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Author: Horace
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
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Book Description
Author: Horace
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
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Book Description
Author: Juvenal
Publisher:
ISBN:
Category :
Languages : en
Pages : 248
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Book Description
Author: Horace
Publisher: Penguin
ISBN: 9780140442793
Category : Fiction
Languages : en
Pages : 308
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Book Description
The Satires of Horace (65 8 BC), written in the troubled decade ending with the establishment of Augustus' regime, provide an amusing treatment of men's perennial enslavement to money, power, glory and sex. Epistles I, addressed to the poet's friends, deals with the problem of achieving contentment amid the complexities of urban life, while Epistles II and the Ars Poetica discuss Latin poetry its history and social functions, and the craft required for its success. Both works have had a powerful influence on later western literature, inspiring poets from Ben Jonson and Alexander Pope to W. H. Auden and Robert Frost. The Satires of Persius (AD 34 62) are highly idiosyncratic, containing a courageous attack on the poetry and morals of his wealthy contemporaries even the ruling emperor, Nero.
Author: Persius
Publisher: Dublin : Hodges, Figgis ; London ; G. Bell
ISBN:
Category : Rome
Languages : en
Pages : 80
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Book Description
Author: Horace
Publisher:
ISBN:
Category :
Languages : en
Pages : 774
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Book Description
Author: Decimus Junius Juvenalis
Publisher:
ISBN:
Category :
Languages : en
Pages : 278
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Book Description
Author: Horace
Publisher:
ISBN:
Category : Satire, Latin
Languages : en
Pages : 550
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Book Description
Author: Dustin Griffin
Publisher: University Press of Kentucky
ISBN: 0813147816
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Here is the ideal introduction to satire for the student and, for the experienced scholar, an occasion to reconsider the uses, problems, and pleasures of satire in light of contemporary theory. Satire is a staple of the literary classroom. Dustin Griffin moves away from the prevailing moral-didactic approach established thirty some years ago to a more open view and reintegrates the Menippean tradition with the tradition of formal verse satire. Exploring texts from Aristophanes to the moderns, with special emphasis on the eighteenth century, Griffin uses a dozen figures—Horace, Juvenal, Persius, Lucian, More, Rabelais, Donne, Dryden, Pope, Swift, Blake, and Byron—as primary examples. Because satire often operates as a mode or procedure rather than as a genre, Griffin offers not a comprehensive theory but a set of critical perspectives. Some of his topics are traditional in satire criticism: the role of satire as moralist, the nature of satiric rhetoric, the impact of satire on the political order. Others are new: the problems of satire and closure, the pleasure it affords readers and writers, and the socioeconomic status of the satirist. Griffin concludes that satire is problematic, open-ended, essayistic, and ambiguous in its relationship to history, uncertain in its political effect, resistant to formal closure, more inclined to ask questions than provide answers, and ambivalent about the pleasures it offers.
Author: Juvenal
Publisher:
ISBN:
Category :
Languages : en
Pages : 590
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Book Description
Author: Meredith McNeill Hale
Publisher: Oxford University Press
ISBN: 0192573322
Category : Political Science
Languages : en
Pages : 441
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Book Description
Political satire has been a primary weapon of the press since the eighteenth century and is still intimately associated with one of the most important values of western democratic society: the right of individuals to free speech. This study documents one of the most important moments in the history of printed political imagery, when political print became what we would recognise as modern political satire. Contrary to conventional historical and art historical narratives, which place the emergence of political satire in the news-driven coffee-house culture of eighteenth-century London, Meredith M. Hale locates the birth of the genre in the late seventeenth-century Netherlands in the contentious political milieu surrounding William III's invasion of England known as the 'Glorious Revolution'. The satires produced between 1688 and 1690 by the Dutch printmaker Romeyn de Hooghe on the events surrounding William III's campaigns against James II and Louis XIV establish many of the qualities that define the genre to this day: the transgression of bodily boundaries; the interdependence of text and image; the centrality of dialogic text to the generation of meaning; serialized production; and the emergence of the satirist as a primary participant in political discourse. This study, the first in-depth analysis of De Hooghe's satires since the nineteenth century, considers these prints as sites of cultural influence and negotiation, works that both reflected and helped to construct a new relationship between the government and the governed.
