Russian Church Art Today PDF Download
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Author: Sergeĭ V. Timchenko
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 234
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Book Description
Author: Sergeĭ V. Timchenko
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 234
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Book Description
Author: Henri J. M. Nouwen
Publisher: Ave Maria Press
ISBN: 1594715092
Category : Religion
Languages : en
Pages : 136
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Book Description
This twentieth anniversary edition (more than 111,000 copies sold) brings Henri J.M. Nouwen's writings on Eastern Orthodox icons to a new generation and adds to the Nouwen collection published by Ave Maria Press. With a foreword by Br. Robert Lentz, a well-known painter of contemporary icons, this classic Nouwen book invites readers to pray with four Russian icons with their eyes open by emphasizing seeing or gazing, which are at the heart of Eastern spirituality. Nouwen's meditations reveal his viewing of the icons not as decorations, but holy places. The book includes four full-color icons for private contemplation or meditation.
Author: Jan Morsink Ikonen (Firm)
Publisher: Snoeck
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
"This illustrated book presents a collection of unique icons not usually seen outside the confines of the living room. A collection assembled by the brothers Simon and Hugo Morsink, both passionate icon lovers and art dealers. Accompanying texts, to which international experts have contributed, explain the meaning of these Greek and Russian icons, dating from the 15th to the 19th century, while several essays take the reader inside the world of this ancient Christian art form."--BOOK JACKET.
Author: Oleg Tarasov
Publisher: Reaktion Books
ISBN: 186189550X
Category : Art
Languages : en
Pages : 428
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Book Description
Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated in halftones with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.
Author: Clarence E. Walker
Publisher: Oxford University Press
ISBN: 0195357302
Category : History
Languages : en
Pages : 210
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Book Description
Afrocentrism has been a controversial but popular movement in schools and universities across America, as well as in black communities. But in We Can't Go Home Again, historian Clarence E. Walker puts Afrocentrism to the acid test, in a thoughtful, passionate, and often blisteringly funny analysis that melts away the pretensions of this "therapeutic mythology." As expounded by Molefi Kete Asante, Yosef Ben-Jochannan, and others, Afrocentrism encourages black Americans to discard their recent history, with its inescapable white presence, and to embrace instead an empowering vision of their African (specifically Egyptian) ancestors as the source of western civilization. Walker marshals a phalanx of serious scholarship to rout these ideas. He shows, for instance, that ancient Egyptian society was not black but a melange of ethnic groups, and questions whether, in any case, the pharaonic regime offers a model for blacks today, asking "if everybody was a King, who built the pyramids?" But for Walker, Afrocentrism is more than simply bad history--it substitutes a feel-good myth of the past for an attempt to grapple with the problems that still confront blacks in a racist society. The modern American black identity is the product of centuries of real history, as Africans and their descendants created new, hybrid cultures--mixing many African ethnic influences with native and European elements. Afrocentrism replaces this complex history with a dubious claim to distant glory. "Afrocentrism offers not an empowering understanding of black Americans' past," Walker concludes, "but a pastiche of 'alien traditions' held together by simplistic fantasies." More to the point, this specious history denies to black Americans the dignity, and power, that springs from an honest understanding of their real history.
Author: Menil Collection (Houston, Tex.)
Publisher: Menil Foundation
ISBN: 9780300169683
Category : Art
Languages : en
Pages : 168
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Book Description
A history of icons in the Menil Collection Clare Elliott -- The icon and the museum Bertrand Davezac -- How icons look Anne Marie Weyl Carr -- Icons from the centuries of the Byzantine Empire (AD 324-1453) Annemarie Weyl Carr, Bertrand Davezac -- Post-Byzantine icons from the Balkans, Greece and the Islands -- Russian icons
Author: Jim Forest
Publisher: Orbis Books
ISBN: 160833077X
Category : Icons
Languages : en
Pages : 336
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Book Description
Author: Sotheby Parke Bernet & Co
Publisher:
ISBN:
Category : Art, Russian
Languages : en
Pages : 664
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Book Description
Author: Nikodim Pavlovich Kondakov
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 374
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Book Description
Author: Irina Yazykova
Publisher: Paraclete Press
ISBN: 1640606807
Category : Art
Languages : en
Pages : 202
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Book Description
A true story—told for the first time This dramatic history recounts the story of an aspect of Russian culture that fought to survive throughout the 20th century: the icon. Russian iconography kept faith alive in Soviet Russia after the Bolshevik Revolution. As monasteries and churches were ruined, icons destroyed, thousands of believers killed or sent to Soviet prisons and labor camps, a few courageous iconographers continued to paint holy images secretly, despite the ever-present threat of arrest. Others were forced to leave Russia altogether, and while living abroad, struggled to preserve their Orthodox traditions. Today we are witness to a renaissance of the Russian icon, made possible by the sacrifices of this previous generation of heroes.
