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Author: Ida Maria Street
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 484
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Book Description
Author: Ida Maria Street
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 484
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Book Description
Author: Ida M. Street
Publisher: Forgotten Books
ISBN: 9780483261006
Category : Self-Help
Languages : en
Pages : 472
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Book Description
Excerpt from Ruskin's Principles of Art Criticism Ruskin, though he scorned metaphysical distinction and terms, was in the true sense of the word a philos opher; and it is his philosophy of art that we wish to study in this book. Philosophy is simply clear and connected thinking; philosophy of art, then, is clear and connected thinking about art, and leads to the formulation of laws and principles. Each man, if he thinks about these subjects at all, has, either con sciously or unconsciously, his philosophy of life and of art. The object of the present volume is to put Rus kin's thought on art into such a clear and logical form, that the reader can easily and rapidly compare his own theory with Ruskin's. In this work I wish to appear as an editor rather than as an expositor, although a little exposition has been found absolutely necessary. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Ida Maria Street
Publisher: Palala Press
ISBN: 9781357588793
Category :
Languages : en
Pages : 474
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: George Whitefield Samson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 842
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Book Description
Author: Ida M. Street
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category : Arts, fine
Languages : en
Pages :
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Book Description
Author: Solomon Fishman
Publisher: Forgotten Books
ISBN: 9780282909413
Category : Art criticism
Languages : en
Pages : 0
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Book Description
Excerpt from Interpretation of Art: Essays on the Art Criticism of John Ruskin, Walter Pater, Clive Bell, Roger Fry and Herbert Read Insofar as criticism is applied aesthetics, I feel justified in devoting the major part of this study to the examination of aesthetic theory. My task might have been easier had any of the writers with whom I am concerned been creators Of systems, but there is nothing in English writing on art com parable to German scholarship in the nineteenth and twen tieth centuries, with its thorough investigation of art history, the psychology of perception, and the aesthetics of expression and pure visibility. My own approach is not postulated on any fixed set of aesthetic assumptions. Criticism is a complex activity, involving the subtle interaction of practice and theory. I have attempted to extract from the work of each of these writers those theoretical assumptions which form the basis of his critical practice and to trace the development of aesthetic doctrine as it was modified by the critic's experi ence of actual works of art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: G. W. Samson
Publisher:
ISBN: 9781330455227
Category : Art
Languages : en
Pages : 438
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Book Description
Excerpt from Elements of Art Criticism The following treatise on Art Criticism, an abridged edition of the larger work published one year ago, is specially designed to meet a demand whose existence has now been called forth. The aim of both is to awaken, to foster and to aid the growing aspiration of American students and amateurs in art. The Introduction to the larger work indicates the lack in American education which creates this demand, the methods by which teachers in other lands and ages have supplied this common aesthetic need, and the nature and ground of the author's attempt. The conviction is general that a compendious elementary treatise on the principles of design and the methods of execution in the fine arts is a special desideratum in American literature. The general education of American youth, male and female, the aspiration of men in every pursuit to fit themselves for cultured society, the growing fondness for foreign travel, have awakened a desire for compendious information as to the great world of art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: George Whitefield Samson
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
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Book Description
Author: John Ruskin
Publisher: Forgotten Books
ISBN: 9780365456278
Category : Architecture
Languages : en
Pages : 288
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Book Description
John Ruskin, the man whom Leo Tolstoy named as one of the most remarkable among the men in his generation and of "all countries and times," allowed the republication one of his acclaimed and influential works, Lectures on Architecture and Painting; The Study of Architecture in 1883. This is despite the fact that, according to him, "the buildings it describes with so much delight being now either knocked down, or scraped and patched up into smugness and smoothness more tragic than uttermost ruin." The author's writing style is formal, with a hint of superfluity. Despite this, his messages come through clearly and wrapped in his own unmistakable personality, beliefs, and firm grasp of artistic and architectural principles. Ruskin discusses the 7 requirements that need to be fulfilled in order for an architectural work to be considered good, dedicating a whole chapter to each of them, starting with sacrifice, then proceeding to talk about truth, power, beauty, life, memory, and obedience. He infuses his love and admiration for Gothic architecture in this volume, stating that it is the "truest" architecture - something that is echoed by the author's earlier argument that the artist's chief role is revealing truth to nature. Lectures on Architecture and Painting; The Study of Architecture includes 15 beautiful prints produced by the author's own hand. This is one tome that architectural students, professionals, and hobbyists will find mentally stimulating and creatively inspiring. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
