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Author: Semezdin Mehmedinovic
Publisher: City Lights Publishers
ISBN: 9780872863453
Category :
Languages : en
Pages : 122
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Book Description
From one of Bosnia's most prominent poets and writers: spare and haunting stories and poems that were written under the horrific circumstances of the recent war in Bosnia-Hercegovina. Semezdin Mehmedinovic remained a citizen of Sarajevo throughout...
Author: Semezdin Mehmedinovic
Publisher: City Lights Publishers
ISBN: 9780872863453
Category :
Languages : en
Pages : 122
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Book Description
From one of Bosnia's most prominent poets and writers: spare and haunting stories and poems that were written under the horrific circumstances of the recent war in Bosnia-Hercegovina. Semezdin Mehmedinovic remained a citizen of Sarajevo throughout...
Author: Joanna Labon
Publisher: Northwestern University Press
ISBN: 9780810113251
Category : Fiction
Languages : en
Pages : 288
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Book Description
Essays, stories and a play set in Yugoslavia. The title piece, written by Dubravka Ugresic, is a satire on murderous folklore, while Bogdan Bogdanovic's The City of Death is on Belgrade.
Author: Dragana Obradovic
Publisher: University of Toronto Press
ISBN: 1442629568
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
In Writing the Yugoslav Wars, Dragana Obradović analyses how the Yugoslav wars of secession helped shape the region’s literary culture. Obradović argues that the crisis of the country’s disintegration posed an ethical challenge to self-identified postmodernists. This book takes a transnational approach to literatures of the former Yugoslavia that have been, since the 1990s, studied separately, in line with geopolitical divisions. This post-socialist conflict was one of the moments that reshaped postmodernism for both local and international thinkers, much in the same way modernism was shaped by World War I and the advent of mechanized warfare.
Author: Semezdin Mehmedinović
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 61
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Book Description
Author: Dževad Karahasan
Publisher: Kodansha
ISBN:
Category : History
Languages : en
Pages : 150
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Book Description
NATIONAL BOOK AWARD NOMINEE Long regarded as the most magical of the European dynasties, the Rothschild family today remains one of the most powerful and wealthy in the world. No family in the past two centuries has been so constantly at the center of Europe's great events, has featured such varied and spectacular personalities, has had anything close to the wealth of the Rothschilds. In Frederic Morton's classic tale, the family is brought vividly to life. Here you'll meet characters as lively as you can imagine: Mayer, long-time advisor to Germany's princes, who broke through the barriers of a Frankfurt ghetto and placed his family on the road to wealth and power; Lord Alfred, who maintained a private train, private orchestra (which he conducted), and private circus (of which he was ringmaster); Baron Philippe, whose rarefied vintages bear labels created by great artists, among them Picasso, Dali, and Haring; and Kathleen Nica Rothschild de Koenigswarter, the "jazz baroness," in whose arms Charlie Parker died. The family itself has been at the center of some of the most crucial moments in history: the defeat of Napoleon at Waterloo, the development of the Suez Canal, the introduction of Jews in the House of Lords. Through it all, the Rothschild name has continued to represent the family ideal: a shrewd business and financial sense, activity in the Jewish community and the arts, and an always luxurious-and often eccentric-lifestyle. Nominated for a National Book Award when it was first published in 1962, Frederic Morton's The Rothschllds is here reissued with a new afterword by the author, bringing the tale of this extraordinary family to the present.
Author: Dragana Obradovi?
Publisher: University of Toronto Press
ISBN: 1442629541
Category : History
Languages : en
Pages : 228
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Book Description
In Writing the Yugoslav Wars, Dragana Obradovi? analyses how the Yugoslav wars of secession helped shape the region's literary culture. Obradovi? argues that the crisis of the country's disintegration posed an ethical challenge to self-identified postmodernists. This book takes a transnational approach to literatures of the former Yugoslavia that have been, since the 1990s, studied separately, in line with geopolitical divisions. This post-socialist conflict was one of the moments that reshaped postmodernism for both local and international thinkers, much in the same way modernism was shaped by World War I and the advent of mechanized warfare.
Author: Goran Simić
Publisher: London, Ont. : Brick Books
ISBN: 9781894078283
Category : Poetry
Languages : en
Pages : 0
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Book Description
Immigrant Blues explores the personal and the public devastations of war, especially its effects on exiled survivors. Simic's genius is to present this disturbing reality in terms so vigorous and humane that pain is mixed with the solace and pleasure of great art.
Author: Fred Sasaki
Publisher: University of Chicago Press
ISBN: 022650493X
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
Who reads poetry—and why? This rewarding volume provides answers from Roxane Gay, Roger Ebert, Lili Taylor, Alfred Molina, Aleksandar Hemon, and forty-five more. Who reads poetry? We know that poets do, but what about the rest of us? When and why do we turn to verse? Seeking the answer, Poetry magazine since 2005 has published a column called “The View From Here,” which has invited readers from outside the world of poetry to describe what has drawn them to poetry. Over the years, contributors have included philosophers, journalists, musicians, and artists, as well as doctors and soldiers, an ironworker, an anthropologist, and an economist. This collection brings together fifty compelling pieces, in turns surprising, provocative, touching, and funny. Anthropologist Helen Fisher turns to poetry while researching the effects of love on the brain: “As other anthropologists have studied fossils, arrowheads, or pot shards to understand human thought, I studied poetry . . . . I wasn’t disappointed: everywhere poets have described the emotional fallout produced by the brain’s eruptions.” The rapper Rhymefest attests to the self-actualizing power of poems: “Words can create worlds, and I’ve discovered that poetry can not only be read but also lived out. My life is a poem.” Musician Neko Case calls poetry “a delicate, pretty lady with a candy exoskeleton on the outside of her crepe-paper dress.” And music critic Alex Ross tells us that he keeps a paperback of The Palm at the End of the Mind by Wallace Stevens on his desk next to other, more utilitarian books like a German dictionary, a King James Bible, and a Mac troubleshooting manual. Contributors also include Ai Weiwei, Christopher Hitchens, Kay Redfield Jamison, Lynda Barry, and more. “The diversity of the authors results in an exceptionally broad range of topics and perspectives . . . Many of the contributors also tell intimate stories about poetry’s place in their personal lives. Sasaki and Share have chosen these pieces well.” —Publishers Weekly “Funny, moving and inspiring.” —The Australian
Author: Chris Agee
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 212
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Book Description
Scar on the Stone is the first anthology of Bosnian poetry in English to have appeared since the outbreak of war and genocide following the independence of Bosnia-Herzegovina in 1992. It brings together fourteen of the country's most distinguished poets, chosen on the basis of artistic merit alone, but drawn from all creeds - Muslim, Orthodox, Catholic - and none, and from all three jurisdictions of the new federation.The book begins with one of the greatest modern poets of the Balkans, Mak Dizdar (1917-1971), and ends with a selection of younger poets whose work emerged powerfully during the siege of Sarajevo. The result is a Janus-faced volume of rare breadth: one which evokes both the hidden peacetime Bosnia of Yugoslav Communism and the land ravaged by the worst war crimes on European soil since the Second World War. In a compelling introduction, editor Chris Agee relates literature to history, setting Scar on the Stone in the context of the rich, complex polyphony that is Bosnia. The translators are themselves leading poets from Britain, Ireland and America, including Harry Clifton, David Constantine, Nuala Ní Dhomhnaill, Ted Hughes, Kathleen Jamie, Ruth Padel, Charles Simic, Ken Smith and John Hartley Williams. Mak Dizdar and some of the younger poets are translated by Francis R. Jones, whose translations of Ivan V. Lalic and Vasko Popa have been widely acclaimed.
Author: Rebecca Jinks
Publisher: Bloomsbury Publishing
ISBN: 1474256953
Category : History
Languages : en
Pages : 281
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Book Description
This book explores the diverse ways in which Holocaust representations have influenced and structured how other genocides are understood and represented in the West. Rebecca Jinks focuses in particular on the canonical 20th century cases of genocide: Armenia, Cambodia, Bosnia, and Rwanda. Using literature, film, photography, and memorialisation, she demonstrates that we can only understand the Holocaust's status as a 'benchmark' for other genocides if we look at the deeper, structural resonances which subtly shape many representations of genocide. Representing Genocide pursues five thematic areas in turn: how genocides are recognised as such by western publics; the representation of the origins and perpetrators of genocide; how western witnesses represent genocide; representations of the aftermath of genocide; and western responses to genocide. Throughout, the book distinguishes between 'mainstream' and other, more nuanced and engaged, representations of genocide. It shows how these mainstream representations – the majority – largely replicate the representational framework of the Holocaust, including the way in which mainstream Holocaust representations resist recognising the rationality, instrumentality and normality of genocide, preferring instead to present it as an aberrant, exceptional event in human society. By contrast, the more engaged representations – often, but not always, originating from those who experienced genocide – tend to revolve around precisely genocide's ordinariness, and the structures and situations common to human society which contribute to and become involved in the violence.
