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Author: Utagawa Kuniyoshi
Publisher: Courier Corporation
ISBN: 0486155226
Category : Art
Languages : en
Pages : 114
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Book Description
Kuniyoshi was a master of the warrior woodblock print — and these 18th-century illustrations represent the pinnacle of his craft. Full-color portraits of renowned Japanese samurais pulse with movement, passion, and remarkably fine detail.
Author: Utagawa Kuniyoshi
Publisher: Courier Corporation
ISBN: 0486155226
Category : Art
Languages : en
Pages : 114
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Book Description
Kuniyoshi was a master of the warrior woodblock print — and these 18th-century illustrations represent the pinnacle of his craft. Full-color portraits of renowned Japanese samurais pulse with movement, passion, and remarkably fine detail.
Author: Stephen Addiss
Publisher: Kodansha Amer Incorporated
ISBN: 9780870115639
Category : Art
Languages : en
Pages : 48
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Book Description
Author: Pamela S. Turner
Publisher: Charlesbridge Publishing
ISBN: 1580895859
Category : Juvenile Nonfiction
Languages : en
Pages : 254
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Book Description
Minamoto Yoshitsune should not have been a samurai. But his story is legend in this real-life saga. This epic warrior tale reads like a novel, but this is the true story of the greatest samurai in Japanese history. When Yoshitsune was just a baby, his father went to war with a rival samurai family—and lost. His father was killed, his mother captured, and his surviving half-brother banished. Yoshitsune was sent away to live in a monastery. Skinny, small, and unskilled in the warrior arts, he nevertheless escaped and learned the ways of the samurai. When the time came for the Minamoto clan to rise up against their enemies, Yoshitsune answered the call. His daring feats and impossible bravery earned him immortality.
Author: Dōshin Satō
Publisher: Getty Publications
ISBN: 1606060597
Category : Art
Languages : en
Pages : 378
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Book Description
This is an insightful and intelligent re-thinking of Japanese art history & its Western influences. This broad-ranging and profoundly influential analysis describes how Western art institutions and vocabulary were transplanted to Japan in the late nineteenth century. In the 1870-80s, artists and government administrators in Japan encountered the Western 'system of the arts' for the first time. Under pressure to exhibit and sell its artistic products abroad, Japan's new Meiji government came face-to-face with the need to create European-style art schools and museums - and even to establish Japanese words for art, painting, artist, and sculpture. "Modern Japanese Art" is a full re-conceptualization of the field of Japanese art history, exposing the politics through which the words, categories, and values that structure our understanding of the field came to be while revealing the historicity of Western and non-Western art history.
Author: Stephen Turnbull
Publisher: Frontline Books
ISBN: 1473817935
Category : History
Languages : en
Pages : 523
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Book Description
Samurai tells the story of the courageous and highly disciplined fighting men of this time, showing how they evolved from the primitive fighters of the seventh century into an invincible military caste with a fearsome reputation. In the early seventh century, the samurai rose to prominence during the struggles between the emperor and the military leaders (shogun). They took part in the invasion of Korea, as well as helping to keep Japan free from foreign influence. From the Heian period through to the Onin wars, the history of the samurai is replete with tales of heroism and bloodshed. Although the samurai is most famous for his use of the sword, he also used a wide variety of other weapons, such as the crossbow, the dagger and the spear. Samurai armour and costume were constantly evolving, and by the twelfth century most samurai were wearing the box-like yoroi armour. Samurai examines samurai fighting tactics, as well as acts such as ritual suicide (hari-kiri) and the taking of enemy heads as trophies.
Author: Kunisada Utagawa
Publisher:
ISBN: 9781840683158
Category : Akō Vendetta, Japan, 1703
Languages : en
Pages : 0
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Book Description
This Ukiyo-e Master Special edition of Kunisada's 47 Ronin contains not only Kunisada's complete set of 48 samurai prints, reproduced in full-size and full-colour, but also reference prints from Kuniyoshi's classic series of 1847, complimenting each image. The book also features A.B. Mitford's definitive Legend of the 47 Ronin, the first English-languge version of the story from 1871. This text is illustrated with 47 Ronin prints by varoius other classic ukiyo-e artists, including Yoshitora, Yoshitoshi, and Kunichika, bringing the total number of colour prints in the book to over 100.
Author: Stephen Turnbull
Publisher: Bloomsbury Publishing
ISBN: 1782000143
Category : History
Languages : en
Pages : 168
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Book Description
The dazzling spectacle presented by the armies of medieval Japan owed much to the highly developed family and personal heraldry of samurai society. From simple personal banners, this evolved over centuries of warfare into a complex system of flags worn or carried into battle, together with the striking 'great standards' of leading warlords. While not regulated in the Western sense, Japanese heraldry developed as a series of widely followed practices, while remaining flexible enough to embrace constant innovation. Scores of examples, in monochrome and full colour, illustrate this fascinating explanation of the subject by a respected expert on all aspects of samurai culture.
Author: Patricia J. Graham
Publisher: University of Hawaii Press
ISBN: 0824862465
Category : Art
Languages : en
Pages : 401
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Book Description
Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. Although Buddhism is generally regarded as peripheral to modern Japanese society, this book demonstrates otherwise. Its chapters elucidate the thread of change over time in the practice of Buddhism as revealed in temple worship halls and other sites of devotion and in imagery representing the religion’s most popular deities and religious practices. It also introduces the work of modern and contemporary artists who are not generally associated with institutional Buddhism and its canonical visual requirements but whose faith inspires their art. The author makes a persuasive argument that the neglect of these materials by scholars results from erroneous presumptions about the aesthetic superiority of early Japanese Buddhist artifacts and an asserted decline in the institutional power of the religion after the sixteenth century. She demonstrates that recent works constitute a significant contribution to the history of Japanese art and architecture, providing evidence of Buddhism’s compelling presence at all levels of Japanese society and its evolution in response to the needs of new generations of supporters.
Author: Mikael S. Adolphson
Publisher: University of Hawaii Press
ISBN: 0824862813
Category : Art
Languages : en
Pages : 465
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Book Description
"This exceptionally rich set of essays substantially advances our understanding of the Heian era, presenting the period as more fascinating, multi-faceted, and integrated than it has ever been before. This volume marks a turning point in the study of early Japanese culture and will be indispensable for future explorations of the era." —Andrew Edmund Goble, University of Oregon "As a Japanese historian, I enthusiastically recommend Heian Japan, Centers and Peripheries, the first multi-author English-language academic work to offer a synthetic treatment of the Heian period. Japan’s emperor system is the last remaining sovereignty of its kind in human history, and this volume is indispensable when considering what sovereignty itself means in the present. To that end, the classical patterns established in the Heian period are superbly analyzed in this volume through the dual approach of ‘centers and peripheries.’" —Hotate Michihisa, Historiographical Institute, University of Tokyo The first three centuries of the Heian period (794–1086) saw some of its most fertile innovations and epochal achievements in Japanese literature and the arts. It was also a time of important transitions in the spheres of religion and politics, as aristocratic authority was consolidated in Kyoto, powerful court factions and religious institutions emerged, and adjustments were made in the Chinese-style system of ruler-ship. At the same time, the era’s leaders faced serious challenges from the provinces that called into question the primacy and efficiency of the governmental system and tested the social/cultural status quo. Heian Japan, Centers and Peripheries, the first book of its kind to examine the early Heian from a wide variety of multidisciplinary perspectives, offers a fresh look at these seemingly contradictory trends. Essays by fourteen leading American, European, and Japanese scholars of art history, history, literature, and religions take up core texts and iconic images, cultural achievements and social crises, and the ever-fascinating patterns and puzzles of the time. The authors tackle some of Heian Japan’s most enduring paradigms as well as hitherto unexplored problems in search of new ways of understanding the currents of change as well as the processes of institutionalization that shaped the Heian scene, defined the contours of its legacies, and make it one of the most intensely studied periods of the Japanese past. Contributors: Ryûichi Abé, Mikael Adolphson, Bruce Batten, Robert Borgen, Wayne Farris, Karl Friday, G. Cameron Hurst III, Edward Kamens, D. Max Moerman, Samuel Morse, Joan R. Piggott, Fukutò Sanae, Ivo Smits, Charlotte von Verschuer.
Author: Asato Ikeda
Publisher: University of Hawaii Press
ISBN: 0824872126
Category : Art
Languages : en
Pages : 165
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Book Description
This book examines a set of paintings produced in Japan during the 1930s and early 1940s that have received little scholarly attention. Asato Ikeda views the work of four prominent artists of the time—Yokoyama Taikan, Yasuda Yukihiko, Uemura Shōen, and Fujita Tsuguharu—through the lens of fascism, showing how their seemingly straightforward paintings of Mount Fuji, samurai, beautiful women, and the countryside supported the war by reinforcing a state ideology that justified violence in the name of the country’s cultural authenticity. She highlights the politics of “apolitical” art and challenges the postwar labeling of battle paintings—those depicting scenes of war and combat—as uniquely problematic. Yokoyama Taikan produced countless paintings of Mount Fuji as the embodiment of Japan’s “national body” and spirituality, in contrast to the modern West’s individualism and materialism. Yasuda Yukihiko located Japan in the Minamoto warriors of the medieval period, depicting them in the yamato-e style, which is defined as classically Japanese. Uemura Shōen sought to paint the quintessential Japanese woman, drawing on the Edo-period bijin-ga (beautiful women) genre while alluding to noh aesthetics and wartime gender expectations. For his subjects, Fujita Tsuguharu looked to the rural snow country, where, it was believed, authentic Japanese traditions could still be found. Although these artists employed different styles and favored different subjects, each maintained close ties with the state and presented what he considered to be the most representative and authentic portrayal of Japan. Throughout Ikeda takes into account the changing relationships between visual iconography/artistic style and its significance by carefully situating artworks within their specific historical and cultural moments. She reveals the global dimensions of wartime nationalist Japanese art and opens up the possibility of dialogue with scholarship on art produced in other countries around the same time, particularly Nazi Germany and Fascist Italy. The Politics of Painting will be welcomed by those interested in modern Japanese art and visual culture, and war art and fascism. Its analysis of painters and painting within larger currents in intellectual history will attract scholars of modern Japanese and East Asian studies.
