of history itself.
Author: Steven Ungar
Publisher: U of Minnesota Press
ISBN: 9780816625277
Category : History
Languages : en
Pages : 236
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Book Description
'Scandal and Aftereffect' will make a crucial contribution to discussions about the function of memory in the relationship of history to cultural production and about the history of history itself.
Author: Jean-Michel Rabate
Publisher: University of Pennsylvania Press
ISBN: 0812200233
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
In the final stages of his career, Roland Barthes abandoned his long-standing suspicion of photographic representation to write Camera Lucida, at once an elegy to his dead mother and a treatise on photography. In Writing the Image After Roland Barthes, Jean-Michel Rabaté and nineteen contributors examine the import of Barthes's shifting positions on photography and visual representation and the impact of his work on current developments in cultural studies and theories of the media and popular culture.
Author: Leslie Hill
Publisher: University of Delaware Press
ISBN: 9780874139464
Category : Literary Collections
Languages : en
Pages : 292
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Book Description
What does it mean to come after Blanchot? Three things, at least. First, it is to recognise that it is no longer possible to believe in an essentialist determination of literary discourse or of aesthetic experience. All this has disappeared; and there is no way back. Second, there is the question of history. What is Blanchot's legacy to us, his readers? Any name, however irreplaceably singular, is always already preceded, limited, challenged even, by the abiding anonymity of the person, animal, or thing it claims to name. Every name is necessarily impersonal, anonymous, other. Blanchot after Blanchot, then, can best be understood in the sense of that which is according to Blanchot - and that is nothing other than the infinite process of reading and rereading Blanchot: without end. Here, a third meaning to the phrase after Blanchot comes into view. For if we come after Blanchot, it is surely because Blanchot is still before us, still in front, still in the future, still to come.
Author: Dominick LaCapra
Publisher: Cornell University Press
ISBN: 1501727451
Category : History
Languages : en
Pages : 228
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Book Description
The relations between memory and history have recently become a subject of contention, and the implications of that debate are particularly troubling for aesthetic, ethical, and political issues. Dominick LaCapra focuses on the interactions among history, memory, and ethicopolitical concerns as they emerge in the aftermath of the Shoah. Particularly notable are his analyses of Albert Camus's novella The Fall, Claude Lanzmann's film Shoah, and Art Spiegelman's "comic book" Maus. LaCapra also considers the Historians' Debate in the aftermath of German reunification and the role of psychoanalysis in historical understanding and critical theory. In six essays, LaCapra addresses a series of related questions. Are there experiences whose traumatic nature blocks understanding and disrupts memory while producing belated effects that have an impact on attempts to address the past? Do some events present moral and representational issues even for groups or individuals not directly involved in them? Do those more directly involved have special responsibilities to the past and the way it is remembered in the present? Can or should historiography define itself in a purely scholarly and professional way that distances it from public memory and its ethical implications? Does art itself have a special responsibility with respect to traumatic events that remain invested with value and emotion?
Author: John Culbert
Publisher: U of Nebraska Press
ISBN: 0803234198
Category : Literary Criticism
Languages : en
Pages : 455
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Book Description
Modernity has long been equated with motion, travel, and change, from Marx's critical diagnoses of economic instability to the Futurists' glorification of speed. Likewise, metaphors of travel serve widely in discussions of empire, cultural contact, translation, and globalization, from Deleuze's "nomadology" to James Clifford's "traveling cultures." John Culbert, in contrast, argues that the key texts of modernity and postmodernity may be approached through figures and narratives of paralysis: motion is no more defining of modern travel than fixations, resistance, and impasse; concepts and figures of travel, he posits, must be rethought in this more static light. Focusing on the French and Francophone context, in which paralyzed travel is a persistent motif, Culbert also offers new insights into French critical theory and its often paradoxical figures of mobility, from Blanchot'spas au-delaand Barthes'sderiveto Derrida'saporiasand Glissant'sdiversions. Here we see that paralysis is not merely the failure of transport but rather the condition in which travel, by coming to a crisis, calls into question both mobility and stasis in the language of desire and the order of knowledge.Paralysesprovides a close analysis of the rhetoric of empire and the economy of tourism precisely at their points of breakdown, which in turn enables a deconstruction of master narratives of exploration, conquest, and exoticism. A reassessment of key authors of French modernity--from Nerval and Gautier to Fromentin, Paulhan, Beckett, Leiris, and Boudjedra--Paralysesalso constitutes a new theoretical intervention in debates on travel, translation, ethics, and postcoloniality.
Author: Jonathan Eburne
Publisher: U of Minnesota Press
ISBN: 1452958254
Category : History
Languages : en
Pages : 552
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Book Description
A vital and timely reminder that modern life owes as much to outlandish thinking as to dominant ideologies What do the Nag Hammadi library, Dan Brown’s The Da Vinci Code, speculative feminist historiography, Marcus Garvey’s finances, and maps drawn by asylum patients have in common? Jonathan P. Eburne explores this question as never before in Outsider Theory, a timely book about outlandish ideas. Eburne brings readers on an adventure in intellectual history that stresses the urgency of taking seriously—especially in an era of fake news—ideas that might otherwise be discarded or regarded as errant, unfashionable, or even unreasonable. Examining the role of such thinking in contemporary intellectual history, Eburne challenges the categorical demarcation of good ideas from flawed, wild, or bad ones, addressing the surprising extent to which speculative inquiry extends beyond the work of professional intellectuals to include that of nonprofessionals as well, whether amateurs, unfashionable observers, or the clinically insane. Considering the work of a variety of such figures—from popular occult writers and gnostics to so-called outsider artists and pseudoscientists—Eburne argues that an understanding of its circulation and recirculation is indispensable to the history of ideas. He devotes close attention to ideas and texts usually omitted from or marginalized within orthodox histories of literary modernism, critical theory, and continental philosophy, yet which have long garnered the critical attention of specialists in religion, science studies, critical race theory, and the history of the occult. In doing so he not only sheds new light on a fascinating body of creative thought but also proposes new approaches for situating contemporary humanities scholarship within the history of ideas. However important it might be to protect ourselves from “bad” ideas, Outsider Theory shows how crucial it is for us to know how and why such ideas have left their impression on modern-day thinking and continue to shape its evolution.
Author: Sandrine Sanos
Publisher: Stanford University Press
ISBN: 0804782830
Category : History
Languages : en
Pages : 385
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Book Description
The Aesthetics of Hate examines the writings of a motley collection of interwar far-right intellectuals, showing that they defined Frenchness in racial, gendered, and sexual terms. A broad, ambitious cultural and intellectual history, the book offers a provocative reinterpretation of a topic that has long been the subject of controversy. In works infused with rhetorics of abjection, disgust, and dissolution, such writers as Maulnier, Brasillach, Céline, and Blanchot imagined the nation through figures deemed illegitimate or inferior—Jews, colonial subjects, homosexuals, women. Sanos argues that these intellectuals offered an "aesthetics of hate," reinventing a language of far-right nationalism by appealing to the realm of beauty and the sublime for political solutions. By acknowledging the constitutive relationship of antisemitism and colonial racism at the heart of these canonical writers' nationalism, this book makes us rethink how aesthetics and politics function, how race is imagined and defined, how gender structured far-right thought, and how we conceive of French intellectualism and fascism.
Author: Arleen Ionescu
Publisher: Springer
ISBN: 1137538317
Category : History
Languages : en
Pages : 315
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Book Description
This book is a detailed critical study of Libeskind’s Berlin Jewish Museum in its historical, architectural and philosophical context. Emphasizing how the Holocaust changed our perception of history, memory, witnessing and representation, it develops the notion of ‘memorial ethics’ to explore the Museum’s difference from more conventional post-World War Two commemorative sites. The main focus is on the Museum as an experience of the materiality of trauma which engages the visitor in a performative duty to remember. Arleen Ionescu builds on Levinas’s idea of ‘ethics as optics’ to show how Libeskind’s Museum becomes a testimony to the unpresentable Other. Ionescu also extends the Museum’s experiential dimension by proposing her own subjective walk through Libeskind’s space reimagined as a ‘literary museum’. Featuring reflections on texts by Beckett, Celan, Derrida, Kafka, Blanchot, Wiesel and Selma Meerbaum-Eisinger (Celan’s cousin), this virtual tour concludes with a brief account of Libeskind’s analogous ‘healing project’ for Ground Zero.
Author: Michael Rothberg
Publisher: U of Minnesota Press
ISBN: 9780816634583
Category : History
Languages : en
Pages : 370
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Book Description
Presents a post-Holocaust view of contemporary culture. Examines, in particular, the question of realism as one of the central problematics that the Holocaust forces back into view. Pt. 1 (p. 17-96), "Modernism 'After Auschwitz', " discusses the philosophers Theodor Adorno and Maurice Blanchot. Pt. 2 (p. 97-177), "Realism in 'the Concentrationary Universe', " deals with the literary works of Ruth Klueger and Charlotte Delbo. Pt. 3 (p. 179-273), "Postmodernism, or 'the Year of the Holocaust', " deals with Philip Roth, Art Spiegelman, and Americanizing the Holocaust. Derives from Holocaust testimonies the concept of traumatic realism as a way of superseding the realist vs. anti-realist dichotomy. Stresses the relation between present and past, and a shift from events to their transmission, including in mass culture, via such forms as comic books, feature films, and museum exhibits.
Author: Sarah Clift
Publisher: Fordham Univ Press
ISBN: 0823254208
Category : Philosophy
Languages : en
Pages : 265
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Book Description
Whereas historical determinacy conceives the past as a complex and unstable network of causalities, this book asks how history can be related to a more radical future. To pose that question, it does not reject determinacy outright but rather seeks to explore how it works. In examining what it means to be "determined" by history, it also asks what kind of openings there might be in our encounters with history for interruptions, re-readings, and re-writings. Engaging texts spanning multiple genres and several centuries from John Locke to Maurice Blanchot, from Hegel to Benjamin Clift looks at experiences of time that exceed the historical narration of experiences said to have occurred in time. She focuses on the co-existence of multiple temporalities and opens up the quintessentially modern notion of historical succession to other possibilities. The alternatives she draws out include the mediations of language and narration, temporal leaps, oscillations and blockages, and the role played by contingency in representation. She argues that such alternatives compel us to reassess the ways we understand history and identity in a traumatic, or indeed in a post-traumatic, age.
