Author: Oscar Wilde
Publisher: LCI
ISBN:
Category : Didactic drama
Languages : en
Pages : 100
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-WITH SIXTEEN DRAWINGS BY AUBREY BEARDSLEY Salome (French: Salomé, pronounced: [salome]) is a tragedy by Oscar Wilde. The original 1891 version of the play was in French. Three years later an English translation was published. The play tells in one act the Biblical story of Salome, stepdaughter of the tetrarch Herod Antipas, who, to her stepfather's dismay but to the delight of her mother Herodias, requests the head of Jokanaan (John the Baptist) on a silver platter as a reward for dancing the dance of the seven veils. Wilde had considered the subject since he had first been introduced to Hérodias, one of Flaubert's Trois Contes, by Walter Pater, at Oxford in 1877. His interest had been further stimulated by descriptions of Gustave Moreau's paintings of Salome in Joris-Karl Huysmans's À rebours. Other literary influences include Heinrich Heine's Atta Troll, Laforgue's Salomé in Moralités Légendaires and Mallarmé's Hérodiade. Wilde's interest in Salomés image had been stimulated by descriptions of Gustave Moreau's paintings in Joris-Karl Huysmans's À rebours. Many view Wilde's Salomé as a superb composite of these earlier treatments of the theme overlaid, in terms of dramatic influences, with Belgian playwright Maurice Maeterlinck's characteristic methodical diction,[clarification needed] and specifically Maeterlinck's La Princesse Maleine, 'with its use of colour, sound, dance, visual description and visual effect'.[8] Wilde often referred to the play in musical terms and believed that recurring phrases 'bind it together like a piece of music with recurring motifs. ' Although the "kissing of the head" element was used in Heine and even Heywood's[who?] production, Wilde's ingenuity was to move it to the play's climax. While his debts are undeniable, there are some interesting contributions in Wilde's treatment, most notably being his persistent use of parallels between Salomé and the moon. Scholars like Christopher Nassaar point out that Wilde employs a number of the images favored by Israel's kingly poets and that the moon is meant to suggest the pagan goddess Cybele, who, like Salomé, was obsessed with preserving her virginity and thus took pleasure in destroying male sexuality. Following the prelude three demarcated episodes follow: the meeting between Salome and Iokanaan, the phase of the white moon; the major public central episode, the dance and the beheading, the phase of the red moon; and finally the conclusion, when the black cloud conceals the moon. An argument is made by Brad Bucknell in his essay, “On "Seeing" Salome” that the play can be seen as a struggle between the visual, in the form of various characters’ gazing as well as Salome’s dance, and the written word. Salome’s dance (which is never described) overpowers Iokannan’s prophecies, and Salome herself dies due to Herod’s command to crush her. As Bucknell writes of Salome’s dance, “The power of the word is inverted, turned back upon its possessors, the prophet and the ruler-figure of the tetrarch.” The idea of the gaze—specifically the male gaze—is also explored by Linda and Michael Hutcheon in ""Here's Lookin' At You, Kid": The Empowering Gaze in Salome.” In their essay, the two write that Salome’s body “clearly becomes the focus of the attention—and the literal eye—of both audience and characters. As dancer, Salome is without a doubt the object of the gaze—particularly Herod's male gaze.”
Author: Aristophanes
Publisher:
ISBN: 9781941667040
Category :
Languages : en
Pages : 64
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Book Description
A Classic Available Again Aristophanes was the greatest writer of ancient Athenian "old comedy," known for its satires of contemporary life and for its broad, often obscene humor. "Lysistrata" was first produced in 411 BC, when the Peloponnesian War had been devastating Greece for 20 years. Most people know the plot: Lysistrata assembles women from all of Greece, and they agree that they will not have sex until the men make peace. Aubrey Beardsley was the greatest and the most controversial Art Nouveau illustrator in England, famous for his illustrations of Mallory's "Morte d'Arthur," Oscar Wilde's "Salome," Pope's "The Rape of the Lock," and for several magazines. Because he was associated with Oscar Wilde, Beardsley lost his job as art editor of a magazine named "The Yellow Book" in 1895, soon after Wilde was arrested for homosexuality. He was approached by Leonard Smithers, a publisher of erotic books, who asked him to illustrate "Lysistrata." His illustrations are very much in the spirit of Aristophanes, as funny as they are obscene. Beardsley converted to Catholicism in 1897, and soon after, he asked Smithers to "destroy all copies of "Lysistrata"" with its "obscene drawings," but Smithers refused. Beardsley died of tuberculosis in 1898, at the age of 26. Smithers initially published "Lysistrata" in a limited edition of one hundred copies. It was reprinted in the 1960s and 1970s, but copies have long been scarce and expensive. Though some may find it offensive, we believe it is valuable to reprint this book, so all the books illustrated by this great artist are readily available.
Author: Aubrey Beardsley
Publisher: Courier Corporation
ISBN: 0486997707
Category : Art
Languages : en
Pages : 68
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Book Description
Beardsley electrified the public with his exotic, sensual drawings. These 221 seductive black-and-white renderings provide graphic designers with a rich selection -- from cover designs and title pages to poster art and headpieces.
Author: Wayne Alan Harold
Publisher:
ISBN: 9780999810668
Category :
Languages : en
Pages : 148
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Book Description
Author: Rosina Neginsky
Publisher: Cambridge Scholars Publishing
ISBN: 1443869627
Category : Art
Languages : en
Pages : 270
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Book Description
Although the root of the Hebrew name “Salome” is “peaceful”, the image spawned by the most famous woman to carry that name has been anything but peaceful. She and her story have long been linked to the beheading of John the Baptist, as described in the Gospels of Matthew and Mark, since Salome was the supposed catalyst for the prophet’s execution. This history of the myth of Salome describes the process by which that myth was created, the roles that art, literature, theology and music played in that creation, and how Salome’s image as evil varied from one period to another according to the prevailing cultural myths surrounding women. After setting forth the Biblical and historical origins of the Salome story, the book examines the major cultural, literary and artistic works which developed and propagated it, including those by Filippo Lippi, Rogier van der Weyden, Titian, Moreau, Beardsley, Mallarmé, Wilde and Richard Strauss.
Author: Oscar Wilde
Publisher: Lindhardt og Ringhof
ISBN: 8726598728
Category : Drama
Languages : en
Pages : 52
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Book Description
Based on a story from the Bible, ‘Salomé’ provoked such outrage that it was banned from the British stage for a number of years. However, fiercely defended by academics for its literary worth, that law was finally overturned. In this dark tale, the beautiful Salomé tries to seduce the imprisoned prophet, Iokanaan. When he refuses her advances, Salomé is transformed into the ultimate femme fatale. A lyrical and fascinating play that deals with the themes of love, lust, revenge, murder, and madness, ‘Salomé’ is ideal for those who want to see Wilde at his most bloodthirsty. Oscar Wilde (1854 – 1900) was an Irish novelist, poet, playwright, and wit. He was an advocate of the Aesthetic movement, which extolled the virtues of art for the sake of art. During his career, Wilde wrote nine plays, including ‘The Importance of Being Earnest,’ ‘Lady Windermere’s Fan,’ and ‘A Woman of No Importance,’ many of which are still performed today. His only novel, ‘The Picture of Dorian Gray’ was adapted for the silver screen, in the film, ‘Dorian Gray,’ starring Ben Barnes and Colin Firth. In addition, Wilde wrote 43 poems, and seven essays. His life was the subject of a film, starring Stephen Fry.
Author: Oscar Wilde
Publisher: Delphi Classics
ISBN: 1786561573
Category : Fiction
Languages : en
Pages : 95
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Book Description
This eBook features the unabridged text of ‘Salomé’ from the bestselling edition of ‘The Complete Works of Oscar Wilde’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Wilde includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Salomé’ * Beautifully illustrated with images related to Wilde’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Author: Gail P. Streete
Publisher: Wipf and Stock Publishers
ISBN: 1532618875
Category : Religion
Languages : en
Pages : 172
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Book Description
We are not even sure of her name: it might have been Salome; it might have been Herodias, like that of her mother. She appears very briefly in only two Gospels of the New Testament, to dance at the birthday party of her mother’s husband, Herod, the ruler of Galilee. We do not even know what kind of dance it was, but we are told that it pleased him so much he promised to give her anything she asked for. What she asked for was the head of the prophet John the Baptist on a platter. Although she disappeared from the pages of the New Testament, Salome and her dance have puzzled, intrigued, and dominated the imaginations of artists and writers for two millennia. Was she just a little girl doing a dance performance to please her stepfather and his guests? Was she a nubile teenager bent on seduction? Was she a femme fatale who aimed at the death of a man she could not possess? The Salome Project is the result of a quest to answer these questions and find the real Salome.
Author: Oscar Oscar Wilde
Publisher:
ISBN: 9781521965368
Category :
Languages : en
Pages : 90
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Book Description
How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About Salome by Oscar Wilde Salome is a tragedy by Oscar Wilde. The play tells in one act the Biblical story of Salome, stepdaughter of the tetrarch Herod Antipas, who, to her stepfather's dismay but to the delight of her mother Herodias, requests the head of Jokanaan (John the Baptist) on a silver platter as a reward for dancing the dance of the seven veils. Wilde had considered the subject since he had first been introduced to Hérodias, one of Flaubert's Trois Contes, by Walter Pater, at Oxford in 1877. His interest had been further stimulated by descriptions of Gustave Moreau's paintings of Salome in Joris-Karl Huysmans's À rebours. Other literary influences include Heinrich Heine's Atta Troll, Laforgue's Salomé in Moralités Légendaires and Mallarmé's Hérodiade. Many view Wilde's Salomé as a superb composite of these earlier treatments of the theme overlaid, in terms of dramatic influences, with Belgian playwright Maurice Maeterlinck's characteristic methodical diction, and specifically Maeterlinck's La Princesse Maleine, 'with its use of colour, sound, dance, visual description and visual effect'.Wilde often referred to the play in musical terms and believed that recurring phrases 'bind it together like a piece of music with recurring motifs. ' Although the "kissing of the head" element was used in Heine and even Joseph Converse Heywood's production, Wilde's ingenuity was to move it to the play's climax. While his debts are undeniable, there are some interesting contributions in Wilde's treatment, most notably being his persistent use of parallels between Salomé and the moon.
Author: Petra Dierkes-Thrun
Publisher: University of Michigan Press
ISBN: 0472036041
Category : Drama
Languages : en
Pages : 260
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Book Description
Oscar Wilde's 1891 symbolist tragedy Salom has had a rich afterlife in literature, opera, dance, film, and popular culture. Salome's Modernity: Oscar Wilde and the Aesthetics of Transgression is the first comprehensive scholarly exploration of that extraordinary resonance that persists to the present. Petra Dierkes-Thrun positions Wilde as a founding figure of modernism and Salom as a key text in modern culture's preoccupation with erotic and aesthetic transgression, arguing that Wilde's Salom marks a major turning point from a dominant traditional cultural, moral, and religious outlook to a utopian aesthetic of erotic and artistic transgression. Wilde and Salom are seen to represent a bridge linking the philosophical and artistic projects of writers such as Mallarm , Pater, and Nietzsche to modernist and postmodernist literature and philosophy and our contemporary culture. Dierkes-Thrun addresses subsequent representations of Salome in a wide range of artistic productions of both high and popular culture through the works of Richard Strauss, Maud Allan, Alla Nazimova, Ken Russell, Suri Krishnamma, Robert Altman, Tom Robbins, and Nick Cave, among others.
