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Category :
Languages : en
Pages : 362
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Author:
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ISBN:
Category :
Languages : en
Pages : 362
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Book Description
Author: Conor Morrissey
Publisher: Cambridge University Press
ISBN: 1108473865
Category : History
Languages : en
Pages : 265
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Book Description
An innovative and original analysis of Protestant advanced nationalists, from the early twentieth century to the end of the Irish Civil War.
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Category :
Languages : en
Pages : 892
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Category :
Languages : en
Pages : 672
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Category : Bibliography
Languages : en
Pages : 920
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Author: James Stephens
Publisher:
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Category : English poetry
Languages : en
Pages : 72
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Book Description
Author: Michael Pierse
Publisher: Cambridge University Press
ISBN: 1107149681
Category : Literary Criticism
Languages : en
Pages : 483
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Book Description
"Michael Pierse is Lecturer in Irish literature at Queen's University Belfast. His research mainly explores the writing and cultural production of Irish working-class life. Over recent years this work has expanded into new multidisciplinary themes and international contexts, including the study of festivals, digital methodologies in public humanities and theatre-as-research practices. Michael has contributed to a range of national and international publications, is the author of Writing Ireland's Working Class: Dublin after O'Casey (2011), and has been awarded several Arts and Humanities Research Council awards and the Vice Chancellor's Award at Queen's"--
Author: Alasdair MacCába
Publisher:
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Category : Ireland
Languages : en
Pages : 386
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Author: Roy H. W. Johnston
Publisher: Academica Press,LLC
ISBN: 1930901763
Category : Biography & Autobiography
Languages : en
Pages : 584
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Book Description
This work is the study of a family's century long involvement with Irish self rule and political freedom. Joe Johnston (1890-1972), from a Tyrone Presbyterian small-farm background, had 3 elder brothers who made their careers in the Indian Civil Service. The family were 'Home Rule within the Empire' supporters in the Ulster liberal tradition. After studying classics and ancient history in Trinity College Dublin (TCD) and then in Oxford, JJ became a Fellow of Trinity in 1913. He then published his anti-Carson book Civil War in Ulster, attacking the process which culminated in the 1914 Larne gun-running. He contributed significantly to the emergent national movement. He wrote critically about 1930s economic policies, and went on the serve in the Irish Senate/Sennad from 1939 to 1954. His son RJ (b.1929) was a pioneer of the student left in TCD in the 1940s, and was associated with the post-war attempt to bring European Marxist thinking into the Irish labour movement, with the foundation of the Irish Workers League in 1948. After a period in London in the early 1960s, he returned to Dublin, this time as a research scientist, and helped Cathal Goulding in his attempt to get the 1960s generation of republicans to go political, in a democratic left-wing mode, decoupling from the Stalinist incubus. He helped set the stage for the emergence of the Civil Rights approach to reform in Northern politics, as a means of opening up an all-Ireland perspective. His opponents in the Republican movement, the Provisionals, opted for violence . In the ensuing decades he participated in various politicising processes which may, in the end, show the counter-productive nature of the role of the gun in politics, in Ireland and elsewhere. Roy Johnston lives in Dublin and continues to be politically active. "An important addition to any library of 20th century Irish Studies" Professor J.Skelly
Author: Robert Goode Hogan
Publisher: University of Delaware Press
ISBN: 9780851054285
Category : Drama
Languages : en
Pages : 454
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Book Description
This documentary history covers a period of Irish political and dramatic climax that had an impact not only on the nation, but on the world as well. During these years both Ireland and its major theater attained a position, however precarious, of stability. De Valera and the Republicans laid down their arms and entered politics, while, by a state subsidy, the Abbey was formally recognized as the Irish National Theatre. The importance of these years goes far beyond Ireland itself because the Irish masterpieces of Sean O'Casey - The Shadow of a Gunman, Juno and the Paycock, and The Plough and the Stars - made an impact upon world drama nearly as profound as that of Luigi Pirandello or of Eugene O'Neill. As this book is a documentary history, the story is told primarily through the words of the writers, actors, producers, critics, and members of the audience who themselves lived and created the story. However, these contemporary accounts are frequently amplified and put into modern perspective, particularly at crucial moments such as a major production, a final production, or a death. The authors have particularly done so with writers of some importance such as Edward Martyn, William Boyle, or T.C. Murray. Since the theater of these years was especially influenced by the state of the country, the authors give considerable space to the disruptive political events of the times. Always, however, this is done from the particular vantage point of the theater and its workers, for the Irish theater vigorously reacted to and quickly assimilated the turbulent political events of the day: the raids, the reprisals, the burnings, and the murders. These 1,800 days really break into two periods. The first comprises the violence of the Black and Tan War, the exhaustion that led to the treaty, and the bitterness occasioned by the treaty that led to the culminating ferocity of the civil war. The second is politically and theatrically a time of consolidation and assimilation. The two early plays of O'Casey might well be seen as symptoms of this healing process. The wound in the body politic was deep, however, and not to be so quickly or so easily healed; moreover, such matters as The Plough row and O'Casey's departure from Ireland inevitably seem to be later, more lasting symptoms of divisions that still fester in Ireland today. The authors' account of Ireland's drama is not merely confined to the capital city of Dublin, but also to Belfast, Cork, and the provinces. Also included are a full bibliography and cast listings of all the significant new plays produced or published during the period.
