Author: James Grieshaber
Publisher:
ISBN: 9780963108265
Category : Commercial art
Languages : en
Pages : 0
Book Description
With the current explosion of interest in letterpress, many are looking to see how new work can be influenced by the past. Active since 1982, Bruce Licher's Independent Project Press is a contemporary studio that has bridged technological eras and produced an unparalleled body of work. It has culled from the past while simultaneously turning it on its head with a distinct visual vocabulary that continues to influence current aesthetics. This monograph features over 40 years of the work of Bruce Licher.
Savage Impressions
Impressions
Author: Sergi︠e︡ĭ Volkonskīĭ (kni︠a︡zʹ)
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 148
Book Description
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 148
Book Description
The Land's End - A Naturalist's Impressions In West Cornwall, Illustrated
Author: William Henry Hudson
Publisher: Read Books Ltd
ISBN: 1473346630
Category : Nature
Languages : en
Pages : 207
Book Description
"The Land's End" is 1843 work by Argentinian naturalist William Henry Hudson. Profusely illustrated and wonderfully-written, this descriptive illustration of Land's End in Cornwall, England will appeal to all with an interest in this beautiful spot, and it is not to be missed by fans and collectors of Hudson's work. Contents include: "Wintering In West Cornwall", "Gulls At St. Ives", "Cornwall's Connemara", "Old Cornish Hedges", "Bolerium: The End Of All The Land", "Castles By The Sea", "The British Pelican", "Bird Life In Winter", "The People And The Farm", etc. William Henry Hudson (1841 - 1922) was an Anglo-Argentine naturalist, author, and ornithologist. He was one of the founding members of the Royal Society for the Protection of Birds, and is best known for his novel "Green Mansions" (1904). Other notable works include "A Little Boy Lost" (1905) and "Far Away and Long Ago" (1918), which has since been adapted into a film. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.
Publisher: Read Books Ltd
ISBN: 1473346630
Category : Nature
Languages : en
Pages : 207
Book Description
"The Land's End" is 1843 work by Argentinian naturalist William Henry Hudson. Profusely illustrated and wonderfully-written, this descriptive illustration of Land's End in Cornwall, England will appeal to all with an interest in this beautiful spot, and it is not to be missed by fans and collectors of Hudson's work. Contents include: "Wintering In West Cornwall", "Gulls At St. Ives", "Cornwall's Connemara", "Old Cornish Hedges", "Bolerium: The End Of All The Land", "Castles By The Sea", "The British Pelican", "Bird Life In Winter", "The People And The Farm", etc. William Henry Hudson (1841 - 1922) was an Anglo-Argentine naturalist, author, and ornithologist. He was one of the founding members of the Royal Society for the Protection of Birds, and is best known for his novel "Green Mansions" (1904). Other notable works include "A Little Boy Lost" (1905) and "Far Away and Long Ago" (1918), which has since been adapted into a film. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.
John Dos Passos's Transatlantic Chronicling
Author: Aaron Shaheen
Publisher: Univ. of Tennessee Press
ISBN: 1621907147
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
“I never could keep the world properly divided into gods and demons for very long,” wrote John Dos Passos, whose predilection toward nuance and tolerance brought him to see himself as a “chronicler”: a writer who might portray political situations and characters but would not deliberately lead the reader to a predetermined conclusion. Privileging the tangible over the ideological, Dos Passos’s writing between the two World Wars reveals the enormous human costs of modern warfare and ensuing political upheavals. This wide-ranging and engaging collection of essays explores the work of Dos Passos during a time that challenged writers to find new ways to understand and render the unfolding of history. Taking their foci from a variety of disciplines, including fashion, theater, and travel writing, the contributors extend the scholarship on Dos Passos beyond his best-known U.S.A. trilogy. Including scholars from both sides of the Atlantic, the volume takes on such topics as how writers should position their labor in relation to that of blue-collar workers and how Dos Passos’s views of Europe changed from fascination to disillusionment. Examinations of the Modernist’s Adventures of a Young Man, Manhattan Transfer, and “The Republic of Honest Men” increase our understanding of the work of a complicated figure in American literature, set against a backdrop of rapidly evolving technology, growing religious skepticism, and political turmoil in the wake of World War I.
Publisher: Univ. of Tennessee Press
ISBN: 1621907147
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
“I never could keep the world properly divided into gods and demons for very long,” wrote John Dos Passos, whose predilection toward nuance and tolerance brought him to see himself as a “chronicler”: a writer who might portray political situations and characters but would not deliberately lead the reader to a predetermined conclusion. Privileging the tangible over the ideological, Dos Passos’s writing between the two World Wars reveals the enormous human costs of modern warfare and ensuing political upheavals. This wide-ranging and engaging collection of essays explores the work of Dos Passos during a time that challenged writers to find new ways to understand and render the unfolding of history. Taking their foci from a variety of disciplines, including fashion, theater, and travel writing, the contributors extend the scholarship on Dos Passos beyond his best-known U.S.A. trilogy. Including scholars from both sides of the Atlantic, the volume takes on such topics as how writers should position their labor in relation to that of blue-collar workers and how Dos Passos’s views of Europe changed from fascination to disillusionment. Examinations of the Modernist’s Adventures of a Young Man, Manhattan Transfer, and “The Republic of Honest Men” increase our understanding of the work of a complicated figure in American literature, set against a backdrop of rapidly evolving technology, growing religious skepticism, and political turmoil in the wake of World War I.
Savage Anxieties
Author: Robert A. Williams, Jr.
Publisher: Macmillan
ISBN: 0230338763
Category : History
Languages : en
Pages : 273
Book Description
Presents an intellectual history of the West's bias against tribalism that explains how acts of war and dispossession have been justified in the name of civilization and have typically victimized tribal groups.
Publisher: Macmillan
ISBN: 0230338763
Category : History
Languages : en
Pages : 273
Book Description
Presents an intellectual history of the West's bias against tribalism that explains how acts of war and dispossession have been justified in the name of civilization and have typically victimized tribal groups.
Author:
Publisher: Macmillan
ISBN: 1137250003
Category :
Languages : en
Pages : 274
Book Description
Publisher: Macmillan
ISBN: 1137250003
Category :
Languages : en
Pages : 274
Book Description
Savage Life and Scenes in Australia and New Zealand: Being an Artist's Impressions of Countries and People at the Antipodes ...
Author: George French Angas
Publisher:
ISBN:
Category : Australia
Languages : en
Pages : 346
Book Description
Publisher:
ISBN:
Category : Australia
Languages : en
Pages : 346
Book Description
Aspects and Impressions
Author: Edmund Gosse
Publisher:
ISBN:
Category : Literature, Modern
Languages : en
Pages : 328
Book Description
Publisher:
ISBN:
Category : Literature, Modern
Languages : en
Pages : 328
Book Description
The Collected Works
Author: Herman Melville
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 5194
Book Description
Herman Melville is one of the greatest American novelists, short story writer and a poet. His writing draws on his experience at sea as a common sailor, exploration of literature and philosophy, and engagement in the contradictions of American society in a period of rapid change. This edition includes: Introduction Herman Melville by Virginia Woolf Novels Typee Omoo Mardi Redburn White-Jacket Moby-Dick Pierre Israel Potter The Confidence-Man Short Stories The Piazza Tales: The Piazza Bartleby, the Scrivener Benito Cereno The Lightning-Rod Man The Encantadas, or Enchanted Isles The Bell-Tower The Apple-Tree Table and Other Sketches: The Apple-Tree Table Jimmy Rose I and My Chimney The Paradise of Bachelors and The Tartarus of Maids Cock-a-Doodle-Doo! The Fiddler Poor Man's Pudding and Rich Man's Crumbs The Happy Failure The 'Gees Poetry Collections: Clarel – A Poem and Pilgrimage in the Holy Land Battle-Pieces and Aspects of the War Timoleon and Other Ventures in Minor Verse John Marr and Other Sailors: Bridgeroom Dick Tom Deadlight Jack Roy The Haglets The Aeolian Harp To the Master of the "Meteor" Far off Shore The Man-of-War Hawk The Figure-Head The Good Craft "Snow Bird" Old Counsel The Tuft of Kelp The Maldive Shark To Ned Crossing the Tropics The Berg The Enviable Isles Pebbles Poems from Mardi: We Fish Invocation Dirge Marlena Pipe Song Song of Yoomy Gold The Land of Love Essays Fragments from a Writing Desk Etchings of a Whaling Cruise Authentic Anecdotes of "Old Zack" Mr. Parkman's Tour Cooper's New Novel A Thought on Book-Binding Hawthorne and His Mosses
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 5194
Book Description
Herman Melville is one of the greatest American novelists, short story writer and a poet. His writing draws on his experience at sea as a common sailor, exploration of literature and philosophy, and engagement in the contradictions of American society in a period of rapid change. This edition includes: Introduction Herman Melville by Virginia Woolf Novels Typee Omoo Mardi Redburn White-Jacket Moby-Dick Pierre Israel Potter The Confidence-Man Short Stories The Piazza Tales: The Piazza Bartleby, the Scrivener Benito Cereno The Lightning-Rod Man The Encantadas, or Enchanted Isles The Bell-Tower The Apple-Tree Table and Other Sketches: The Apple-Tree Table Jimmy Rose I and My Chimney The Paradise of Bachelors and The Tartarus of Maids Cock-a-Doodle-Doo! The Fiddler Poor Man's Pudding and Rich Man's Crumbs The Happy Failure The 'Gees Poetry Collections: Clarel – A Poem and Pilgrimage in the Holy Land Battle-Pieces and Aspects of the War Timoleon and Other Ventures in Minor Verse John Marr and Other Sailors: Bridgeroom Dick Tom Deadlight Jack Roy The Haglets The Aeolian Harp To the Master of the "Meteor" Far off Shore The Man-of-War Hawk The Figure-Head The Good Craft "Snow Bird" Old Counsel The Tuft of Kelp The Maldive Shark To Ned Crossing the Tropics The Berg The Enviable Isles Pebbles Poems from Mardi: We Fish Invocation Dirge Marlena Pipe Song Song of Yoomy Gold The Land of Love Essays Fragments from a Writing Desk Etchings of a Whaling Cruise Authentic Anecdotes of "Old Zack" Mr. Parkman's Tour Cooper's New Novel A Thought on Book-Binding Hawthorne and His Mosses
Engraving the Savage
Author: Michael Gaudio
Publisher: U of Minnesota Press
ISBN: 0816648468
Category : Art
Languages : en
Pages : 235
Book Description
In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own “civil” image-making practices and the “savage” practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian. The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry’s engravings describe a deeply ambivalent pictorial space in between civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making. Michael Gaudio is assistant professor of art history at the University of Minnesota.
Publisher: U of Minnesota Press
ISBN: 0816648468
Category : Art
Languages : en
Pages : 235
Book Description
In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own “civil” image-making practices and the “savage” practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian. The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry’s engravings describe a deeply ambivalent pictorial space in between civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making. Michael Gaudio is assistant professor of art history at the University of Minnesota.