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Author: Christina Kiaer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 376
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Book Description
These artists, heeding the call of Constructivist manifestos to abandon the nonobjective painting and sculpture of the early Russian avant-garde and enter into Soviet industrial production, aimed to work as "artist-engineers" to produce useful objects for everyday life in the new socialist collective." "Kiaer shows how these artists elaborated on the theory of the socialist object-as-comrade in the practice of their art. They broke with the traditional model of the autonomous avant-garde, Kiaer argues, in order to participate more fully in the political project of the Soviet state. She analyzes Constructivism's attempt to develop modernist forms to forge a new comradely relationship between human subjects and the mass-produced objects of modernity."--BOOK JACKET.
Author: Christina Kiaer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 376
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Book Description
These artists, heeding the call of Constructivist manifestos to abandon the nonobjective painting and sculpture of the early Russian avant-garde and enter into Soviet industrial production, aimed to work as "artist-engineers" to produce useful objects for everyday life in the new socialist collective." "Kiaer shows how these artists elaborated on the theory of the socialist object-as-comrade in the practice of their art. They broke with the traditional model of the autonomous avant-garde, Kiaer argues, in order to participate more fully in the political project of the Soviet state. She analyzes Constructivism's attempt to develop modernist forms to forge a new comradely relationship between human subjects and the mass-produced objects of modernity."--BOOK JACKET.
Author: Maria Gough
Publisher: Univ of California Press
ISBN: 0520226186
Category : Art
Languages : en
Pages : 272
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Book Description
"The Artist as Producer confronts the problem of making a politics with art. Gough's balanced rigor in mining obscure archives on the one hand, while performing brilliant readings of recalcitrant artworks on the other gives her account of Constructivism's utopian promise and less-than-utopian outcome great texture. She has produced something very rare: an art-historical study that not only adds to our knowledge but captures the intense poignancy of modern art's serious ambition to undertake a revolution of—and with—form."—David Joselit, Professor, History of Art, Yale University "To see a sculptor plunging into the politics and the cultural politics of the factory floor is a rare sight indeed in art history. It takes immense historical discipline to do it justice. Maria Gough takes the 'author as producer' question dear to Marxist aesthetics (think of Walter Benjamin, but think also of Trotsky, of Gramsci) and raises it into new relevance. The question always was and is a motor. This book shows us, beautifully, how and why."—Molly Nesbit, Professor of Art, Vassar College "The Artist as Producer is a remarkable and impressive piece of scholarship, which challenges existing assumptions about Soviet Constructivism and demands that we rethink the movement in its entirety."—Christina Lodder, author of Russian Constructivism
Author: Jaroslav Anděl
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 284
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Book Description
Zeven essays over het constructivisme, de Russische avant-garde beweging aan het begin van deze eeuw, die in 1932 door Stalin in de ban gedaan werd.
Author: Christina Lodder
Publisher:
ISBN: 9780300034066
Category : Art
Languages : en
Pages : 328
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Book Description
One of the most exciting movements in 20th century art, Russian constructivism radically reassessed the role of the artist and his work. Here, Lodder provides a detailed account of this complex movement and the reverberations it had on Western culture.
Author: Catherine Walworth
Publisher: Penn State Press
ISBN: 027108040X
Category : Art
Languages : en
Pages : 646
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Book Description
In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer” and “bricoleur”—illustrate, respectively, the canonical Constructivists and artists on the movement’s margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929 and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers. An engaging multidisciplinary study of objects and their makers during the Soviet Union’s early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture.
Author: Selim Omarovich Khan-Magomedov
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 228
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Book Description
Author: Alekseĭ Gan
Publisher: Tenov Books
ISBN: 9788493923129
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
"Aleksei Gan's "Constructivism" was the first theoretical treatise of post-revolutionary Russia's emergent Constructivist movement. Published in 1922, this iconoclastic blast of revolutionary zeal was a declaration of war on traditional Bourgeois art. By defining its three core principles: tectonics, faktura & construction, Gan recasts artist and architect as Constructors, no longer fretting about aesthetic or speculative problems in art but focusing instead on the fusion of art with everyday life to create a system of design where "everything will be conceived in a technical and functional way" - a fitting contribution to the great task of building the new communist society ... Gan, the "Mass Constructor", was a key figure among Russia's post-revolutionary avant-garde, working across theatre, architecture, graphics and cinema. Agitator, publisher, activist and promoter, he was a close friend of Rodchenko and Stepanova and was the foremost theoretician of Moscow's Working Group of Constructivists"--Page [4] of cover.
Author: Kristin Romberg
Publisher: University of California Press
ISBN: 0520298535
Category : Art
Languages : en
Pages : 310
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Book Description
This compelling new account of Russian constructivism repositions the agitator Aleksei Gan as the movement’s chief protagonist and theorist. Primarily a political organizer during the revolution and early Soviet period, Gan brought to the constructivist project an intimate acquaintance with the nuts and bolts of “making revolution.” Writing slogans, organizing amateur performances, and producing mass-media objects define an alternative conception of “the work of art”—no longer an autonomous object but a labor process through which solidarities are built. In an expansive analysis touching on aesthetic and architectural theory, the history of science and design, sociology, and feminist and political theory, Kristin Romberg invites us to consider a version of modernism organized around the radical flattening of hierarchies, a broad distribution of authorship, and the negotiation of constraints and dependencies. Moving beyond Cold War abstractions, Gan’s Constructivism offers a fine-grained understanding of what it means for an aesthetics to be political.
Author: Margarita Tupitsyn
Publisher: Tate
ISBN: 9781854377968
Category : Art
Languages : en
Pages : 192
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Book Description
"Aleksandr Rodchenko and Liubov Popovaq were leading figures in the Russian avant-garde during its most exciting period, from the 1917 Revolution to Popova's tragically early death in 1924 at the age of thirty-five. Together they believed that new forms of art could play a key role in transforming society and reorganizing everyday life. As leading lights in the Constructivist movement they were responsible for an array of iconic works, from painting to magazine covers and fabric designs. Featuring new scholarship, as well as archival photos and illustrating many previously unpublished works, this book demonstrates the extent of their influence on their circle of friends and collaborators and their wide impact on the course of twentieth-century art." --Book Jacket.
Author: Anne L. Clunan
Publisher: JHU Press
ISBN: 0801891574
Category : History
Languages : en
Pages : 334
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Book Description
A concluding chapter discusses the policy implications of aspirational constructivism for Russia and other nations and a methodological appendix lays out a framework for testing the theory.
