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Author:
Publisher:
ISBN: 9788480265737
Category :
Languages : en
Pages : 352
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Book Description
This exhibition explores Russian avant-garde art through the perspective of the anti-art canons associated with the international Dada movement. The selected works reveal the intentions of many artists to take part in projects of public unrest with connotations in close proximity to Marxism and to adopt rejection, irony, the absurd and chance as the basic principles underpinning their artistic manifestations.00Exhibition: Museo Nacional Reina Sofia, Madrid, Spain (6.6. - 22.10.2018).
Author:
Publisher:
ISBN: 9788480265737
Category :
Languages : en
Pages : 352
Get Book Here
Book Description
This exhibition explores Russian avant-garde art through the perspective of the anti-art canons associated with the international Dada movement. The selected works reveal the intentions of many artists to take part in projects of public unrest with connotations in close proximity to Marxism and to adopt rejection, irony, the absurd and chance as the basic principles underpinning their artistic manifestations.00Exhibition: Museo Nacional Reina Sofia, Madrid, Spain (6.6. - 22.10.2018).
Author: Leah Dickerman
Publisher: National Gallery of Art, Washington/D.A.P.
ISBN:
Category : Art
Languages : en
Pages : 542
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Book Description
Edited by Leah Dickerman. Essays by Brigid Doherty, Sabine T. Kriebel, Dorothea Dietrich, Michael R. Taylor, Janine Mileaf and Matthew S. Witkovsky. Foreword by Earl A. Powell III.
Author: Marius Hentea
Publisher: MIT Press
ISBN: 0262027542
Category : Biography & Autobiography
Languages : en
Pages : 369
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Book Description
The first biography in English of Tristan Tzara, a founder of Dada and one of the most important figures in the European avant-garde. Tristan Tzara, one of the most important figures in the twentieth century's most famous avant-garde movements, was born Samuel Rosenstock (or Samueli Rosenștok) in a provincial Romanian town, on April 16 (or 17, or 14, or 28) in 1896. Tzara became Tzara twenty years later at the Cabaret Voltaire in Zurich, when he and others (including Marcel Janco, Hugo Ball, Richard Huelsenbeck, and Hans Arp) invented Dada with a series of chaotic performances including multilingual (and nonlingual) shouting, music, drumming, and calisthenics. Within a few years, Dada (largely driven by Tzara) became an international artistic movement, a rallying point for young artists in Paris, New York, Barcelona, Berlin, and Buenos Aires. With TaTa Dada, Marius Hentea offers the first English-language biography of this influential artist. As the leader of Dada, Tzara created “the moment art changed forever.” But, Hentea shows, Tzara and Dada were not coterminous. Tzara went on to publish more than fifty books; he wrote one of the great poems of surrealism; he became a recognized expert on primitive art; he was an active antifascist, a communist, and (after the Soviet repression of the Hungarian Revolution) a former communist. Hentea offers a detailed exploration of Tzara's early life in Romania, neglected by other scholars; a scrupulous assessment of the Dada years; and an original examination of Tzara's life and works after Dada. The one thing that remained constant through all of Tzara's artistic and political metamorphoses, Hentea tells us, was a desire to unlock the secrets and mysteries of language.
Author: Mel Gordon
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 174
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Book Description
One of the most controversial and ironic of twentieth-century modernisms, Dada swept through the arts after the shock of World War I, when poets, painters, filmmakers, and performers joined forces to challenge conventions of society and art. The only collection of its kind, this volume includes writings by leading Dadaists: Hugo Ball, Kurt Schwitters, Richard Huelsenbeck, Roger Vitrac, Tristan Tzara, Emmy Hennings, Francis Picabia, and others.
Author: Michel Sanouillet
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 730
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Book Description
The long-awaited publication in English of the definitive book on Paris Dada.
Author: Francis Picabia
Publisher: MIT Press
ISBN: 0262517485
Category : Literary Collections
Languages : en
Pages : 487
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Book Description
The first definitive edition in English of writings by poet, painter, pickpocket-plagiarist, and consummate anti-artist Francis Picabia, one of Dada's leading figures. Poet, painter, self-described funny guy, idiot, failure, pickpocket, and anti-artist par excellence, Francis Picabia was a defining figure in the Dada movement; indeed, André Breton called Picabia one of the only “true” Dadas. Yet very little of Picabia's poetry and prose has been translated into English, and his literary experiments have never been the subject of close critical study. I Am a Beautiful Monster is the first definitive edition in English of Picabia's writings, gathering a sizable array of Picabia's poetry and prose and, most importantly, providing a critical context for it with an extensive introduction and detailed notes by the translator. Picabia's poetry and prose is belligerent, abstract, polemical, radical, and sometimes simply baffling. For too long, Picabia's writings have been presented as raw events, rule-breaking manifestations of inspirational carpe diem. This book reveals them to be something entirely different: maddening in their resistance to meaning, full of outrageous posturing, and hiding a frail, confused, and fitful personality behind egoistic bravura. I Am a Beautiful Monster provides the texts of of Picabia's significant publications, all presented complete, many of them accompanied by their original illustrations.
Author: Sarah Hayden
Publisher: University of New Mexico Press
ISBN: 0826359337
Category : Literary Criticism
Languages : en
Pages : 369
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Book Description
The transnational modernist Mina Loy (1882–1966) embodied the avant-garde in many literary and artistic media. This book positions her as a theorist of the avant-garde and of what it means to be an artist. Foregrounding Loy’s critical interrogation of Futurist, Dadaist, Surrealist, and “Degenerate” artisthood, and exploring her poetic legacies today, Curious Disciplines reveals Loy’s importance in an entirely novel way. Examining the primary texts produced by those movements themselves—their manifestos, magazines, pamphlets, catalogues, and speeches—Sarah Hayden uses close readings of Loy’s poetry, prose, polemics, and unpublished writings to trace her response to how these movements wrote themselves, collectively, into being.
Author: Brandon Taylor
Publisher: Yale University Press
ISBN: 0300253656
Category : Art
Languages : en
Pages : 370
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Book Description
A fascinating journey through Western art from the 1910s to the 1960s, charting how artists wrestled with the headlong changes of a turbulent and conflict-ridden world From the chaos of the First World War to the ravages of the Second, from the Great Depression to the rise of consumer culture, artists we call "modern" faced the challenge of responding imaginatively to utterly new circumstances of life. Original thought, startling artistic techniques, and new attitudes to experimentation were required to produce exceptional and timely work. Make It Modern guides the reader through the art of the modern world. Works of celebrated artists, from Pablo Picasso and Wassily Kandinsky to Frida Kahlo, Jackson Pollock, and Yayoi Kusama, alongside a panoply of undervalued or less-known figures, populate this decade-by-decade narrative. Make It Modern tells an unforgettable story of how art was changed forever.
Author:
Publisher: BRILL
ISBN: 9004526749
Category : Art
Languages : en
Pages : 655
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Book Description
This rich, in-depth exploration of Dada’s roots in East-Central Europe is a vital addition to existing research on Dada and the avant-garde. Through deeply researched case studies and employing novel theoretical approaches, the volume rewrites the history of Dada as a story of cultural and political hybridity, border-crossings, transitions, and transgressions, across political, class and gender lines. Dismantling prevailing notions of Dada as a “Western” movement, the contributors to this volume present East-Central Europe as the locus of Dada activity and techniques. The articles explore how artists from the region pre-figured Dada as well as actively “cannibalized”, that is, reabsorbed and further hybridized, a range of avant-garde techniques, thus challenging “Western” cultural hegemony.
Author: Михаил Карасик
Publisher:
ISBN:
Category : Art, Russian
Languages : en
Pages : 88
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Book Description
