Author: Jean Rotrou
Publisher:
ISBN:
Category :
Languages : en
Pages : 450

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Author: United States Board on Geographic Names
Publisher:
ISBN:
Category : Names, Geographical
Languages : en
Pages : 620

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Author: United States. Office of Geography
Publisher: Washington, D.C. : [The Board]
ISBN:
Category : France
Languages : en
Pages : 612

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Book Description
Nearly the whole of America's partisan politics centers on a single question: Can markets solve our social problems? And for years this question has played out ferociously in the debates about how we should educate our children. From the growth of vouchers and charter schools to the implementation of No Child Left Behind, policy makers have increasingly turned to market-based models to help improve our schools, believing that private institutions--because they are competitively driven--are better than public ones. With The Public School Advantage, Christopher A. and Sarah Theule Lubienski offer powerful evidence to undercut this belief, showing that public schools in fact out-perform private ones.

Author: Marguerite Vacher
Publisher: University Press of America
ISBN: 0761843426
Category : Biography & Autobiography
Languages : en
Pages : 471

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Nuns Without Cloister explores one of the first and most innovative among the non-cloistered women's congregations established after the Council of Trent. Under the aegis of a Jesuit missionary, the first Sisters of St. Joseph envisioned a direct role for religious women in the secular society of mid-seventeenth century France and quietly broke the ecclesiastical and cultural barriers that opposed it. This book opens perspectives on the sisters' success through a politics of discretion and the introduction of creative variety in their lives in country parishes or in the urban orphanages, hospitals, and reformatories for fallen women of the ancien r gime. Vacher's methodology, comparing the congregation's theoretical, prescriptive documents with evidence about the actual life of these communities in southern France, leads to the question of whether and to what degree succeeding generations grasped the original inspiration. Sisters of St. Joseph preceding the French Revolution established a paradigm for the active, apostolic women's congregations of the nineteenth and twentieth centuries that supplied the workforce behind Catholic schools, colleges, hospitals, and orphanages in the United States, Canada, and elsewhere. In researching them, Nuns Without Cloister addresses a little understood but central dimension in the early modern foundations of contemporary Catholicism.

Author: Mary Ann Frese Witt
Publisher: Rowman & Littlefield
ISBN: 1611475384
Category : History
Languages : en
Pages : 203

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Metatheater and Modernity: Baroque and Neobaroque is the first work to link the study of metatheater with the concepts of baroque and neobaroque. Arguing that the onset of European modernity in the early seventeenth century and both the modernist and the postmodernist periods of the twentieth century witnessed a flourishing of the phenomenon of theater that reflects on itself as theater, the author reexamines the concepts of metatheater, baroque, and neobaroque through a pairing and close analysis of seventeenth and twentieth century plays. The comparisons include Jean Rotrou's The True Saint Genesius with Jean-Paul Sartre's Kean and Jean Genet's The Blacks; Pierre Corneille's L'Illusion comique with Tony Kushner's The Illusion; Gian Lorenzo Bernini's The Impresario with Luigi Pirandello's theater-in-theater trilogy; Shakespeare's Hamlet with Pirandello's Henry IV and Tom Stoppard's Rosencrantz and Guildenstern are Dead; Moli re's Impromptu de Versailles with "impromptus" by Jean Cocteau, Jean Giraudoux, and Eug ne Ionesco. Metatheater and Modernity also examines the role of technology in the creating and breaking of illusions in both centuries. In contrast to previous work on metatheater, it emphasizes the metatheatrical role of comedy. Metatheater, the author concludes, is both performance and performative: it accomplishes a perceptual transformation in its audience both by defending theater and exposing the illusory quality of the world outside.

Author: Leonie Pawlita
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110660547
Category : Literary Criticism
Languages : en
Pages : 750

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This volume considers the influential revival of ancient philosophical skepticism in the 16th and early 17th centuries and investigates, from a comparative perspective, its reception in early modern English, Spanish and French drama, dedicating detailed readings to plays by Shakespeare, Calderón, Lope de Vega, Rotrou, Desfontaines, and Cervantes. While all the plays employ similar dramatic devices for "putting skepticism on stage", the study explores how these dramas, however, give different "answers" to the challenges posed by skepticism in relation to their respective historico-cultural and "ideological" contexts.

Author: Cynthia Osowiec Ruoff
Publisher:
ISBN:
Category :
Languages : en
Pages : 504

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Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1096

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"The last great work of the age of reason, the final instance when all human knowledge could be presented with a single point of view ... Unabashed optimism, and unabashed racism, pervades many entries in the 11th, and provide its defining characteristics ... Despite its occasional ugliness, the reputation of the 11th persists today because of the staggering depth of knowledge contained with its volumes. It is especially strong in its biographical entries. These delve deeply into the history of men and women prominent in their eras who have since been largely forgotten - except by the historians, scholars"-- The Guardian, https://www.theguardian.com/books/booksblog/2012/apr/10/encyclopedia-britannica-11th-edition.

Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1096

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Author: Katherine Ibbett
Publisher: Routledge
ISBN: 1351881418
Category : Literary Criticism
Languages : en
Pages : 289

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Engaging with recent thinking about performance, political theory and canon formation, this study addresses the significance of the formal changes in seventeenth-century French theater. Each chapter takes up a particularity of seventeenth-century theatrical style and staging”for example, the clearing of violence from the stage”and shows how the conceptualization of these French stylistic shifts appropriates a rich body of Italian political writing on questions of action, temporality, and law. The theater's appropriation of political concerns and vocabularies, the author argues, proffers an astute reflection on the practices of government that draws attention to questions obscured in reason of state, such as the instrumentalization of women's bodies. In a new reading of tragedies about government, the author shows how the canonical figure of Pierre Corneille is formally engaged with the political strategizing he often appears to repudiate, and in so doing challenges a literary history that has read neoclassicism largely as a display of pure French style.