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Author: Janet Tennant
Publisher: Rowman & Littlefield
ISBN: 1538133288
Category : Music
Languages : en
Pages : 193
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Book Description
Ivy Benson was born to be a musician. A good pianist by the age of ten, she was influenced by the music of Benny Goodman, Artie Shaw, and other jazz legends to become a professional instrumentalist—and at age fifteen, having taught herself to play the clarinet and saxophone, Benson joined an all-girl band in Yorkshire, England. Sax Appeal chronicles Benson’s life—beginning with her childhood of relative poverty, exploring her time as a teenage musician playing in the seedy clubs of London, and highlighting her founding of a professional all-female jazz and swing band that would remain active for over forty years. Benson started her band during the dark days of World War II in 1939 as an antidote to the lack of men, who were all serving in the military. Determined to produce music as good as the male bands, she was a tough coach as well as a mother figure to her young instrumentalists. She faced opposition from most male bandleaders and critics who claimed that women could not play jazz. There were also the dangers and privations of wartime touring—and the constant loss of girls who were lured away by GIs. Nevertheless the band was successful and in great demand. Benson employed well over 250 performers over the years and influenced the careers of many aspiring female jazz musicians. Considered by some to be the instigator of “girl power” and by others an astute businesswoman with a knack for timing, Sax Appeal thoroughly examines the themes and brings the musical pioneer to vivid life.
Author: Janet Tennant
Publisher: Rowman & Littlefield
ISBN: 1538133288
Category : Music
Languages : en
Pages : 193
Get Book Here
Book Description
Ivy Benson was born to be a musician. A good pianist by the age of ten, she was influenced by the music of Benny Goodman, Artie Shaw, and other jazz legends to become a professional instrumentalist—and at age fifteen, having taught herself to play the clarinet and saxophone, Benson joined an all-girl band in Yorkshire, England. Sax Appeal chronicles Benson’s life—beginning with her childhood of relative poverty, exploring her time as a teenage musician playing in the seedy clubs of London, and highlighting her founding of a professional all-female jazz and swing band that would remain active for over forty years. Benson started her band during the dark days of World War II in 1939 as an antidote to the lack of men, who were all serving in the military. Determined to produce music as good as the male bands, she was a tough coach as well as a mother figure to her young instrumentalists. She faced opposition from most male bandleaders and critics who claimed that women could not play jazz. There were also the dangers and privations of wartime touring—and the constant loss of girls who were lured away by GIs. Nevertheless the band was successful and in great demand. Benson employed well over 250 performers over the years and influenced the careers of many aspiring female jazz musicians. Considered by some to be the instigator of “girl power” and by others an astute businesswoman with a knack for timing, Sax Appeal thoroughly examines the themes and brings the musical pioneer to vivid life.
Author:
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 880
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Book Description
Author: José-Modesto Diago Ortega
Publisher: Oxford University Press
ISBN: 0198895070
Category : Business & Economics
Languages : en
Pages : 321
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Book Description
The Battle for Control of the Brass and Instruments Business in the French Industrial Revolution narrates and analyzes the largest judicial battle in culture and industrial property in nineteenth century Europe, the echoes of which still ring today. The battle was about simple wind instruments made of brass and their related patents, not by opera - the musical genre that moved the most money and people at the time - or the revered and contentious high art. Music, in all its dimensions, had become a business. The nineteenth-century French industry of brasswinds shows how the strategic parameters of the Industrial Revolution and, essentially, the system that sustained them (capitalism), permeated everything. What lay behind those contentious disputes was the pursuit of commercial profit, and the consolidation of a dominant position that would yield the maximum possible economic return. The legal confrontation began when a group of French businessmen who built wind instruments saw their business and sources of financing threatened after being forced by the Army to use a series of musical instruments that were different to the usual ones and protected by patents for invention that belonged to Adolphe Sax, the inventor of the saxophone. Diago Ortega provides evidence of how political power was used by economic power, and presents arguments on how culture articulated the social machinery and was a powerful tool for legitimizing political positions.
Author: Jennifer Fleeger
Publisher: Oxford University Press
ISBN: 0199366500
Category : Music
Languages : en
Pages : 241
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Book Description
Sounding American: Hollywood, Opera, and Jazz tells the story of the interaction between musical form, film technology, and ideas about race, ethnicity, and the nation during the American cinema's conversion to sound. Contrary to most accepted narratives about the conversion, which tend to explain the competition between the Hollywood studios' film sound technologies in qualitative and economic terms, this book argues that the battle between disc and film sound was waged primarily in an aesthetic realm. Opera and jazz in particular, though long neglected in studies of the film score, were extremely important in defining the scope of the American soundtrack, not only during the conversion, but also once sound had been standardized. Examining studio advertisements, screenplays, scores, and the films themselves, author Jennifer Fleeger concentrates on the interactions between musical form and film technology, arguing that each of the major studios appropriated opera and jazz in a unique way in order to construct its own version of an ideal American voice. Traditional histories of Hollywood film music have tended to concentrate on the unity of the score, a model that assumes a passive spectator. Sounding American claims that the classical Hollywood film is essentially an illustrated jazz-opera with a musical structure that encourages an active form of listening and viewing in order to make sense of what is ultimately a fragmentary text.
Author: California (State).
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 108
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Book Description
Author: California (State).
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 62
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Book Description
Author: Brenda Schmahmann
Publisher: NYU Press
ISBN: 1776141202
Category : Education
Languages : en
Pages : 444
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Book Description
An in-depth look at the evolving ethos of curating and collecting art at South African universities. In Picturing Change, Brenda Schmahmann explores the implications of deploying the visual domain in the service of transformative agendas and unpacks the complexities, contradictions and slippages involved in this process. She shows that although most new commissions have been innovative, some universities have acquired works with potentially traditionalist - even backward-looking - implications. While the motives behind removing inherited imagery may be underpinned by a desire to unsettle white privilege, in some cases such actions can also serve to maintain the status quo. This book is unique in exploring the transformative ethos evident in the curation of visual culture at South African universities. It will be invaluable to readers interested in public art, the politics of curating and collecting, as well as to those involved in transforming tertiary and other public institutions into spaces that welcome diversity. Since South Africa's transition to democracy, many universities have acquired new works of art that convey messages about the advantages of cultural diversity, and engage critically with histories of racial intolerance and conflict. Given concerns about the influence of British imperialism or Afrikaner nationalism on aspects of their inherited visual culture, most tertiary institutions are also seeking new ways to manage their existing art collections, and to introduce memorials, insignia or regalia, which reflect the universities' newfound values and aspirations.
Author: Nebraska Potato Improvement Association
Publisher:
ISBN:
Category : Potatoes
Languages : en
Pages : 670
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Book Description
Author: Mark Pietralunga
Publisher: University of Toronto Press
ISBN: 1487586655
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
Italian poet, novelist, literary critic and translator Cesare Pavese (1908-1950) is generally recognized as one of the most important writers of his period. Between the years 1929 and 1933, Pavese enjoyed a rich correspondence with his Italian American friend, the musician and educator Antonio Chiuminatto (1904-1973). The nature of this correspondence is primarily related to Pavese's thirst to learn about American culture, its latest books, its most significant contemporary writers, as well as its slang. This volume presents an annotated edition of Pavese and Chiminatto's complete epistolary exchange. Mark Pietralunga's brilliant introduction provides historical and cultural context for the letters and traces Pavese's early development as a leading Americanist and translator. The volume also includes an appendix of Chiuminatto's detailed annotations and thorough explanations of colloquial American terms and slang, drawn from the works of Sinclair Lewis, Sherwood Anderson, and William Faulkner. A lively and illuminating exchange, this collection ultimately corroborates critical opinion that America was the igniting spark of Pavese's literary beginnings as a writer and translator.
Author: Dickson, Jessica L.
Publisher: Langaa RPCIG
ISBN: 995679239X
Category : Social Science
Languages : en
Pages : 186
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Book Description
In the 1980s, the University of Cape Town's social anthropology department was predominantly oriented by an 'exposé' style of critical scholarship. The enemy was the apartheid state, the ethical imperative was clear and a combative metaphor for doing research motivated the department. Andrew David Spiegel, known affectionately as 'Mugsy' by his students and colleagues, has been a central, if understated, figure of this history and helped to frame the theoretical charge of a generation of students looking to counter apartheid from 'inside'. In a series of interviews between the senior professor and one of his students - Jessica Dickson - Spiegel offers a unique perspective from the centre of anthropology's recent history in South Africa.
