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Author: Ula Lukszo Klein
Publisher: University of Virginia Press
ISBN: 0813945526
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
Across the eighteenth century in Britain, readers, writers, and theater-goers were fascinated by women who dressed in men’s clothing—from actresses on stage who showed their shapely legs to advantage in men’s breeches to stories of valiant female soldiers and ruthless female pirates. Spanning genres from plays, novels, and poetry to pamphlets and broadsides, the cross-dressing woman came to signal more than female independence or unconventional behaviors; she also came to signal an investment in female same-sex intimacies and sapphic desires. Sapphic Crossings reveals how various British texts from the period associate female cross-dressing with the exciting possibility of intimate, embodied same-sex relationships. Ula Lukszo Klein reconsiders the role of lesbian desires and their structuring through cross-gender embodiments as crucial not only to the history of sexuality but to the rise of modern concepts of gender, sexuality, and desire. She prompts readers to rethink the roots of lesbianism and transgender identities today and introduces new ways of thinking about embodied sexuality in the past.
Author: Ula Lukszo Klein
Publisher: University of Virginia Press
ISBN: 0813945526
Category : Literary Criticism
Languages : en
Pages : 294
Get Book Here
Book Description
Across the eighteenth century in Britain, readers, writers, and theater-goers were fascinated by women who dressed in men’s clothing—from actresses on stage who showed their shapely legs to advantage in men’s breeches to stories of valiant female soldiers and ruthless female pirates. Spanning genres from plays, novels, and poetry to pamphlets and broadsides, the cross-dressing woman came to signal more than female independence or unconventional behaviors; she also came to signal an investment in female same-sex intimacies and sapphic desires. Sapphic Crossings reveals how various British texts from the period associate female cross-dressing with the exciting possibility of intimate, embodied same-sex relationships. Ula Lukszo Klein reconsiders the role of lesbian desires and their structuring through cross-gender embodiments as crucial not only to the history of sexuality but to the rise of modern concepts of gender, sexuality, and desire. She prompts readers to rethink the roots of lesbianism and transgender identities today and introduces new ways of thinking about embodied sexuality in the past.
Author: Lauren John Joseph
Publisher: Bloomsbury Publishing
ISBN: 1526631318
Category : Fiction
Languages : en
Pages : 385
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Book Description
SELECTED FOR STYLIST'S FICTION YOU CAN'T MISS IN 2022 - 'AN ESSENTIAL READ' NAMED AS A BOOK OF 2022 BY ESQUIRE, STYLIST, SHEERLUXE AND FOYLES 'A stone-cold masterpiece by a shocking new talent' OLIVIA LAING 'Pure delight ... A queer romance novel like no other' TATLER It's four in the morning, and our narrator is walking home from the club when they realise that it's February 29th – the birthday of the man who was something like their first love. Piecing together art, letters and memory, they set about trying to write the story of a doomed affair that first sparked and burned a decade ago. Ten years earlier, and our young narrator and a boy named Thomas James fall into bed with one another over the summer of their graduation. Their ensuing affair, with its violent, animal intensity and its intoxicating and toxic power play will initiate a dance of repulsion and attraction that will cross years, span continents, drag in countless victims – and culminate in terrible betrayal. At Certain Points We Touch is a story of first love and last rites, conjured against a vivid backdrop of London, San Francisco and New York – a riotous, razor-sharp coming-of-age story that marks the arrival of an extraordinary new talent. 'Lauren John Joseph writes with such wit, glamour, and style! I haven't read a book that so powerfully evokes what it's like to be a wild young artist among other wild young artists since the Bright Young Things' TORREY PETERS, author of Detransition, Baby 'Screamingly funny, scandalously hot, opulent, deep - a devastating torch song of obsession and excess' JEREMY ATHERTON LIN, author of Gay Bar 'Lauren's debut novel is so exciting. The writing is so fresh, funny and gripping - and carries the trademark wit that I have always loved from Lauren' TRAVIS ALABANZA 'The struggle to find ones place in the world as an artist and lover, creating self and culture as you go along - At Certain Points We Touch captures this fleeting, dazzling moment with glamour and heart' MICHELLE TEA
Author: Eric Weiskott
Publisher: University of Pennsylvania Press
ISBN: 0812252640
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
What would English literary history look like if the unit of measure were not the political reign but the poetic tradition? The earliest poems in English were written in alliterative verse, the meter of Beowulf. Alliterative meter preceded tetrameter, which first appeared in the twelfth century, and tetrameter in turn preceded pentameter, the five-stress line that would become the dominant English verse form of modernity, though it was invented by Chaucer in the 1380s. While this chronology is accurate, Eric Weiskott argues, the traditional periodization of literature in modern scholarship distorts the meaning of meters as they appeared to early poets and readers. In Meter and Modernity in English Verse, 1350-1650, Weiskott examines the uses and misuses of these three meters as markers of literary time, "medieval" or "modern," though all three were in concurrent use both before and after 1500. In each section of the book, he considers two of the traditions through the prism of a third element: alliterative meter and tetrameter in poems of political prophecy; alliterative meter and pentameter in William Langland's Piers Plowman and early blank verse; and tetrameter and pentameter in Chaucer, his predecessors, and his followers. Reversing the historical perspective in which scholars conventionally view these authors, Weiskott reveals Langland to be metrically precocious and Chaucer metrically nostalgic. More than a history of prosody, Weiskott's book challenges the divide between medieval and modern literature. Rejecting the premise that modernity occurred as a specifiable event, he uses metrical history to renegotiate the trajectories of English literary history and advances a narrative of sociocultural change that runs parallel to metrical change, exploring the relationship between literary practice, social placement, and historical time.
Author: Eleanor Janega
Publisher: Icon Books
ISBN: 1785785923
Category : Comics & Graphic Novels
Languages : en
Pages : 236
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Book Description
A unique, illustrated book that will change the way you see medieval history The Middle Ages: A Graphic History busts the myth of the 'Dark Ages', shedding light on the medieval period's present-day relevance in a unique illustrated style. This history takes us through the rise and fall of empires, papacies, caliphates and kingdoms; through the violence and death of the Crusades, Viking raids, the Hundred Years War and the Plague; to the curious practices of monks, martyrs and iconoclasts. We'll see how the foundations of the modern West were established, influencing our art, cultures, religious practices and ways of thinking. And we'll explore the lives of those seen as 'Other' - women, Jews, homosexuals, lepers, sex workers and heretics. Join historian Eleanor Janega and illustrator Neil Max Emmanuel on a romp across continents and kingdoms as we discover the Middle Ages to be a time of huge change, inquiry and development - not unlike our own.
Author: Tiana Warner
Publisher: Entangled: Teen
ISBN: 1649371535
Category : Young Adult Fiction
Languages : en
Pages : 410
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Book Description
Paste Magazine Pick for Best New Fantasy Books of July 2022 From the time she was born, Sigrid has only ever been ordinary. Being paired at birth with a plain horse—instead of the powerful winged mare of a valkyrie—meant there would be no warrior path for her. No riding the skies, no glory among the nine worlds. Just the simple, unremarkable life of a stable hand. Everything changes when a terrible enemy ambushes Vanaheim and Sigrid sees a vision of herself atop a mythical stallion, leading the valkyries into a harrowing battle. Finally, she can grab her future with her own two hands and become the hero of her own story...if she dares. But her destiny is tied up with Mariam, a fallen valkyrie who’s allied herself with the very enemy Sigrid is trying to stop. Now Sigrid has left ordinary behind as she begins a journey with the beautiful—if treacherous—valkyrie, each step bringing her closer to answers...and to awakened feelings for Mariam. But the life Sigrid left behind is starting to look a lot like paradise...especially when her destiny lies in the one place no mortal should tread: the gates of Hel. The Sigrid and The Valkyries series is best enjoyed in order. Reading Order: Book #1 The Valkyrie’s Daughter Book #2 The Valkyrie’s Shadow
Author: Sarah Eron
Publisher: Taylor & Francis
ISBN: 1003845266
Category : Literary Criticism
Languages : en
Pages : 905
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Book Description
The Routledge Companion to Eighteenth-Century Literatures in English brings together essays that respond to consequential cultural and socio-economic changes that followed the expansion of the British Empire from the British Isles across the Atlantic. Scholars track the cumulative power of the slave trade, settlements and plantations, and the continual warfare that reshaped lives in the Americas, Africa, and Asia. Importantly, they also analyze the ways these histories reshaped class and social relations, scientific inquiry and invention, philosophies of personhood, and cultural and intellectual production. As European nations fought each other for territories and trade routes, dispossessing and enslaving Indigenous and Black people, the observations of travellers, naturalists, and colonists helped consolidate racism and racial differentiation, as well as the philosophical justifications of “civilizational” differences that became the hallmarks of intellectual life. Essays in this volume address key shifts in disciplinary practices even as they examine the past, looking forward to and modeling a rethinking of our scholarly and pedagogic practices. This volume is an essential text for academics, researchers, and students researching eighteenth-century literature, history, and culture.
Author: Eleanor Medhurst
Publisher: Hurst Publishers
ISBN: 1805261312
Category : Social Science
Languages : en
Pages : 380
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Book Description
The way we dress can show or hide who we are; make us fit in, make us stand out, or make our own community. Yet ‘lesbian fashion’ has been strangely overlooked. What secrets can it reveal about the lives and status of queer women through the ages? The lesbian past is slippery: often deliberately hidden, edited or left unrecorded. Unsuitable restores to history the dazzlingly varied clothes worn by women who love women, from top hats to violet tiaras. This story spans centuries and countries, from ‘Gentleman Jack’ in nineteenth-century Yorkshire and Queen Christina of seventeenth-century Sweden, to Paris modernism, genderqueer Berlin, butch/femme bar culture and gay rights activists—via drag kings, Vogue editors and the Harlem Renaissance. This book is a kaleidoscope of the margins and the mainstream, celebrating trans lesbian style, Black lesbian style, and gender nonconformity. You don’t have to be queer or fashionable to be enthralled by this hidden history. Unsuitable lights it up for the world to see, in all its finery.
Author: Rachael Scarborough King
Publisher: Bloomsbury Publishing
ISBN: 1350242314
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Bringing together an exciting group of knowledge workers, scholars and activists from across fields, this book revisits a foundational question of the Enlightenment: what is the last or furthest end of knowledge? It is a book about why we do what we do, and how we might know when we are done. In the reorganization of knowledge that characterized the Enlightenment, disciplines were conceived as having particular ends, both in terms of purposes and end-points. As we experience an ongoing shift to the knowledge economy of the Information Age, this collection asks whether we still conceptualize knowledge in this way. Does an individual discipline have both an inherent purpose and a natural endpoint? What do an experiment on a fruit fly, a reading of a poem, and the writing of a line of code have in common? Focusing on areas as diverse as AI; biology; Black studies; literary studies; physics; political activism; and the concept of disciplinarity itself, contributors uncover a life after disciplinarity for subjects that face immediate threats to the structure if not the substance of their contributions. These essays whether reflective, historical, eulogistic, or polemical chart a vital and necessary course towards the reorganization of knowledge production as a whole.
Author: Benjamin Kahan
Publisher: Cambridge University Press
ISBN: 1108911331
Category : Literary Criticism
Languages : en
Pages : 1037
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Book Description
Moby-Dick's Ishmael and Queequeg share a bed, Janie in Zora Neale Hurston's Their Eyes Were Watching God imagines her tongue in another woman's mouth. And yet for too long there has not been a volume that provides an account of the breadth and depth of queer American literature. This landmark volume provides the first expansive history of this literature from its inception to the present day, offering a narrative of how American literary studies and sexuality studies became deeply entwined and what they can teach each other. It examines how American literature produces and is in turn woven out of sexualities, gender pluralities, trans-ness, erotic subjectivities, and alternative ways of inhabiting bodily morphology. In so doing, the volume aims to do nothing less than revise the ways in which we understand the whole of American literature. It will be an indispensable resource for scholars, graduate students, and undergraduates.
Author: Kathleen Wilson
Publisher: Cambridge University Press
ISBN: 1108846149
Category : History
Languages : en
Pages : 497
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Book Description
Why did Britons get up a play wherever they went? Kathleen Wilson reveals how the performance of English theater and a theatricalized way of viewing the world shaped the geopolitics and culture of empire in the long eighteenth century. Ranging across the Atlantic, Indian and Pacific Oceans to encompass Kingston, Calcutta, Fort Marlborough, St. Helena and Port Jackson as well as London and provincial towns, she shows how Britons on the move transformed peripheries into historical stages where alternative collectivities were enacted, imagined and lived. Men and women of various ethnicities, classes and legal statuses produced and performed English theater in the world, helping to consolidate a national and imperial culture. The theater of empire also enabled non-British people to adapt or interpret English cultural traditions through their own performances, as Englishness also became a production of non-English peoples across the globe.
