Russian Dance

Russian Dance PDF Author: Andrée Aelion Brooks
Publisher: John Wiley & Sons
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 312

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Book Description
The true story of Helene Rubinoff, a Russian refugee in Jazz Age New York who forsook her comfortable life with her impresario husband and his celebrity salons, and her beloved daughter, to follow her lover back to an uncertain fate in 1930s Russia.

Russian Dance

Russian Dance PDF Author: Andrée Aelion Brooks
Publisher: John Wiley & Sons
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 312

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Book Description
The true story of Helene Rubinoff, a Russian refugee in Jazz Age New York who forsook her comfortable life with her impresario husband and his celebrity salons, and her beloved daughter, to follow her lover back to an uncertain fate in 1930s Russia.

The Classic Piano Course

The Classic Piano Course PDF Author: Carol Barratt
Publisher: Amsco Music
ISBN: 9780825633287
Category : Music
Languages : en
Pages : 0

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Book Description
(Music Sales America). You can take up the piano at any age with this complete, user-friendly course by Carol Barratt. Whether you're starting from scratch, or starting again, this course has been designed to guide you gently into playing simple tunes from day one. Containing familiar favorites from the classical repertoire, themes from opera and ballet, folksongs and blues, plus music by contemporary classical composers. Including fascinating items of musical history and biography, an easy-to-follow introduction to the theory of music, and suggested listening to enhance your musical appreciation. Free dummy keyboard included for silent practice, group teaching, and theory work. Book 1: Starting to Play-You'll soon be playing more than 40 piano pieces and exercises. Book 1 introduces the keyboard, the musical alphabet, terms and signs, as well as note values and time signatures. Book 2: Building Your Skills - More than 20 piano pieces for you to play, ranging from "The Entertainer" to "The Blue Danube," plus more information on music theory, expression marks, and terms and signs. Book 3: Making Music - You will play over 20 piano pieces, including music by Verdi, Chopin, Grieg, Handel, Saint-Saens, and Tchaikovsky. More theory points are incorporated, and you'll be playing the blues!

A Russian Dance of Death

A Russian Dance of Death PDF Author: Dederich Navall
Publisher: Mennonite Literary Society and University of Manitoba
ISBN:
Category : History
Languages : en
Pages : 168

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Book Description


The Great Russian Dancers

The Great Russian Dancers PDF Author: Gennady Smakov
Publisher: New York : Knopf
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 372

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Book Description
"A century of classical ballet danced by 33 stellar exponents of Russian style, from the days of Petipa and Pavlova to the era of Baryshnikov, Makarova, and Nureyev"--Jacket.

Russian Performances

Russian Performances PDF Author: Julie Buckler
Publisher: University of Wisconsin Press
ISBN: 0299318303
Category : Literary Criticism
Languages : en
Pages : 357

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Book Description
Throughout its modern history, Russia has seen a succession of highly performative social acts that play out prominently in the public sphere. This innovative volume brings the fields of performance studies and Russian studies into dialog for the first time and shows that performance is a vital means for understanding Russia's culture from the reign of Peter the Great to the era of Putin. These twenty-seven essays encompass a diverse range of topics, from dance and classical music to live poetry and from viral video to public jubilees and political protest. As a whole they comprise an integrated, compelling intervention in Russian studies. Challenging the primacy of the written word in this field, the volume fosters a larger intellectual community informed by theories and practices of performance from anthropology, art history, dance studies, film studies, cultural and social history, literary studies, musicology, political science, theater studies, and sociology.

Basic Principles of Classical Ballet

Basic Principles of Classical Ballet PDF Author: Agrippina Vaganova
Publisher: Courier Corporation
ISBN: 0486121054
Category : Performing Arts
Languages : en
Pages : 203

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Book Description
Discusses all basic principles of ballet, grouping movement by fundamental types. Diagrams show clearly the exact foot, leg, arm, and body positions for the proper execution of many steps and movements. 118 illustrations.

Natasha's Dance

Natasha's Dance PDF Author: Orlando Figes
Publisher: Macmillan
ISBN: 0805057838
Category : History
Languages : en
Pages : 781

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Book Description
Explores the history of Russia, starting in the eighteenth century, through art, literature and customs of daily life.

The Dance

The Dance PDF Author: Various
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 201

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Book Description
"The Dance" by Various. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Swans of the Kremlin

Swans of the Kremlin PDF Author: Christina Ezrahi
Publisher: University of Pittsburgh Pre
ISBN: 0822978075
Category : History
Languages : en
Pages : 338

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Book Description
Classical ballet was perhaps the most visible symbol of aristocratic culture and its isolation from the rest of Russian society under the tsars. In the wake of the October Revolution, ballet, like all of the arts, fell under the auspices of the Soviet authorities. In light of these events, many feared that the imperial ballet troupes would be disbanded. Instead, the Soviets attempted to mold the former imperial ballet to suit their revolutionary cultural agenda and employ it to reeducate the masses. As Christina Ezrahi's groundbreaking study reveals, they were far from successful in this ambitious effort to gain complete control over art. Swans of the Kremlin offers a fascinating glimpse at the collision of art and politics during the volatile first fifty years of the Soviet period. Ezrahi shows how the producers and performers of Russia's two major troupes, the Mariinsky (later Kirov) and the Bolshoi, quietly but effectively resisted Soviet cultural hegemony during this period. Despite all controls put on them, they managed to maintain the classical forms and traditions of their rich artistic past and to further develop their art form. These aesthetic and professional standards proved to be the power behind the ballet's worldwide appeal. The troupes soon became the showpiece of Soviet cultural achievement, as they captivated Western audiences during the Cold War period. Based on her extensive research into official archives, and personal interviews with many of the artists and staff, Ezrahi presents the first-ever account of the inner workings of these famed ballet troupes during the Soviet era. She follows their struggles in the postrevolutionary period, their peak during the golden age of the 1950s and 1960s, and concludes with their monumental productions staged to celebrate the fiftieth anniversary of the revolution in 1968.

When Pigs Could Fly and Bears Could Dance

When Pigs Could Fly and Bears Could Dance PDF Author: Miriam Neirick
Publisher: University of Wisconsin Pres
ISBN: 0299287637
Category : Performing Arts
Languages : en
Pages : 309

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Book Description
For more than seven decades the circuses enjoyed tremendous popularity in the Soviet Union. How did the circus—an institution that dethroned figures of authority and refused any orderly narrative structure—become such a cultural mainstay in a state known for blunt and didactic messages? Miriam Neirick argues that the variety, flexibility, and indeterminacy of the modern circus accounted for its appeal not only to diverse viewers but also to the Soviet state. In a society where government-legitimating myths underwent periodic revision, the circus proved a supple medium of communication. Between 1919 and 1991, it variously displayed the triumph of the Bolshevik revolution, the beauty of the new Soviet man and woman, the vulnerability of the enemy during World War II, the prosperity of the postwar Soviet household, and the Soviet mission of international peace—all while entertaining the public with the acrobats, elephants, and clowns. With its unique ability to meet and reconcile the demands of both state and society, the Soviet circus became the unlikely darling of Soviet culture and an entertainment whose usefulness and popularity stemmed from its ambiguity.