Author: Leonard S. Marcus
Publisher: Candlewick Press
ISBN: 0763698520
Category : Juvenile Nonfiction
Languages : en
Pages : 241
Book Description
What happens when freedom of expression comes under threat? In frank and wide-ranging interviews, historian and critic Leonard S. Marcus probes the experience of thirteen leading authors of books for young people. A powerful photo essay on transgender teens is called anti-religious and anti-family. A meticulously researched primer on sex education stirs up accusations of pornography and child abuse. Picture books about two mommies (or two penguin daddies) set off a hue and cry. Two hugely popular children’s series run afoul of would-be censors, one for its scatological humor, the other because it’s deemed too scary. Kids’ books that touch on race, sex, LGBTQ matters, the occult, “coarse language,” and more have found themselves under the scrutiny of those who challenge First Amendment rights. Tune in as thirteen top children’s and young adult authors speak out about what it’s like to have your work banned or challenged in America today. Prompted by Leonard S. Marcus’s insightful questions, they discuss why their books have faced censorship—both blatant and “soft”—how the challenges have or haven’t affected their writing, and why some people feel they have the right to deny access to books. In addition, Leonard S. Marcus puts First Amendment challenges in a historical context and takes a promising look at the vibrant support network that has risen up to protect and defend young people’s rights. Authors interviewed include: Matt de la Peña Robie H. Harris Susan Kuklin David Levithan Meg Medina Lesléa Newman Katherine Paterson Dav Pilkey Justin Richardson and Peter Parnell Sonya Sones R. L. Stine Angie Thomas.
You Can't Say That!
Author: Leonard S. Marcus
Publisher: Candlewick Press
ISBN: 0763698520
Category : Juvenile Nonfiction
Languages : en
Pages : 241
Book Description
What happens when freedom of expression comes under threat? In frank and wide-ranging interviews, historian and critic Leonard S. Marcus probes the experience of thirteen leading authors of books for young people. A powerful photo essay on transgender teens is called anti-religious and anti-family. A meticulously researched primer on sex education stirs up accusations of pornography and child abuse. Picture books about two mommies (or two penguin daddies) set off a hue and cry. Two hugely popular children’s series run afoul of would-be censors, one for its scatological humor, the other because it’s deemed too scary. Kids’ books that touch on race, sex, LGBTQ matters, the occult, “coarse language,” and more have found themselves under the scrutiny of those who challenge First Amendment rights. Tune in as thirteen top children’s and young adult authors speak out about what it’s like to have your work banned or challenged in America today. Prompted by Leonard S. Marcus’s insightful questions, they discuss why their books have faced censorship—both blatant and “soft”—how the challenges have or haven’t affected their writing, and why some people feel they have the right to deny access to books. In addition, Leonard S. Marcus puts First Amendment challenges in a historical context and takes a promising look at the vibrant support network that has risen up to protect and defend young people’s rights. Authors interviewed include: Matt de la Peña Robie H. Harris Susan Kuklin David Levithan Meg Medina Lesléa Newman Katherine Paterson Dav Pilkey Justin Richardson and Peter Parnell Sonya Sones R. L. Stine Angie Thomas.
Publisher: Candlewick Press
ISBN: 0763698520
Category : Juvenile Nonfiction
Languages : en
Pages : 241
Book Description
What happens when freedom of expression comes under threat? In frank and wide-ranging interviews, historian and critic Leonard S. Marcus probes the experience of thirteen leading authors of books for young people. A powerful photo essay on transgender teens is called anti-religious and anti-family. A meticulously researched primer on sex education stirs up accusations of pornography and child abuse. Picture books about two mommies (or two penguin daddies) set off a hue and cry. Two hugely popular children’s series run afoul of would-be censors, one for its scatological humor, the other because it’s deemed too scary. Kids’ books that touch on race, sex, LGBTQ matters, the occult, “coarse language,” and more have found themselves under the scrutiny of those who challenge First Amendment rights. Tune in as thirteen top children’s and young adult authors speak out about what it’s like to have your work banned or challenged in America today. Prompted by Leonard S. Marcus’s insightful questions, they discuss why their books have faced censorship—both blatant and “soft”—how the challenges have or haven’t affected their writing, and why some people feel they have the right to deny access to books. In addition, Leonard S. Marcus puts First Amendment challenges in a historical context and takes a promising look at the vibrant support network that has risen up to protect and defend young people’s rights. Authors interviewed include: Matt de la Peña Robie H. Harris Susan Kuklin David Levithan Meg Medina Lesléa Newman Katherine Paterson Dav Pilkey Justin Richardson and Peter Parnell Sonya Sones R. L. Stine Angie Thomas.
Did I Say That Out Loud?
Author: Kristin van Ogtrop
Publisher: Little, Brown Spark
ISBN: 0316497487
Category : Biography & Autobiography
Languages : en
Pages : 241
Book Description
From the former editor-in-chief of Real Simple, enjoy this hilarious and deeply insightful take on the indignities of middle age and how to weather them with grace: "A pure pleasure to read" (Cathi Hanauer, author of Gone). Do you hate the term “middle age?” So does Kristin van Ogtrop, who is still trying to come up with a less annoying way to describe those years when you find yourself both satisfied and outraged, confident and confused, full of appreciation but occasional disdain for the world around you. Like an intimate chat with your best friend, this mostly funny, sometimes sad, always affirming volume from longtime magazine journalist van Ogtrop is a celebration of that period of life when mild humiliations are significantly outweighed by a self-actualized triumph of the spirit. Finally! Featuring stories from her own life, as well as anecdotes from her unwitting friends and family, van Ogtrop encourages you to laugh at the small irritations of midlife: neglectful children, stealth insomnia, forks that try to kill you, t.v. remotes that won’t find Netflix, abdominal muscles that can’t seem to get the job done. But also to acknowledge the things you may have lost: innocence, unbridled optimism, smooth skin. Dear friends. Parents. It’s all here: the sublime and the ridiculous, living together in the pages of this book as they do in your heart, like a big messy family, in this no-better-term-for-it middle age.
Publisher: Little, Brown Spark
ISBN: 0316497487
Category : Biography & Autobiography
Languages : en
Pages : 241
Book Description
From the former editor-in-chief of Real Simple, enjoy this hilarious and deeply insightful take on the indignities of middle age and how to weather them with grace: "A pure pleasure to read" (Cathi Hanauer, author of Gone). Do you hate the term “middle age?” So does Kristin van Ogtrop, who is still trying to come up with a less annoying way to describe those years when you find yourself both satisfied and outraged, confident and confused, full of appreciation but occasional disdain for the world around you. Like an intimate chat with your best friend, this mostly funny, sometimes sad, always affirming volume from longtime magazine journalist van Ogtrop is a celebration of that period of life when mild humiliations are significantly outweighed by a self-actualized triumph of the spirit. Finally! Featuring stories from her own life, as well as anecdotes from her unwitting friends and family, van Ogtrop encourages you to laugh at the small irritations of midlife: neglectful children, stealth insomnia, forks that try to kill you, t.v. remotes that won’t find Netflix, abdominal muscles that can’t seem to get the job done. But also to acknowledge the things you may have lost: innocence, unbridled optimism, smooth skin. Dear friends. Parents. It’s all here: the sublime and the ridiculous, living together in the pages of this book as they do in your heart, like a big messy family, in this no-better-term-for-it middle age.
Yes, I Can Say That
Author: Judy Gold
Publisher: HarperCollins
ISBN: 006295377X
Category : Humor
Languages : en
Pages : 220
Book Description
"No one makes me laugh harder than Judy Gold. If I had to pick one comedian to write a book about free speech, it would be Judy." – Amy Schumer From award-winning comedian Judy Gold, a concise, funny, and thoughtful polemic on the current assault on comedy, that explores how it is undermining free speech and a fundamental attack against the integrity of the art. From Mae West and Lenny Bruce to Richard Pryor and Howard Stern to Kathy Griffith and Kevin Hart, comedians have long been under fire for using provocative, often taboo subjects to challenge mores and get a laugh. But in the age of social media, comedians are at greater risk of being silenced, enduring shaming, threats, and damaged careers because of angry, censorious electronic mobs. But while comedians’ work has often been used to rile up detractors, a new threat has emerged from the left: identity politics and notions like "safetyism" and trigger warnings that are now creating a cultural and political standard that runs perilously close to censorship. From college campuses to the Oscars, comics are being censured for old jokes, long-standing comedy traditions, unfinished bits and old material that instead of being forgotten, go viral. For comics like Judy Gold, today’s attacks on comics would have Richard Pryor and Lenny Bruce "rolling in their graves." "No one has the right to tell comics what they can or cannot joke about. Do you tell artists what they can or cannot paint?" she asks. Freedom of speech is fundamental for great stand-up comedy. Humor is the most palatable way to discuss a subversive or taboo topic, but it better be funny. A comic's observations are deliberately delivered to entertain, provoke, and lead to an exchange of ideas. "We are truth tellers." More important, the tolerance of free speech is essential for a healthy democracy. In addition to offering readers a quick study on the history of comedy and the arts (noting such historical reference points as The Hays Code) and the threats to them, Gold takes readers on a hilarious ride with chapters such as "Thank God Don Rickles is Dead," as well as her singular take on "micro-aggressions," such as: Person: "OMG! You’re a lesbian? I had no idea. I mean you wear make-up. When did you become a lesbian?" Judy Gold: "Coincidently, right after I met you!" (micro-assault!) In this era of "fake news," partisan politics, and heated rhetoric, the need to protect free speech has never been greater, especially for comics, who often serve as the canaries in the coalmine, monitoring the health of our democracy. Yes I Can Say That is a funny and provocative look at how safe spaces are the very antithesis of comedy as an art form—and an urgent call to arms to protect our most fundamental Constitutional right. There's a good reason it was the FIRST amendment.
Publisher: HarperCollins
ISBN: 006295377X
Category : Humor
Languages : en
Pages : 220
Book Description
"No one makes me laugh harder than Judy Gold. If I had to pick one comedian to write a book about free speech, it would be Judy." – Amy Schumer From award-winning comedian Judy Gold, a concise, funny, and thoughtful polemic on the current assault on comedy, that explores how it is undermining free speech and a fundamental attack against the integrity of the art. From Mae West and Lenny Bruce to Richard Pryor and Howard Stern to Kathy Griffith and Kevin Hart, comedians have long been under fire for using provocative, often taboo subjects to challenge mores and get a laugh. But in the age of social media, comedians are at greater risk of being silenced, enduring shaming, threats, and damaged careers because of angry, censorious electronic mobs. But while comedians’ work has often been used to rile up detractors, a new threat has emerged from the left: identity politics and notions like "safetyism" and trigger warnings that are now creating a cultural and political standard that runs perilously close to censorship. From college campuses to the Oscars, comics are being censured for old jokes, long-standing comedy traditions, unfinished bits and old material that instead of being forgotten, go viral. For comics like Judy Gold, today’s attacks on comics would have Richard Pryor and Lenny Bruce "rolling in their graves." "No one has the right to tell comics what they can or cannot joke about. Do you tell artists what they can or cannot paint?" she asks. Freedom of speech is fundamental for great stand-up comedy. Humor is the most palatable way to discuss a subversive or taboo topic, but it better be funny. A comic's observations are deliberately delivered to entertain, provoke, and lead to an exchange of ideas. "We are truth tellers." More important, the tolerance of free speech is essential for a healthy democracy. In addition to offering readers a quick study on the history of comedy and the arts (noting such historical reference points as The Hays Code) and the threats to them, Gold takes readers on a hilarious ride with chapters such as "Thank God Don Rickles is Dead," as well as her singular take on "micro-aggressions," such as: Person: "OMG! You’re a lesbian? I had no idea. I mean you wear make-up. When did you become a lesbian?" Judy Gold: "Coincidently, right after I met you!" (micro-assault!) In this era of "fake news," partisan politics, and heated rhetoric, the need to protect free speech has never been greater, especially for comics, who often serve as the canaries in the coalmine, monitoring the health of our democracy. Yes I Can Say That is a funny and provocative look at how safe spaces are the very antithesis of comedy as an art form—and an urgent call to arms to protect our most fundamental Constitutional right. There's a good reason it was the FIRST amendment.
Why Do We Say That? 101 Idioms, Phrases, Sayings & Facts! A Brief History On Where They Come From!
Author: Scott Matthews
Publisher:
ISBN: 9781922531261
Category :
Languages : en
Pages : 122
Book Description
Why do you "call shotgun" when you want the front passenger seat? What does "letting the cat out of the bag" have to do with divulging secrets? Why do you ask people to "cut to the chase"? How come you hear all those juicy rumors "through the grapevine"? Like many people you've probably used idioms or phrases like these without giving them a second thought. But if you were to take a moment to step back and learn about them you'll be pleasantly surprised to discover the mesmerizing and sometimes outright bizarre origins to these fun sayings! In "Why do we say that," we have curated 101 of the most regularly used idioms, proverbs, turns of phrases, and colloquial terms that have the most fascinating backstories. For each phrase, we have explained how it was coined, how its use evolved through the ages, and how it gained its contemporary use. Inside you will discover: What the sanitary conditions of 17th century London have to do with it's "raining cats and dogs" today. Why taking things "with grain of salt" has to do with an ancient remedy for poison. What Southeast Asian warrior traditions have to do with the term "to run amuck." Why "to break a leg" became something worth aspiring to in the Elizabethan theatres. And many many more Click the BUY NOW button at the top of the page to unravel the mysteries behind popular English idioms.
Publisher:
ISBN: 9781922531261
Category :
Languages : en
Pages : 122
Book Description
Why do you "call shotgun" when you want the front passenger seat? What does "letting the cat out of the bag" have to do with divulging secrets? Why do you ask people to "cut to the chase"? How come you hear all those juicy rumors "through the grapevine"? Like many people you've probably used idioms or phrases like these without giving them a second thought. But if you were to take a moment to step back and learn about them you'll be pleasantly surprised to discover the mesmerizing and sometimes outright bizarre origins to these fun sayings! In "Why do we say that," we have curated 101 of the most regularly used idioms, proverbs, turns of phrases, and colloquial terms that have the most fascinating backstories. For each phrase, we have explained how it was coined, how its use evolved through the ages, and how it gained its contemporary use. Inside you will discover: What the sanitary conditions of 17th century London have to do with it's "raining cats and dogs" today. Why taking things "with grain of salt" has to do with an ancient remedy for poison. What Southeast Asian warrior traditions have to do with the term "to run amuck." Why "to break a leg" became something worth aspiring to in the Elizabethan theatres. And many many more Click the BUY NOW button at the top of the page to unravel the mysteries behind popular English idioms.
Some Say the Lark
Author: Jennifer Chang
Publisher: Alice James Books
ISBN: 1938584716
Category : Poetry
Languages : en
Pages : 121
Book Description
"Some Say the Lark is a piercing meditation, rooted in loss and longing, and manifest in dazzling leaps of the imagination—the familiar world rendered strange." —Natasha Trethewey Chang’s poems narrate grief and loss, and intertwines them with hope for a fresh start in the midst of new beginnings. With topics such as frustration with our social and natural world, these poems openly question the self and place and how private experiences like motherhood and sorrow necessitate a deeper engagement with public life and history. From "The Winter's Wife": I want wild roots to prosper an invention of blooms, each unknown to every wise gardener. If I could be a color. If I could be a question of tender regard. I know crabgrass and thistle. I know one algorithm: it has nothing to do with repetition or rhythm. It is the route from number to number (less to more, more to less), a map drawn by proof not faith. Unlike twilight, I do not conclude with darkness. I conclude. Jennifer Chang is the author of The History of Anonymity, which was a finalist for the Glasgow/Shenandoah Prize for Emerging Writers and listed by Hyphen Magazine as a Top Five Book of Poetry for 2008. Her poems have appeared in American Poetry Review, Best American Poetry 2012, The Nation, Poetry, A Public Space, and elsewhere. She is an assistant professor of English and Creative Writing at George Washington University and lives in Washington, DC with her family.
Publisher: Alice James Books
ISBN: 1938584716
Category : Poetry
Languages : en
Pages : 121
Book Description
"Some Say the Lark is a piercing meditation, rooted in loss and longing, and manifest in dazzling leaps of the imagination—the familiar world rendered strange." —Natasha Trethewey Chang’s poems narrate grief and loss, and intertwines them with hope for a fresh start in the midst of new beginnings. With topics such as frustration with our social and natural world, these poems openly question the self and place and how private experiences like motherhood and sorrow necessitate a deeper engagement with public life and history. From "The Winter's Wife": I want wild roots to prosper an invention of blooms, each unknown to every wise gardener. If I could be a color. If I could be a question of tender regard. I know crabgrass and thistle. I know one algorithm: it has nothing to do with repetition or rhythm. It is the route from number to number (less to more, more to less), a map drawn by proof not faith. Unlike twilight, I do not conclude with darkness. I conclude. Jennifer Chang is the author of The History of Anonymity, which was a finalist for the Glasgow/Shenandoah Prize for Emerging Writers and listed by Hyphen Magazine as a Top Five Book of Poetry for 2008. Her poems have appeared in American Poetry Review, Best American Poetry 2012, The Nation, Poetry, A Public Space, and elsewhere. She is an assistant professor of English and Creative Writing at George Washington University and lives in Washington, DC with her family.
They Say
Author: Cathy Birkenstein
Publisher:
ISBN: 9780393664546
Category :
Languages : en
Pages : 352
Book Description
Publisher:
ISBN: 9780393664546
Category :
Languages : en
Pages : 352
Book Description
What They Didn't Say: A Book of Misquotations
Author: Elizabeth Knowles
Publisher: OUP Oxford
ISBN: 0191500542
Category : Reference
Languages : en
Pages : 232
Book Description
Follow the money Fresh fields and pastures new A good day to bury bad news If the glove doesn't fit you must acquit Brings together a fascinating range of wrongly remembered sayings, popular summaries of original thoughts, and apocryphal or unverifiable comments attributed to a particular person. By revealing what was (and was not) really said, this book celebrates the colour and inventiveness of language change.
Publisher: OUP Oxford
ISBN: 0191500542
Category : Reference
Languages : en
Pages : 232
Book Description
Follow the money Fresh fields and pastures new A good day to bury bad news If the glove doesn't fit you must acquit Brings together a fascinating range of wrongly remembered sayings, popular summaries of original thoughts, and apocryphal or unverifiable comments attributed to a particular person. By revealing what was (and was not) really said, this book celebrates the colour and inventiveness of language change.
Who Do You Say That I Am?
Author: Calvin E. Shenk
Publisher: Wipf and Stock Publishers
ISBN: 1597526231
Category : Religion
Languages : en
Pages : 295
Book Description
Out of long involvement with adherents of many religions, Shenk dares to assert that one can be profoundly respectful of people of other faith traditions and still retain the integrity of one's own faith. -- from the Foreword by Wilbert R. Shenk Can we respect other religions and still view Christ as normative for all? Yes, says Calvin Shenk, Professor Emeritus of Religion at Eastern Mennonite University. How? Answers are not simple. However, biblical perspectives on religions provide reliable starting points for the journey. And placing Christ at the center of the quest yields clarity amid complexity. For Christians, candid commitment to the uniqueness of Christ is to be accomplished by the integrity of Christ. This leads to loving witness that includes truly dialoguing with persons committed to other religions. 'Who Do You Say That I Am?' assesses contemporary theologies of religious pluralism as well as several of the world's major religions, yet remains accessible to all thoughtful Christians.
Publisher: Wipf and Stock Publishers
ISBN: 1597526231
Category : Religion
Languages : en
Pages : 295
Book Description
Out of long involvement with adherents of many religions, Shenk dares to assert that one can be profoundly respectful of people of other faith traditions and still retain the integrity of one's own faith. -- from the Foreword by Wilbert R. Shenk Can we respect other religions and still view Christ as normative for all? Yes, says Calvin Shenk, Professor Emeritus of Religion at Eastern Mennonite University. How? Answers are not simple. However, biblical perspectives on religions provide reliable starting points for the journey. And placing Christ at the center of the quest yields clarity amid complexity. For Christians, candid commitment to the uniqueness of Christ is to be accomplished by the integrity of Christ. This leads to loving witness that includes truly dialoguing with persons committed to other religions. 'Who Do You Say That I Am?' assesses contemporary theologies of religious pluralism as well as several of the world's major religions, yet remains accessible to all thoughtful Christians.
Who Do You Say That I Am?
Author: Gribble, Richard, CSC
Publisher: Paulist Press
ISBN: 1587689065
Category : Religion
Languages : en
Pages : 166
Book Description
Answers a central question of Jesus’s ministry, looking at how Jesus and his various roles have been understood by Christians through the centuries.
Publisher: Paulist Press
ISBN: 1587689065
Category : Religion
Languages : en
Pages : 166
Book Description
Answers a central question of Jesus’s ministry, looking at how Jesus and his various roles have been understood by Christians through the centuries.
Who Do You Say that I Am?
Author: Jack Dean Kingsbury
Publisher: Westminster John Knox Press
ISBN: 9780664257521
Category : Religion
Languages : en
Pages : 324
Book Description
"In this volume some of the most prominent international biblical and theological scholars suggest new and exciting ways of understanding the Christology of every major witness in the New Testament canon. Along with essays addressing the significance of Christology for systematic theology, ethics, pastoral ministry, and preaching, the volume offers a comprehensive and accessible introduction to the New Testament."--BOOK JACKET.
Publisher: Westminster John Knox Press
ISBN: 9780664257521
Category : Religion
Languages : en
Pages : 324
Book Description
"In this volume some of the most prominent international biblical and theological scholars suggest new and exciting ways of understanding the Christology of every major witness in the New Testament canon. Along with essays addressing the significance of Christology for systematic theology, ethics, pastoral ministry, and preaching, the volume offers a comprehensive and accessible introduction to the New Testament."--BOOK JACKET.