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Author: Ryan McGinley
Publisher: Rizzoli Publications
ISBN: 0847863476
Category : Photography
Languages : en
Pages : 0
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Book Description
Ryan McGinley, one of the most important photographers of his generation, asks his friends and colleagues to take the camera into their own hands. Following instructions given to them by the artist, a group of individuals explore their own image. Ryan McGinley, since the earliest days of his unparalleled career, has chronicled his friends and cohorts. Whether on the now legendary annual road trips he has organized with a large coterie of twentysomethings documenting summertime exploits or documenting the early gritty years in downtown New York, McGinley is known as the consummate storyteller about freedom and abandon of youth. A few years ago, however, he wanted to challenge his creative habits and asked more than one hundred of his friends and colleagues--guided by detailed instructions and a camera given to them by the artist--to take nude self-portraits using mirrors and other props. Though related to the ubiquitous selfie, the participants didn't have the benefit of seeing the image before they clicked the shutter. Furthermore, McGinley would make the selection of the final image to represent the photo session. The experiment yielded scores of intimate and psychologically revealing photos that--even though not done by his own hand--bear some signature McGinley flourishes in their emotional depth and resonance.
Author: Ryan McGinley
Publisher: Rizzoli Publications
ISBN: 0847863476
Category : Photography
Languages : en
Pages : 0
Get Book Here
Book Description
Ryan McGinley, one of the most important photographers of his generation, asks his friends and colleagues to take the camera into their own hands. Following instructions given to them by the artist, a group of individuals explore their own image. Ryan McGinley, since the earliest days of his unparalleled career, has chronicled his friends and cohorts. Whether on the now legendary annual road trips he has organized with a large coterie of twentysomethings documenting summertime exploits or documenting the early gritty years in downtown New York, McGinley is known as the consummate storyteller about freedom and abandon of youth. A few years ago, however, he wanted to challenge his creative habits and asked more than one hundred of his friends and colleagues--guided by detailed instructions and a camera given to them by the artist--to take nude self-portraits using mirrors and other props. Though related to the ubiquitous selfie, the participants didn't have the benefit of seeing the image before they clicked the shutter. Furthermore, McGinley would make the selection of the final image to represent the photo session. The experiment yielded scores of intimate and psychologically revealing photos that--even though not done by his own hand--bear some signature McGinley flourishes in their emotional depth and resonance.
Author: Nora Burnett Abrams
Publisher: Rizzoli Publications
ISBN: 0847859703
Category : Photography
Languages : en
Pages : 0
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Book Description
The first book to examine Ryan McGinley’s early photographs and Polaroids—raw, visceral portraits of his coterie of friends and artists in downtown New York City. Published to accompany an exhibition at Museum of Contemporary Art Denver, Ryan McGinley: The Kids Were Alright focuses on the photographer’s early work from 1998 to 2003, the year of his solo exhibition at the Whitney Museum of American Art. These early photographs and Polaroids—many of which have never been exhibited or published— document his friends and collaborators in downtown New York City. In the process, McGinley created a powerful portrait of his generation and their often debauched lifestyle: gritty, daring, and focused on moments of both pleasure and tedium. McGinley’s singular ability to capture the mood and emotional depth of a moment is evident even from the earliest years of his career. Curator Nora Burnett Abrams offers the most comprehensive consideration to date of this important work in her essay, and other contributions— including an interview with McGinley and artist Dan Colen and several short reminiscences from many of his subjects and social circle at the time— will provide context and commentary on the more than 100 works in the volume.
Author: Joel Meyerowitz
Publisher: Phaidon
ISBN:
Category : History
Languages : en
Pages : 344
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Book Description
A unique visual archive by master photographer Joel Meyerowitz.
Author:
Publisher: National Geographic Books
ISBN: 0847845796
Category : Art
Languages : en
Pages : 0
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Book Description
A visually arresting collection of new works by emerging artists and celebrated names, united around a simple premise. The first in an exciting new series, Feelings: Soft Art is an intimate exploration of contemporary art today. Focused on material qualities and the feelings evoked by a work, this thematic approach returns to the basic pleasure of experiencing art. An easy, evocative look at artists and their projects, this heavily illustrated publication features hands-on insight from within the art world and without. Drawing on hundreds of new paintings, sculptures, photographs, and other practices, extended essays develop common threads. Brief texts and interviews reveal the making of soft works and artists’ relationships with the materials they use.
Author: William Eggleston
Publisher:
ISBN: 9783869307923
Category : Photography
Languages : en
Pages : 0
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Book Description
"Following the publication of Chromes in 2011 and Los Alamos Revisited in 2012, the reassessment of Eggleston's career continues with the publication of The Democratic Forest, his most ambitious project. This ten-volume set containing more than a thousand photographs is drawn from a body of twelve thousand pictures made by Eggleston in the 1980s. Following an opening volume of work in Louisiana, which serves as a visual preface, the remaining books cover Eggleston's travels from his familiar ground in Memphis and Tennessee to Dallas, Pittsburgh, Miami, Boston, the pastures of Kentucky, and as far as the Berlin Wall. The final volume leads the viewer back to the South of small towns, cotton fields, the Civil War battlefield of Shiloh and the home of Andrew Jackson, the President from Tennessee. The democracy of Eggleston's title refers to his democracy of vision, through which he represents the most mundane subjects with the same complexity and significance as the most elevated. The exhaustive editing process of The Democratic Forest--a rarely shown body of work of which only a fraction has been published to date--has taken over three years, and was guided by the belief that only on this large scale can the magnitude of Eggleston's achievement be represented. With no precedent in American art, Eggleston's photography seen as a whole has all the grandeur of an epic piece of fiction.--Publisher's Web site.
Author:
Publisher: powerHouse Books
ISBN: 9781576875858
Category : Female impersonators
Languages : en
Pages : 0
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Book Description
An authentic compendium of 1970s' New York style and attitude and a confirmed masterpiece. Idols began with an awestruck Larrain visiting Kansas City in the explosively liberating early years of the gay rights movement and befriending Taylor Meade and John Noble. Once they had been photographed, the rest of the troupe followed suit. The result is a collection of photographs of a generation of New York's most talented, outrageous, glamorous and mostly gay personalities who posed for Larrain in his now legendary Soho studio.
Author: Jérôme Sans
Publisher: Damiani Limited
ISBN: 9788862084260
Category : Photography
Languages : en
Pages : 0
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Book Description
This book edited by Jérôme Sans draws a Lipstick panorama within the world of contemporary art photography. Fully illustrated it is conceived as a magazine or a rhapsody without any beginning or end. Throughout the pages unfurls a new history of the relationship with Lipstick. A story that shows how this feminine symbol with particular flavor has pervaded our culture and its imagery. The book brings together more than 40 international artists and their work from Andy Warhol's self-portrait to intimate pictures of Araki and Nan Goldin, collapsed compositions of Maurizio Cattelan and Pier Paolo Ferrari. Sublimed, made-up, eroticized, parodied ... these traces of contemporary cult accoutrement has become an iconic element of contemporary values. A sexy book to be kissed.
Author: Vice Magazine
Publisher: Vice Books
ISBN: 9780955801501
Category : Photojournalism
Languages : en
Pages : 336
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Book Description
After 13 years of cutting-edge gonzo journalism (or immersionism), Vice Magazine has amassed a world-famous collection of photographs - including never before-seen work by Terry Richardson, Richard Kern, Juergen Teller and Vice alumni including Ryan McGinley and Dash Snow. The first section of the photo book juxutaposes big names with newcomers, the second contains photojournalistic highlights from Vice, the third contains Vice's novel take on fashion and the final two are a collage of Vice favourites - new and old.
Author:
Publisher: National Geographic Books
ISBN: 3791386085
Category : Photography
Languages : en
Pages : 0
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Book Description
In his first published monograph, Tyler Mitchell, one of America's distinguished photographers, imagines what a Black utopia could look like. I Can Make You Feel Good, is a 206-page celebration of photographer and filmmaker Tyler Mitchell's distinctive vision of a Black utopia. The book unifies and expands upon Mitchell's body of photography and film from his first US solo exhibition at the International Center of Photography (ICP) in New York. Each page of I Can Make You Feel Good is full bleed and bathed in Mitchell's signature candy-colored palette. With no white space visible, the book's design mirrors the photographer's all-encompassing vision which is characterized by a use of glowing natural light and rich color to portray the young Black men and women he photographs with intimacy and optimism. The monograph features written contributions from Hans Ulrich Obrist (Artistic Director, Serpentine Galleries), Deborah Willis (Chair of the Department of Photography & Imaging at the Tisch School of the Arts at New York University), Mirjam Kooiman (Curator, Foam) and Isolde Brielmaier (Curator-at-Large, ICP), whose critical voices examine the cultural prevalence of Mitchell's reimagining of the Black experience. Based in Brooklyn, Mitchell works across many genres to explore and document a new aesthetic of Blackness. He is regularly published in avant- garde magazines, commissioned by prominent fashion houses, and exhibited in renowned art institutions, Mitchell has lectured at many such institutions including Harvard University, Paris Photo and the International Center of Photography (ICP), on the politics of image making.
Author: David Rimanelli
Publisher: Rizzoli Publications
ISBN: 0847870286
Category : Art
Languages : en
Pages : 0
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Book Description
The most recent body of paintings of this New York-based artist, featuring the artist's examination of consumer culture in his handmade, "do-it- yourself " aesthetic. This is the first publication to focus exclusively on the roughly hewn paintings by Tom Sachs (b. 1966), tracing his interest in combining cultural icons and corporate logos with a handcrafted aesthetic. Mining the American landscape for iconography, Sachs investigates themes of corporate and cultural identity--such as consumerism, branding, cultural dominance, and technological development--to explore the achievements, failures, and inherent contradictions of contemporary society. In addition to the essay by David Rimanelli and twenty-two plates, there is a conversation with the artist and an extensive chronology. Sachs's meticulously handcrafted paintings depict such diverse topics as the Reese's candy bar, Fanta logo, Family Guy, Air Force One, Krusty O's cereal box, and the American flag; all modern icons that document successes and failures of the American experience and the ambiguities and contradictions inherent in its society and culture.
