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Author: Stephen Prince
Publisher: University of Texas Press
ISBN: 0292774311
Category : Performing Arts
Languages : en
Pages : 442
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Book Description
More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced. Prince demonstrates Peckinpah's complex approach to screen violence and shows him as a serious artist whose work was tied to the social and political upheavals of the 1960s. He explains how the director's commitment to showing the horror and pain of violence compelled him to use a complex style that aimed to control the viewer's response. Prince offers an unprecedented portrait of Peckinpah the filmmaker. Drawing on primary research materials—Peckinpah's unpublished correspondence, scripts, production memos, and editing notes—he provides a wealth of new information about the making of the films and Peckinpah's critical shaping of their content and violent imagery. This material shows Peckinpah as a filmmaker of intelligence, a keen observer of American society, and a tragic artist disturbed by the images he created. Prince's account establishes, for the first time, Peckinpah's place as a major filmmaker. This book is essential reading for those interested in Peckinpah, the problem of movie violence, and contemporary American cinema.
Author: Stephen Prince
Publisher: University of Texas Press
ISBN: 0292774311
Category : Performing Arts
Languages : en
Pages : 442
Get Book
Book Description
More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced. Prince demonstrates Peckinpah's complex approach to screen violence and shows him as a serious artist whose work was tied to the social and political upheavals of the 1960s. He explains how the director's commitment to showing the horror and pain of violence compelled him to use a complex style that aimed to control the viewer's response. Prince offers an unprecedented portrait of Peckinpah the filmmaker. Drawing on primary research materials—Peckinpah's unpublished correspondence, scripts, production memos, and editing notes—he provides a wealth of new information about the making of the films and Peckinpah's critical shaping of their content and violent imagery. This material shows Peckinpah as a filmmaker of intelligence, a keen observer of American society, and a tragic artist disturbed by the images he created. Prince's account establishes, for the first time, Peckinpah's place as a major filmmaker. This book is essential reading for those interested in Peckinpah, the problem of movie violence, and contemporary American cinema.
Author: Rachel O. Moore
Publisher: Duke University Press
ISBN: 9780822323884
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
An ambitious and original work which uses early film theory, anthropological insights, and avant--garde film to explore the relation of cinema to ritual healing.
Author: Stephen Prince
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 1172
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Book Description
More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced. Prince demonstrates Peckinpah's complex approach to screen violence and shows him as a serious artist whose work was tied to the social and political upheavals of the 1960s. He explains how the director's commitment to showing the horror and pain of violence compelled him to use a complex style that aimed to control the viewer's response. Prince offers an unprecedented portrait of Peckinpah the filmmaker. Drawing on primary research materials—Peckinpah's unpublished correspondence, scripts, production memos, and editing notes—he provides a wealth of new information about the making of the films and Peckinpah's critical shaping of their content and violent imagery. This material shows Peckinpah as a filmmaker of intelligence, a keen observer of American society, and a tragic artist disturbed by the images he created. Prince's account establishes, for the first time, Peckinpah's place as a major filmmaker. This book is essential reading for those interested in Peckinpah, the problem of movie violence, and contemporary American cinema.
Author: Mark Goodall
Publisher: Headpress
ISBN: 1909394513
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
“The Mondo Cane films were an important key to what was going on in the media landscape of the 1960s, especially post the JFK assassination. Nothing was true, and nothing was untrue...” J G Ballard Being the first ever English-language title devoted exclusively to the controversial and influential mondo documentary film cycle, this revised edition of Sweet and Savage remains the only serious study of mondo as a global film phenomenon, and includes a detailed examination of the key films of this cult genre. Sweet and Savage identifies the principle stylistic aspects of the mondo genre through a fascinating ‘non-linear’ approach that echoes the collage shock effects of the original films. In so doing it features exclusive interviews and many unique material contributions. It is lavishly illustrated with rare photographs, stills, posters, and record sleeves. Foreword by Jeremy Dyson.
Author: Rick Trader Witcombe
Publisher:
ISBN: 9780517524220
Category : Cinema
Languages : en
Pages : 104
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Book Description
Author: Harvey Fenton
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 122
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Book Description
Stunning large-format full colour book about the creator of notorious, widely banned horror masterpiece Cannibal Holocaust. Full filmography, interview, reviews. Packed with ultra-rare gore-drenched colour photos, posters and video covers. First book ever to deal comprehensively with Deodato.
Author: Henry Bacon
Publisher: Springer
ISBN: 1137476443
Category : Performing Arts
Languages : en
Pages : 227
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Book Description
The Fascination of Film Violence is a study of why fictional violence is such an integral part of fiction film. How can something dreadful be a source of art and entertainment? Explanations are sought from the way social and cultural norms and practices have shaped biologically conditioned violence related traits in human behavior.
Author: Yvette Bíró
Publisher: Midland Books
ISBN:
Category : Performing Arts
Languages : en
Pages : 168
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Book Description
Author: Mark Savage
Publisher:
ISBN: 9781949127065
Category : Fiction
Languages : en
Pages : 304
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Book Description
In FICTIONAL FILM CLUB, our narrator attempts to review a series of movies that don't exist. From here, he slips into an ever more obsessive and self-obsessive unreality of made-up movie stars, false features, and perverse productions.
Author: Stephen Prince
Publisher: Burns & Oates
ISBN: 9780485300871
Category : Violence in motion pictures
Languages : en
Pages : 282
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Book Description
Peckinpah's The Wild Bunch and Straw Dogs are classics of the violent and opened the door to a fresh disturbing trend in modern film-making. This text is a fundamental reappraisal of Peckinpah's radical, humanistic film-making, revealing him as serious artist whose work was tied to the social and political upheavals of the American 1960s.
