Samuel Richardson's Published Commentary on Clarissa, 1747-1765 Vol 1 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Samuel Richardson's Published Commentary on Clarissa, 1747-1765 Vol 1 PDF full book. Access full book title Samuel Richardson's Published Commentary on Clarissa, 1747-1765 Vol 1 by Florian Stuber. Download full books in PDF and EPUB format.
Author: Florian Stuber
Publisher: Taylor & Francis
ISBN: 1040245625
Category : Literary Criticism
Languages : en
Pages : 484
Get Book Here
Book Description
This three-volume set brings together all that Samuel Richardson himself published on the composition, printing and interpretation of "Clarissa". The various short works reveal Richardson's reactions to the concerns and issues raised by contemporary readers.
Author: Florian Stuber
Publisher: Taylor & Francis
ISBN: 1040245625
Category : Literary Criticism
Languages : en
Pages : 484
Get Book Here
Book Description
This three-volume set brings together all that Samuel Richardson himself published on the composition, printing and interpretation of "Clarissa". The various short works reveal Richardson's reactions to the concerns and issues raised by contemporary readers.
Author: Florian Stuber
Publisher: Taylor & Francis
ISBN: 1040249817
Category : Literary Criticism
Languages : en
Pages : 303
Get Book Here
Book Description
This three-volume set brings together all that Samuel Richardson himself published on the composition, printing and interpretation of "Clarissa". The various short works reveal Richardson's reactions to the concerns and issues raised by contemporary readers.
Author: Florian Stuber
Publisher: Taylor & Francis
ISBN: 1040245633
Category : Literary Criticism
Languages : en
Pages : 611
Get Book Here
Book Description
This three-volume set brings together all that Samuel Richardson himself published on the composition, printing and interpretation of "Clarissa". The various short works reveal Richardson's reactions to the concerns and issues raised by contemporary readers.
Author: E. Derek Taylor
Publisher: Routledge
ISBN: 135115074X
Category : Literary Criticism
Languages : en
Pages : 272
Get Book Here
Book Description
What distinguishes Clarissa from Samuel Richardson's other novels is Richardson's unique awareness of how his plot would end. In the inevitability of its conclusion, in its engagement with virtually every category of human experience, and in its author's desire to communicate religious truth, E. Derek Taylor suggests, Clarissa truly is the Paradise Lost of the eighteenth century. Arguing that Clarissa's cohesiveness and intellectual rigor have suffered from the limitations of the Lockean model frequently applied to the novel, Taylor turns to the writings of John Norris, a well-known disciple of the theosophy of Nicolas Malebranche. Allusions to this first of Locke's philosophical critics appear in each of the novel's installments, and Taylor persuasively documents how Norris's ideas provided Richardson with a usefully un-Lockean rhetorical grounding for Clarissa. Further, the writings of early feminists like Norris's intellectual ally Mary Astell, who viewed her arguments on behalf of women as compatible with her conservative and deeply held religious and political views, provide Richardson with the combination of progressive feminism and conservative theology that animate the novel. In a convincing twist, Taylor offers a closely argued analysis of Lovelace's oft-stated declaration that he will not be 'out-Norris'd' or 'out-plotted' by Clarissa, showing how the plot of the novel and the plot of all humans exist, in the context of Richardson's grand theological experiment, within, through, and by a concurrence of divine energy.
Author: Florian Stuber
Publisher: Routledge
ISBN: 9781138756823
Category :
Languages : en
Pages : 434
Get Book Here
Book Description
This three-volume set brings together all that Samuel Richardson himself published on the composition, printing and interpretation of "Clarissa". The various short works reveal Richardson's reactions to the concerns and issues raised by contemporary readers.
Author: Ariane Fennetaux
Publisher: Routledge
ISBN: 1317744985
Category : History
Languages : en
Pages : 290
Get Book Here
Book Description
Recycling is not a concept that is usually applied to the eighteenth century. “The environment” may not have existed as a notion then, yet practices of re-use and transformation obviously shaped the early-modern world. Still, this period of booming commerce and exchange was also marked by scarcity and want. This book reveals the fascinating variety and ingenuity of recycling processes that may be observed in the commerce, crafts, literature, and medicine of the eighteenth century. Recycling is used as a thought-provoking means to revisit subjects such as consumption, the new science, or novel writing, and cast them in a new light where the waste of some becomes the luxury of others, clothes worn to rags are turned into paper and into books, and scientific breakthroughs are carried out in old kitchen pans.
Author: G. Gabrielle Starr
Publisher: JHU Press
ISBN: 1421419114
Category : Literary Criticism
Languages : en
Pages : 311
Get Book Here
Book Description
Eighteenth-century British literary history was long characterized by two central and seemingly discrete movements—the emergence of the novel and the development of Romantic lyric poetry. In fact, recent scholarship reveals that these genres are inextricably bound: constructions of interiority developed in novels changed ideas about what literature could mean and do, encouraging the new focus on private experience and self-perception developed in lyric poetry. In Lyric Generations, Gabrielle Starr rejects the genealogy of lyric poetry in which Romantic poets are thought to have built solely and directly upon the works of Chaucer, Spenser, Shakespeare, and Milton. She argues instead that novelists such as Richardson, Haywood, Behn, and others, while drawing upon earlier lyric conventions, ushered in a new language of self-expression and community which profoundly affected the aesthetic goals of lyric poets. Examining the works of Cowper, Smith, Wordsworth, Coleridge, and Keats in light of their competitive dialogue with the novel, Starr advances a literary history that considers formal characteristics as products of historical change. In a world increasingly defined by prose, poets adapted the new forms, characters, and moral themes of the novel in order to reinvigorate poetic practice.
Author: Darby Lewes
Publisher: Lexington Books
ISBN: 9780739125694
Category : Literary Criticism
Languages : en
Pages : 300
Get Book Here
Book Description
Tremendous philosophical, social, technological, and aesthetic revolutions overwhelmed those living in the eighteenth and nineteenth centuries. This volume examines the manner in which writers employed the metaphor of the literary palimpsest to respond to the resulting disorie...
Author: Arthur James Wells
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1270
Get Book Here
Book Description
Author: Paul C. Gutjahr
Publisher: Univ of Massachusetts Press
ISBN: 9781558497627
Category : Business & Economics
Languages : en
Pages : 214
Get Book Here
Book Description
What do we read when we read a text? The author's words, of course, but is that all? The prevailing publishing ethic has insisted that typography?the selection and arrangement of type and other visual elements on a page?should be an invisible, silent, and deferential servant to the text it conveys. This book contests that conventional point of view. Looking at texts ranging from the King James Bible to contemporary comic strips, the contributors to Illuminating Letters examine the seldom considered but richly revealing relationships between a text's typography and its literary interpretation. The essays assume no previous typographic knowledge or expertise; instead they invite readers primarily concerned with literary and cultural meanings to turn a more curious eye to the visual and physical forms of a specific text or genre. As the contributors show, closer inspection of those forms can yield fresh insights into the significance of a text's material presentation, leading readers to appreciate better how presentation shapes understandings of the text's meanings and values. The case studies included in the volume amplify its two overarching themes: one set explores the roles of printers and publishers in manipulating, willingly or not, the meaning and reception of texts through typographic choices; the other group examines the efforts of authors to circumvent or subvert such mediation by directly controlling the typographic presentation of their texts. Together these essays demonstrate that choices about type selection and arrangement do indeed help to orchestrate textual meaning. In addition to the editors, contributors include Sarah A. Kelen, Beth McCoy, Steven R. Price, Leon Jackson, and Gene Kannenberg Jr.
