Author: Charles Hilken
Publisher: PIMS
ISBN: 9780888441577
Category : History
Languages : en
Pages : 336
Book Description
This study of Santa Maria del Gualdo Mazzocca, a Benedictine priory, and then abbey, directly dependent upon the papacy, offers a remarkable glimpse into the nature of monastic life in the middle ages.
Memory and Community in Medieval Southern Italy
Author: Charles Hilken
Publisher: PIMS
ISBN: 9780888441577
Category : History
Languages : en
Pages : 336
Book Description
This study of Santa Maria del Gualdo Mazzocca, a Benedictine priory, and then abbey, directly dependent upon the papacy, offers a remarkable glimpse into the nature of monastic life in the middle ages.
Publisher: PIMS
ISBN: 9780888441577
Category : History
Languages : en
Pages : 336
Book Description
This study of Santa Maria del Gualdo Mazzocca, a Benedictine priory, and then abbey, directly dependent upon the papacy, offers a remarkable glimpse into the nature of monastic life in the middle ages.
The Yale Literary Magazine
Author:
Publisher:
ISBN:
Category : College students' writings, American
Languages : en
Pages : 476
Book Description
Publisher:
ISBN:
Category : College students' writings, American
Languages : en
Pages : 476
Book Description
Saint Sophia and Constantinople
Author: Michael D. Volonakis
Publisher:
ISBN:
Category : Architecture, Byzantine
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Architecture, Byzantine
Languages : en
Pages : 64
Book Description
Constantinople
Author: Edwin Augustus Grosvenor
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 426
Book Description
The book is organized chronologically, by political history, and then by theme; a great deal of space is devoted to archaeological history, art history, and architecture. Also discusses the physical nature of the city: how the art, the growth of the streets, and the politics all affected the city's appearance today. The history, mythology, art, and décor of significant mosques in the city are included. Contains about 800 pages of analysis, with a great number of photographs and illustrations.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 426
Book Description
The book is organized chronologically, by political history, and then by theme; a great deal of space is devoted to archaeological history, art history, and architecture. Also discusses the physical nature of the city: how the art, the growth of the streets, and the politics all affected the city's appearance today. The history, mythology, art, and décor of significant mosques in the city are included. Contains about 800 pages of analysis, with a great number of photographs and illustrations.
Ceilings and Dreams
Author: Paul Emmons
Publisher: Routledge
ISBN: 135106584X
Category : Architecture
Languages : en
Pages : 393
Book Description
Where is the space for dreaming in the twenty-first century? Lofty thoughts, like dreams, are born and live overhead, just as they have been represented in Renaissance paintings and modern cartoons. Ceilings are often repositories of stories, events and otherwise invisible oneiric narratives. Yet environments that inspire innovative thinking are dwindling as our world confronts enormous challenges, and almost all of our thinking, debating and decision-making takes place under endless ceiling grids. Quantitative research establishes that spaces with taller ceilings elicit broader, more creative thoughts. Today, ceilings are usually squat conduits of technology: they have become the blind spot of modern architecture. The twenty essays in this book look across cultures, places and ceilings over time to discover their potential to uplift the human spirit. Not just one building element among many, the ceiling is a key to unlock the architectural imagination. Ceilings and Dreams aims to correct this blind spot and encourages architects and designers, researchers and students, to look up through writings organized into three expansive categories: reveries, suspensions and inversions. The contributors contemplate the architecture of levity and the potential of the ceiling, once again, as a place for dreaming.
Publisher: Routledge
ISBN: 135106584X
Category : Architecture
Languages : en
Pages : 393
Book Description
Where is the space for dreaming in the twenty-first century? Lofty thoughts, like dreams, are born and live overhead, just as they have been represented in Renaissance paintings and modern cartoons. Ceilings are often repositories of stories, events and otherwise invisible oneiric narratives. Yet environments that inspire innovative thinking are dwindling as our world confronts enormous challenges, and almost all of our thinking, debating and decision-making takes place under endless ceiling grids. Quantitative research establishes that spaces with taller ceilings elicit broader, more creative thoughts. Today, ceilings are usually squat conduits of technology: they have become the blind spot of modern architecture. The twenty essays in this book look across cultures, places and ceilings over time to discover their potential to uplift the human spirit. Not just one building element among many, the ceiling is a key to unlock the architectural imagination. Ceilings and Dreams aims to correct this blind spot and encourages architects and designers, researchers and students, to look up through writings organized into three expansive categories: reveries, suspensions and inversions. The contributors contemplate the architecture of levity and the potential of the ceiling, once again, as a place for dreaming.
Hagia Sophia and the Byzantine Aesthetic Experience
Author: Nadine Schibille
Publisher: Routledge
ISBN: 1317124146
Category : Art
Languages : en
Pages : 399
Book Description
Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identity of early Byzantium. There are different types of aesthetic data, those present in the aesthetic object and those found in aesthetic responses to the object. This study looks at the aesthetic data embodied in the sixth-century architectural structure and interior decoration of Hagia Sophia as well as in literary responses (ekphrasis) to the building. The purpose of the Byzantine ekphrasis was to convey by verbal means the same effects that the artefact itself would have caused. A literary analysis of these rhetorical descriptions recaptures the Byzantine perception and expectations, and at the same time reveals the cognitive processes triggered by the Great Church. The central aesthetic feature that emerges from sixth-century ekphraseis of Hagia Sophia is that of light. Light is described as the decisive element in the experience of the sacred space and light is simultaneously associated with the notion of wisdom. It is argued that the concepts of light and wisdom are interwoven programmatic elements that underlie the unique architecture and non-figurative decoration of Hagia Sophia. A similar concern for the phenomenon of light and its epistemological dimension is reflected in other contemporary monuments, testifying to the pervasiveness of these aesthetic values in early Byzantium.
Publisher: Routledge
ISBN: 1317124146
Category : Art
Languages : en
Pages : 399
Book Description
Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identity of early Byzantium. There are different types of aesthetic data, those present in the aesthetic object and those found in aesthetic responses to the object. This study looks at the aesthetic data embodied in the sixth-century architectural structure and interior decoration of Hagia Sophia as well as in literary responses (ekphrasis) to the building. The purpose of the Byzantine ekphrasis was to convey by verbal means the same effects that the artefact itself would have caused. A literary analysis of these rhetorical descriptions recaptures the Byzantine perception and expectations, and at the same time reveals the cognitive processes triggered by the Great Church. The central aesthetic feature that emerges from sixth-century ekphraseis of Hagia Sophia is that of light. Light is described as the decisive element in the experience of the sacred space and light is simultaneously associated with the notion of wisdom. It is argued that the concepts of light and wisdom are interwoven programmatic elements that underlie the unique architecture and non-figurative decoration of Hagia Sophia. A similar concern for the phenomenon of light and its epistemological dimension is reflected in other contemporary monuments, testifying to the pervasiveness of these aesthetic values in early Byzantium.
The Churchman
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 948
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 948
Book Description
Hagia Sophia, 1850-1950
Author: Robert S. Nelson
Publisher: University of Chicago Press
ISBN: 9780226571713
Category : Architecture
Languages : en
Pages : 316
Book Description
Hagia Sophia, the Church of Holy Wisdom, sits majestically atop the plateau that commands the straits separating Europe and Asia. Located near the acropolis of the ancient city of Byzantium, this unparalleled structure has enjoyed an extensive and colorful history, as it has successively been transformed into a cathedral, mosque, monument, and museum. In Hagia Sophia, 1850-1950, Robert S. Nelson explores its many lives. Built from 532 to 537 as the Cathedral of Constantinople, Hagia Sophia was little studied and seldom recognized as a great monument of world art until the nineteenth century, and Nelson examines the causes and consequences of the building's newly elevated status during that time. He chronicles the grand dome's modern history through a vibrant cast of characters—emperors, sultans, critics, poets, archaeologists, architects, philanthropists, and religious congregations—some of whom spent years studying it, others never visiting the building. But as Nelson shows, they all had a hand in the recreation of Hagia Sophia as a modern architectural icon. By many means and for its own purposes, the West has conceptually transformed Hagia Sophia into the international symbol that it is today. While other books have covered the architectural history of the structure, this is the first study to address its status as a modern monument. With his narrative of the building's rebirth, Nelson captures its importance for the diverse communities that shape and find meaning in Hagia Sophia. His book will resonate with cultural, architectural, and art historians as well as with those seeking to acquaint themselves with the modern life of an inspired and inspiring building.
Publisher: University of Chicago Press
ISBN: 9780226571713
Category : Architecture
Languages : en
Pages : 316
Book Description
Hagia Sophia, the Church of Holy Wisdom, sits majestically atop the plateau that commands the straits separating Europe and Asia. Located near the acropolis of the ancient city of Byzantium, this unparalleled structure has enjoyed an extensive and colorful history, as it has successively been transformed into a cathedral, mosque, monument, and museum. In Hagia Sophia, 1850-1950, Robert S. Nelson explores its many lives. Built from 532 to 537 as the Cathedral of Constantinople, Hagia Sophia was little studied and seldom recognized as a great monument of world art until the nineteenth century, and Nelson examines the causes and consequences of the building's newly elevated status during that time. He chronicles the grand dome's modern history through a vibrant cast of characters—emperors, sultans, critics, poets, archaeologists, architects, philanthropists, and religious congregations—some of whom spent years studying it, others never visiting the building. But as Nelson shows, they all had a hand in the recreation of Hagia Sophia as a modern architectural icon. By many means and for its own purposes, the West has conceptually transformed Hagia Sophia into the international symbol that it is today. While other books have covered the architectural history of the structure, this is the first study to address its status as a modern monument. With his narrative of the building's rebirth, Nelson captures its importance for the diverse communities that shape and find meaning in Hagia Sophia. His book will resonate with cultural, architectural, and art historians as well as with those seeking to acquaint themselves with the modern life of an inspired and inspiring building.
Brickstamps of Constantinople
Author: Jonathan Bardill
Publisher:
ISBN: 9780199255221
Category : Social Science
Languages : en
Pages : 498
Book Description
Brickstamps of Constantinople is the first major catalogue and analysis of stamped bricks manufactured in Constantinople and its vicinity in the Late Roman and Early Byzantine periods. The text discusses the organization of the brickmaking industry, the purpose of brickstamping, andestablishes for the first time a chronology for the brickstamps. On the basis of the conclusions, dates are proposed for previously undated buildings in the city, and revised dates are given for other monuments.
Publisher:
ISBN: 9780199255221
Category : Social Science
Languages : en
Pages : 498
Book Description
Brickstamps of Constantinople is the first major catalogue and analysis of stamped bricks manufactured in Constantinople and its vicinity in the Late Roman and Early Byzantine periods. The text discusses the organization of the brickmaking industry, the purpose of brickstamping, andestablishes for the first time a chronology for the brickstamps. On the basis of the conclusions, dates are proposed for previously undated buildings in the city, and revised dates are given for other monuments.
Introduction to Controlled Vocabularies
Author: Patricia Harpring
Publisher: Getty Publications
ISBN: 160606018X
Category : Art
Languages : en
Pages : 259
Book Description
This detailed book is a “how-to” guide to building controlled vocabulary tools, cataloging and indexing cultural materials with terms and names from controlled vocabularies, and using vocabularies in search engines and databases to enhance discovery and retrieval online. Also covered are the following: What are controlled vocabularies and why are they useful? Which vocabularies exist for cataloging art and cultural objects? How should they be integrated in a cataloging system? How should they be used for indexing and for retrieval? How should an institution construct a local authority file? The links in a controlled vocabulary ensure that relationships are defined and maintained for both cataloging and retrieval, clarifying whether a rose window and a Catherine wheel are the same thing, or how pot-metal glass is related to the more general term stained glass. The book provides organizations and individuals with a practical tool for creating and implementing vocabularies as reference tools, sources of documentation, and powerful enhancements for online searching.
Publisher: Getty Publications
ISBN: 160606018X
Category : Art
Languages : en
Pages : 259
Book Description
This detailed book is a “how-to” guide to building controlled vocabulary tools, cataloging and indexing cultural materials with terms and names from controlled vocabularies, and using vocabularies in search engines and databases to enhance discovery and retrieval online. Also covered are the following: What are controlled vocabularies and why are they useful? Which vocabularies exist for cataloging art and cultural objects? How should they be integrated in a cataloging system? How should they be used for indexing and for retrieval? How should an institution construct a local authority file? The links in a controlled vocabulary ensure that relationships are defined and maintained for both cataloging and retrieval, clarifying whether a rose window and a Catherine wheel are the same thing, or how pot-metal glass is related to the more general term stained glass. The book provides organizations and individuals with a practical tool for creating and implementing vocabularies as reference tools, sources of documentation, and powerful enhancements for online searching.