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Author: Saint Thérèse of Lisieux
Publisher: ICS Publications
ISBN: 0935216472
Category : Performing Arts
Languages : en
Pages : 378
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Book Description
Over a period of about three years toward the end of her life, St. Therese of Lisieux (1873-1897) was asked by her Carmelite superiors to compose eight theatrical pieces for special occasions in her convent. She did not consider them mere trivial amusements. On the contrary, Therese invested herself wholeheartedly in the writing and performance of these little dramas, which provided a welcome opportunity to articulate her growing spiritual insights and share them with her religious community. Here we find echoes of her great themes, some where developed at greater length than anywhere else in her writings: Mary of Nazareth and Joan of Arc, humility and the little way, confidence and love, and so much more. In the present volume, for the first time, all eight of her plays (or pious recreations, as they are sometimes called in the French) are published together in their entirety for English-speaking readers. They open a new window onto the message of the church's youngest Doctor. Also included is a masterful general introduction by the noted Theresian expert, Bishop Guy Gaucher, O.C.D., as well as individual introductions to each play explaining it in context and significance. Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;} Normal 0 false false false MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;}
Author: Saint Thérèse of Lisieux
Publisher: ICS Publications
ISBN: 0935216472
Category : Performing Arts
Languages : en
Pages : 378
Get Book Here
Book Description
Over a period of about three years toward the end of her life, St. Therese of Lisieux (1873-1897) was asked by her Carmelite superiors to compose eight theatrical pieces for special occasions in her convent. She did not consider them mere trivial amusements. On the contrary, Therese invested herself wholeheartedly in the writing and performance of these little dramas, which provided a welcome opportunity to articulate her growing spiritual insights and share them with her religious community. Here we find echoes of her great themes, some where developed at greater length than anywhere else in her writings: Mary of Nazareth and Joan of Arc, humility and the little way, confidence and love, and so much more. In the present volume, for the first time, all eight of her plays (or pious recreations, as they are sometimes called in the French) are published together in their entirety for English-speaking readers. They open a new window onto the message of the church's youngest Doctor. Also included is a masterful general introduction by the noted Theresian expert, Bishop Guy Gaucher, O.C.D., as well as individual introductions to each play explaining it in context and significance. Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;} Normal 0 false false false MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;}
Author: Anonymous Playwrights
Publisher: Delphi Classics
ISBN: 1801700672
Category : Drama
Languages : en
Pages : 2941
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Book Description
The mystery and morality play were two of the three principal kinds of vernacular drama in Europe during the Middle Ages. Mystery plays, usually representing biblical subjects, developed from dramas presented in Latin by churchmen on sacred premises, depicting subjects like the Creation, Adam and Eve and the Last Judgment. They were often performed together in cycles which could last for days at special festivals and occasions. The morality play is an allegorical drama, in which the characters personify moral qualities and undergo didactic lessons. The action centres on a hero, such as Mankind, whose inherent weaknesses are assaulted by personified diabolic forces like the Seven Deadly Sins, but who may choose redemption and enlist the aid of such figures as Mercy, Justice, Temperance and Truth. This eBook presents a comprehensive collection of mystery and morality plays, with numerous illustrations, rare medieval texts, informative introductions and the usual Delphi bonus material. (Version 1) Please note: due to the book‐burning zeal of the English Reformation, no English text of a ‘miracle play’ survives and so an example of this drama cannot appear in this edition. * Beautifully illustrated with images relating to mystery and morality plays * Concise introductions to the major cycles and plays * All of the plays of the four principal mystery play cycles (York, Wakefield, N-Town and Chester) * The plays appear in the form of their original Middle English texts * Many rare dramas appearing for the first time in digital publishing * All extant English morality plays from the Middle Ages * Excellent formatting of the texts * Special Middle English glossary of words to aid your reading of the plays * Special contextual section, with four essays charting the development of drama in the Middle Ages * Ordering of texts into chronological order and genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Mystery Plays York Mystery Plays (c. mid-14th century) Wakefield Mystery Plays (mid-15th century) N-Town Plays (late 15th century) Chester Mystery Plays (15th century) The Morality Plays The Pride of Life (late 14th century) The Castle of Perseverance (c. 1425) Wisdom (c. 1460) Mankind (c. 1470) Nature (c. 1495) by Henry Medwall Everyman (1510) Contextual Works Miracle Plays and Mysteries (1913) by Georges Michel Bertrin English Miracle Plays (1914) by Arnold Wynne Moralities and Interludes (1914) by Arnold Wynne Rise of the Drama (1921) by Andrew Lang Glossary of Middle English Words Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
Author: Erik Ehn
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 224
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Book Description
This collection of fifteen plays by Erik Ehn is part of an ongoing cycle of plays loosely based on the lives of saints and biblical characters ranging from John the Baptist to Joan of Arc. Placing the protagonists and their suffering in a modern context, Ehn produces what he calls "contemporary fairy tales for the stage." The subject matter, he explains in the Preface, is "exploded biography," or "the means by which the self is overmastered by acts of the imagination, by acts of faith." An important contribution to current explorations of the poetic and spiritual in the theater, these surprising dramas create their own language, interrogating the limits of empathy and faith. "The plays grow out of [Ehn's] deep Catholic faith which reveals a specifically Franciscan spiritual energy in its community-based ethos and hallowed desire to infuse contemporary life with a feeling for the divine... Ehn's saint plays partake of the century-long Judeo-Christian tradition of modern writers dramatizing the great themes of faith, evil, spiritual longing and soul states in plays that include saints, angels or biblical characters... His joyful drama sings the praises of the poetic voice and image in portraits of people crafted like beautiful holy cards."--Bonnie Marranca, Plays for the End of the Century
Author: Ronald W. Vince
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 421
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Book Description
Vince has provided a useful and, for the most part, usable reference work. His introduction should be required reading for anyone approaching medieval theater. Choice Scholars increasingly see medieval theatre as a complex and vital performance medium related more closely to political, religious, and social life than to literature as we know it. Reflecting the current interest in performance, A Companion to the Medieval Theatre presents 250 alphabetically arranged entries offering a panoramic view of European and British theatrical productions between the years 900 and 1550. The volume features 30 essays contributed by an international group of specialists and includes many shorter entries as well as systematic cross-referencing, a chronology, a bibliography, and a full complement of indexes. Major entries focus on the theatres of the principal linguistic areas (the British Isles, France, Germany, Iberia, Italy, Scandinavia, the Low Countries, and Eastern Europe), and on dramatic forms and genres such as liturgical drama, Passion and saint plays, morality plays, folk drama, and Humanist drama. Other articles examine costume, acting, pageantry, and music, and explore the theatrical dimension of courtly entertainment, the dance, and the tournament. Short entries supply information on over one hundred playwrights, directors, actors and antiquarians whose contributions to the theatre have been documented. This informative guide brings new depth to our appreciation of the richness and color of medieval public entertainments and the symbolism and pageantry that were a part of daily life in the Middle Ages. Designed to appeal to general reader, this volume is also an attractive choice for libraries serving students and scholars of theatre history, English and European literatures, medieval history, cultural history, drama, and performance.
Author: Sandro Sticca
Publisher: State University of New York Press
ISBN: 1438421273
Category : Biography & Autobiography
Languages : en
Pages : 180
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Book Description
The religious medieval drama, like the Church which produced it, was international. As such, from its earliest beginnings in the tenth-century Quem quaeritis to the thirteenth-century Ludi Paschales and Passion Plays, it exhibits a cultural and thematic unity binding the various plays: a thematic unity from the fabric of Christian thought, and a cultural unity from the fact that these productions, at least up to the end of the thirteenth century, generally share a technical-philological medium: the Latin language. In later centuries, this religious drama expressed in the vernacular remained an act of faith; its purpose being to strengthen the faith of the worshippers and to express in visible, dramatic terms the facts and values of Christian belief. These essays were, in their original form, addressed to the third annual conference of the Center for Medieval and Early Renaissance Studies at the State University of New York at Binghamton. The work of international authorities on the medieval drama, they span many centuries and bear witness to the growth of the religious dramatic form and of the dramatic movement and temper of the liturgy in which that form finds its origin. Omer Jodogne establishes a difference, on the aesthetic level, between dramatic works and their theatrical performance by pointing out that the surviving texts, whether they were meant for reading or for a theatrical performance, reproduce only what was said on the stage, and, succinctly, what was done. Wolfgang Michael suggests that the first medieval drama did not originate in a slow growth from the Easter trope Quem quaeritis but was rather an original creation of the author or authors of the Concordia Regularis. He indicates that subsequent dramatic endeavors in their slow process of change and expansion reflect the working of tradition rather than an original spirit and form. Sandro Sticca examines the creation of the first Passion Play and shows that Christ's passion became increasingly popular in the tenth century, and that the new forces which allowed a more eloquent and humane visualization and description of Christ's anguish first appeared in the eleventh and twelfth centuries. He also refutes the traditional view that the Planctus Mariae is the germinal point of the Latin Passion Play. V. A. Kolve seeks to account for certain central facts about Everyman which have never had close critical attention. He analyzes the Biblical and Patristic references within which the story is shaped and which are central to the understanding of other actions and to determining the meaning of the play. Glynn Wickham, after exploding on the evidence of reference alone the old categorizing of English Saint Plays as by-products or late developments of Mysteries and Moralities, turns to a critical discussion of the three surviving texts of English Saint Plays and of their original staging by means of diagrammatic illustrations providing a vivid visualization of their performance. William Smolden takes an unaccustomed approach to the controversial question of the origins of the Quem quaeritis. He maintains that when musical evidence is called on, it brings about, on a number of occasions, a confutation of the theory of a "textual" writer. From a detailed consideration of the two earliest Quem quaeritis he feels convinced that the place of origin of the trope was the Abbey of St. Martial of Limoges.
Author: West
Publisher: BRILL
ISBN: 9004622829
Category : History
Languages : en
Pages : 126
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Book Description
Author: Otto E. Albrecht
Publisher: University of Pennsylvania Press
ISBN: 1512809810
Category : Literary Collections
Languages : en
Pages : 176
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Book Description
Miracle plays by an unknown French dramatist built on the legends of the fourth-century saint, including detailed analysis of versification, musical accompaniment, and iconography, Includes text and commentary, with a study of the music of the plays, and of the sources and iconography of the legends.
Author: Benjamin Griffin
Publisher: Boydell & Brewer
ISBN: 9780859916158
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
This text charts the development of historical drama from the Mass & Saint plays on Thomas Becket, to the later history plays, showing that the history play is neither Shakespeare's nor an Elizabethan invention, but has its roots in medieval drama.
Author: Peter MacArdle
Publisher: BRILL
ISBN: 9401205442
Category : Drama
Languages : en
Pages : 460
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Book Description
The early-fourteenth-century St Gall Passion Play comes from the Central Rhineland. Unfortunately its music (over one hundred Latin and German chants) is given in the manuscript only as brief incipits, without any musical notation. This interdisciplinary study reconstructs the musical stratum of the play. It is the first full-scale musical reconstruction of a large German Passion play in recent times, using the latest available scholarly data in drama, liturgy and music. It draws conclusions about performance practice and forces, and offers a sound basis for an authentic performance of the play. The study applies musical and liturgical data to the problem of localizing the play (the first time this has been systematically attempted), and assesses how applicable this might be to other plays. It presents a detailed study of the distinctive medieval liturgical uses of three German dioceses, Mainz, Speyer and Worms. The comparative approach suggests how the music of other plays might be reconstructed and understood, and shows that a better understanding of the music of medieval drama has much to teach us about other aspects of the genre. The book should be of interest to literary scholars, theatre historians, musicologists, liturgical scholars, and those involved in the performance of early drama.
Author: Peter Happé
Publisher: BRILL
ISBN: 900433369X
Category : Drama
Languages : en
Pages : 349
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Book Description
Cyclic Form and the English Mystery Plays is centred upon the five extant English mystery cycles with a view to examining the cyclic form they share. It is based upon consideration of the differences between the texts and upon the underlying assumptions governing this dramatic form. The cycles are extensively compared with practices in the cyclic dramas of France, the German-speaking areas, Italy, the Netherlands, and Spain in the late middle ages and the early modern period. There is also a unique and innovative bridging with iconographical material from a range of artistic modes giving further insight into the structure and organisation of cyclic form. Cyclic Form and the English Mystery Plays should be of interest to undergraduate students and to more experienced researchers in the early drama and the study of visual images and artefacts.
