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Author: Elizabeth ten Grotenhuis
Publisher: University of Hawaii Press
ISBN: 0824863119
Category : Design
Languages : en
Pages : 249
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Book Description
The first broad study of Japanese mandalas to appear in a Western language, this volume interprets mandalas as sanctified realms where identification between the human and the sacred occurs. The author investigates eighth- to seventeenth-century paintings from three traditions: Esoteric Buddhism, Pure Land Buddhism, and the kami-worshipping (Shinto) tradition. It is generally recognized that many of these mandalas are connected with texts and images from India and the Himalayas. A pioneering theme of this study is that, in addition to the South Asian connections, certain paradigmatic Japanese mandalas reflect pre-Buddhist Chinese concepts, including geographical concepts. In convincing and lucid prose, ten Grotenhuis chronicles an intermingling of visual, doctrinal, ritual, and literary elements in these mandalas that has come to be seen as characteristic of the Japanese religious tradition as a whole. This beautifully illustrated work begins in the first millennium B.C.E. in China with an introduction to the Book of Documents and ends in present-day Japan at the sacred site of Kumano. Ten Grotenhuis focuses on the Diamond and Womb World mandalas of Esoteric Buddhist tradition, on the Taima mandala and other related mandalas from the Pure Land Buddhist tradition, and on mandalas associated with the kami-worshipping sites of Kasuga and Kumano. She identifies specific sacred places in Japan with sacred places in India and with Buddhist cosmic diagrams. Through these identifications, the realm of the buddhas is identified with the realms of the kami and of human beings, and Japanese geographical areas are identified with Buddhist sacred geography. Explaining why certain fundamental Japanese mandalas look the way they do and how certain visual forms came to embody the sacred, ten Grotenhuis presents works that show a complex mixture of Indian Buddhist elements, pre-Buddhist Chinese elements, Chinese Buddhist elements, and indigenous Japanese elements.
Author: Elizabeth ten Grotenhuis
Publisher: University of Hawaii Press
ISBN: 0824863119
Category : Design
Languages : en
Pages : 249
Get Book Here
Book Description
The first broad study of Japanese mandalas to appear in a Western language, this volume interprets mandalas as sanctified realms where identification between the human and the sacred occurs. The author investigates eighth- to seventeenth-century paintings from three traditions: Esoteric Buddhism, Pure Land Buddhism, and the kami-worshipping (Shinto) tradition. It is generally recognized that many of these mandalas are connected with texts and images from India and the Himalayas. A pioneering theme of this study is that, in addition to the South Asian connections, certain paradigmatic Japanese mandalas reflect pre-Buddhist Chinese concepts, including geographical concepts. In convincing and lucid prose, ten Grotenhuis chronicles an intermingling of visual, doctrinal, ritual, and literary elements in these mandalas that has come to be seen as characteristic of the Japanese religious tradition as a whole. This beautifully illustrated work begins in the first millennium B.C.E. in China with an introduction to the Book of Documents and ends in present-day Japan at the sacred site of Kumano. Ten Grotenhuis focuses on the Diamond and Womb World mandalas of Esoteric Buddhist tradition, on the Taima mandala and other related mandalas from the Pure Land Buddhist tradition, and on mandalas associated with the kami-worshipping sites of Kasuga and Kumano. She identifies specific sacred places in Japan with sacred places in India and with Buddhist cosmic diagrams. Through these identifications, the realm of the buddhas is identified with the realms of the kami and of human beings, and Japanese geographical areas are identified with Buddhist sacred geography. Explaining why certain fundamental Japanese mandalas look the way they do and how certain visual forms came to embody the sacred, ten Grotenhuis presents works that show a complex mixture of Indian Buddhist elements, pre-Buddhist Chinese elements, Chinese Buddhist elements, and indigenous Japanese elements.
Author: Konchog Lhadrepa
Publisher: Shambhala Publications
ISBN: 0834840618
Category : Religion
Languages : en
Pages : 437
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Book Description
A presentation on the Tibetan Buddhist path to enlightenment, through the lens of an artist's eye and experience. The sacred arts play an essential, intrinsic role in Tibetan Buddhist practice. Here, one of the great practitioners and master artists of our time presents a guide to the Tibetan Buddhist path, from preliminary practices through enlightenment, from the artist's perspective. With profound wisdom, he shows how visual representations of the sacred in paintings, sculptures, mandalas, and stupas can be an essential support to practice throughout the path. This work, based on the author's landmark Tibetan text, The Path to Liberation, includes basic Buddhist teachings and practices, clearly pointing out the relevance of these for both the sacred artist and the practitioner, along with an overview of the history and iconography of Buddhist art.
Author: Marion Küstenmacher
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781402705465
Category : Games & Activities
Languages : en
Pages : 196
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Book Description
Learn the healing power and energy represented by extraordinary mandalas.
Author: Colm O’Shea
Publisher: Taylor & Francis
ISBN: 1000617742
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
The Sanskrit word mandala can be translated as "sacred circle." Within the circle sits a microcosm of the universe and/or consciousness, repre-sented by icons. Eastern civilizations developed the spiritual-artistic practice of creating mandalas—with sand, paint, and architecture—to high technical sophistication, making manifest a geometry with layers of esoteric meaning for both the mandala artist and the initiated spectator. James Joyce’s Mandala outlines and explains this iconic sacred geometry, and assesses to what extent Joyce’s works of literature, in particular Finnegans Wake, can be understood as mandalic constructs. Using exam-ples from Dubliners to the Wake, we see how fundamental to Joyce’s fiction is the issue of spiritual paralysis (a problem the mandala attempts to dissolve) and also how fascinated he was by geometric imagery and symmetry, the technical devices employed in mandala construction. This is the first book-length comparison of Joyce’s work with the mythic structure of the mandala. Never discounting the richness of Joyce’s genius, it uses his "collideorscape" to explore the secrets of the mandala principle as much as it uses mandala theory to illuminate his famed book of the night.
Author: Daniela Gonschorek
Publisher:
ISBN: 9781791380847
Category :
Languages : en
Pages : 76
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Book Description
Sacred ornaments or sacred geometry. Everything is connected with everything, following the blueprint of the universe. Geometry has always had something fascinating about it, because as a child, who didn't like drawing circles with a circle, connecting them and then painting them? It really captured us, didn't it? I have united the simplicity of the sacred ornaments with that of the mandalas, for both unfold their beauty in geometry. Softcover, 21.59 cm x 21.59 cm (8.5'' x 8.5''), 36 motifs, each with an unprinted back so that pens cannot push their way through the underlying motif. If you like a motive particularly well, you can cut it out so easily and hang up or give it away. When using felt-tip pens I would put a loose sheet of paper between the pages. Just for safety. Mandalas are geometric shapes directed towards a centre. They are either circular or square and can be found in many cultures. From India and Tibet, the mandalas with Buddhism spread throughout East Asia. They are supposed to activate our subconscious during meditation and have a positive effect on our psyche. The Indians also know this symbolism. A Mandala appeals mainly to spiritually oriented people, but it also stands for joy of life, energy and unity with the universe.
Author: Paul Hyer
Publisher: State University of New York Press
ISBN: 1438407394
Category : Biography & Autobiography
Languages : en
Pages : 226
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Book Description
The Khutughtus were highly ranked in the Lama Buddhist hierarchy. Considered equal to or higher than secular princes, they wielded great influence in both ecclesiastical and secular life in Inner Mongolia until the end of World War II. The career of the Kanjurwa Khughtu (1914-1980) covers an especially important period in Inner Mongolia. He was born soon after the Chinese Republican Revolution and the painful years of Mongolia's Independence Movement. He saw the period of war lords in China, followed by the struggles for Chinese unification, the rise of the Kuowuntany party and the establishment of the Central Government in Nanking. Notable in this period was the spectacular rise of the Inner Mongolian Autonomous Movement. The communist conquest of China had a decisive impact on the Kanjurwa's career and resulted in his flight to Taiwan, where he remained until his death. This unique work grew out of a two-year series of Mongolian-language interviews with the Kanjurwa, taped at his monastic residence.
Author: John C. Huntington
Publisher: Serindia Publications, Inc.
ISBN: 1932476016
Category : Art, Tantric-Buddhist
Languages : en
Pages : 616
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Book Description
Published in conjunction with a 2003 exhibition co-organized by the Columbus Museum of Art and the Los Angeles County Museum of Art, this hefty, oversize (10x13 catalogue features approximately 160 powerful masterpieces of Indian, Nepalese, Tibetan, Chinese, and Mongolian art produced over the pa
Author: Eric Huntington
Publisher: University of Washington Press
ISBN: 0295744073
Category : Religion
Languages : en
Pages : 308
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Book Description
Winner, 2018 Edward Cameron Dimock, Jr. Prize in the Indian Humanities Buddhist representations of the cosmos across nearly two thousand years of history in Tibet, Nepal, and India show that cosmology is a rich language for the expression of diverse religious ideas, with cosmological thinking at the center of Buddhist thought, art, and practice. In Creating the Universe, Eric Huntington presents examples of visual art and architecture, primary texts, ritual ideologies, and material practices—accompanied by extensive explanatory diagrams—to reveal the immense complexity of cosmological thinking in Himalayan Buddhism. Employing comparisons across function, medium, culture, and history, he exposes cosmology as a fundamental mode of engagement with numerous aspects of religion, from preliminary lessons to the highest rituals for enlightenment. This wide-ranging work will interest scholars and students of many fields, including Buddhist studies, religious studies, art history, and area studies. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/creating-the-universe
Author: Anneke Huyser
Publisher: Binkey Kok, Holland
ISBN: 9789074597562
Category : Buddhist art and symbolism
Languages : en
Pages : 132
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Book Description
Personal mandalas protect and adorn, express your subconscious, and bring you back to your center. The theme of the mandala -- the square within the circle, containment within the infinite -- can be found in nature as well as throughout history in cultures all over the world.
Author: Lisa Tenzin-Dolma
Publisher: Watkins Media Limited
ISBN: 1780289197
Category : Games & Activities
Languages : en
Pages : 217
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Book Description
Viewed as the key to self-knowledge and inner peace in Eastern traditions, a mandala is a symbolic spiritual image which, when meditated on, can bring about profound transformation. Featuring imagery from a range of spiritual and religious traditions, as well as from the natural world, this wonderful book offers a superb collection of black and white mandala artworks for you to colour in, plus guided meditations for every image, and a further section of basic line templates for you to create your own mandala designs.
