Author: Ida Maria Street
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 484
Book Description
Ruskin's Principles of Art Criticism
Author: Ida Maria Street
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 484
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 484
Book Description
The Seven Lamps of Architecture
Author: John Ruskin
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 526
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 526
Book Description
John Ruskin
Author: Frederic Harrison
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 234
Book Description
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 234
Book Description
Modern Painters
Author: John Ruskin
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 516
Book Description
Human-Built World
Author: Thomas P. Hughes
Publisher: University of Chicago Press
ISBN: 022612066X
Category : Technology & Engineering
Languages : en
Pages : 237
Book Description
To most people, technology has been reduced to computers, consumer goods, and military weapons; we speak of "technological progress" in terms of RAM and CD-ROMs and the flatness of our television screens. In Human-Built World, thankfully, Thomas Hughes restores to technology the conceptual richness and depth it deserves by chronicling the ideas about technology expressed by influential Western thinkers who not only understood its multifaceted character but who also explored its creative potential. Hughes draws on an enormous range of literature, art, and architecture to explore what technology has brought to society and culture, and to explain how we might begin to develop an "ecotechnology" that works with, not against, ecological systems. From the "Creator" model of development of the sixteenth century to the "big science" of the 1940s and 1950s to the architecture of Frank Gehry, Hughes nimbly charts the myriad ways that technology has been woven into the social and cultural fabric of different eras and the promises and problems it has offered. Thomas Jefferson, for instance, optimistically hoped that technology could be combined with nature to create an Edenic environment; Lewis Mumford, two centuries later, warned of the increasing mechanization of American life. Such divergent views, Hughes shows, have existed side by side, demonstrating the fundamental idea that "in its variety, technology is full of contradictions, laden with human folly, saved by occasional benign deeds, and rich with unintended consequences." In Human-Built World, he offers the highly engaging history of these contradictions, follies, and consequences, a history that resurrects technology, rightfully, as more than gadgetry; it is in fact no less than an embodiment of human values.
Publisher: University of Chicago Press
ISBN: 022612066X
Category : Technology & Engineering
Languages : en
Pages : 237
Book Description
To most people, technology has been reduced to computers, consumer goods, and military weapons; we speak of "technological progress" in terms of RAM and CD-ROMs and the flatness of our television screens. In Human-Built World, thankfully, Thomas Hughes restores to technology the conceptual richness and depth it deserves by chronicling the ideas about technology expressed by influential Western thinkers who not only understood its multifaceted character but who also explored its creative potential. Hughes draws on an enormous range of literature, art, and architecture to explore what technology has brought to society and culture, and to explain how we might begin to develop an "ecotechnology" that works with, not against, ecological systems. From the "Creator" model of development of the sixteenth century to the "big science" of the 1940s and 1950s to the architecture of Frank Gehry, Hughes nimbly charts the myriad ways that technology has been woven into the social and cultural fabric of different eras and the promises and problems it has offered. Thomas Jefferson, for instance, optimistically hoped that technology could be combined with nature to create an Edenic environment; Lewis Mumford, two centuries later, warned of the increasing mechanization of American life. Such divergent views, Hughes shows, have existed side by side, demonstrating the fundamental idea that "in its variety, technology is full of contradictions, laden with human folly, saved by occasional benign deeds, and rich with unintended consequences." In Human-Built World, he offers the highly engaging history of these contradictions, follies, and consequences, a history that resurrects technology, rightfully, as more than gadgetry; it is in fact no less than an embodiment of human values.
Ruskin's Artists
Author: Robert Hewison
Publisher: Routledge
ISBN: 1351788337
Category : Art
Languages : en
Pages : 253
Book Description
This was first published in 2000: A study of John Ruskin's engagement with art and architecture as a critic, a patron and a teacher. It offers insights into both his writings and the visual economy of the Victorian world. Each essay examines Ruskin's relationship with an individual artist or a distinct aspect of art practice. J.M.W. Turner, D.G. Rossetti, W. Holman Hunt and E. Burne-Jones are among those artists discussed whose personal relationships with Ruskin affected his critical writing. Ruskin's attitude to women artists and his approach to the teaching of art are given special attention.
Publisher: Routledge
ISBN: 1351788337
Category : Art
Languages : en
Pages : 253
Book Description
This was first published in 2000: A study of John Ruskin's engagement with art and architecture as a critic, a patron and a teacher. It offers insights into both his writings and the visual economy of the Victorian world. Each essay examines Ruskin's relationship with an individual artist or a distinct aspect of art practice. J.M.W. Turner, D.G. Rossetti, W. Holman Hunt and E. Burne-Jones are among those artists discussed whose personal relationships with Ruskin affected his critical writing. Ruskin's attitude to women artists and his approach to the teaching of art are given special attention.
Elements of Art Criticism: Comprising a Treatise on the Principles of Man's Nature as Addressed by Art, Etc
Author: George Whitefield SAMSON
Publisher:
ISBN:
Category :
Languages : en
Pages : 852
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 852
Book Description
The Laws of Fésole
Author: John Ruskin
Publisher: Skyhorse Publishing Inc.
ISBN: 9781880559444
Category : Art
Languages : en
Pages : 223
Book Description
Ruskin offers criticism, appreciation and instruction for artists. The textovers principles of drawing and painting from the Tuscan masters. Aiographical note and introduction by Bill Beckley is included.
Publisher: Skyhorse Publishing Inc.
ISBN: 9781880559444
Category : Art
Languages : en
Pages : 223
Book Description
Ruskin offers criticism, appreciation and instruction for artists. The textovers principles of drawing and painting from the Tuscan masters. Aiographical note and introduction by Bill Beckley is included.
Democratising Beauty in Nineteenth-Century Britain
Author: Lucy Hartley
Publisher: Cambridge University Press
ISBN: 1107184088
Category : Art
Languages : en
Pages : 317
Book Description
This book examines nineteenth-century interests in beauty, and considers whether these aesthetic pursuits were necessary to British public life.
Publisher: Cambridge University Press
ISBN: 1107184088
Category : Art
Languages : en
Pages : 317
Book Description
This book examines nineteenth-century interests in beauty, and considers whether these aesthetic pursuits were necessary to British public life.
John Ruskin and the Fabric of Architecture
Author: Anuradha Chatterjee
Publisher: Routledge
ISBN: 1317048253
Category : Architecture
Languages : en
Pages : 167
Book Description
Through the theoretical lenses of dress studies, gender, science, and visual studies, this volume analyses the impact John Ruskin has had on architecture throughout the nineteenth and twentieth centuries. It explores Ruskin’s different ideologies, such as the adorned wall veil, which were instrumental in bringing focus to structures that were previously unconsidered. John Ruskin and the Fabric of Architecture examines the ways in which Ruskin perceives the evolution of architecture through the idea that architecture is surface. The creative act in architecture, analogous to the divine act of creation, was viewed as a form of dressing. By adding highly aesthetic features to designs, taking inspiration from the 'veil' of women’s clothing, Ruskin believed that buildings could be transformed into meaningful architecture. This volume discusses the importance of Ruskin’s surface theory and the myth of feminine architecture, and additionally presents a competing theory of textile analogy in architecture based on morality and gender to counter Gottfried Semper’s historicist perspective. This book would be beneficial to students and academics of architectural history and theory, gender studies and visual studies who wish to delve into Ruskin’s theories and to further understand his capacity for thinking beyond the historical methods. The book will also be of interest to architectural practitioners, particularly Ruskin’s theory of surface architecture.
Publisher: Routledge
ISBN: 1317048253
Category : Architecture
Languages : en
Pages : 167
Book Description
Through the theoretical lenses of dress studies, gender, science, and visual studies, this volume analyses the impact John Ruskin has had on architecture throughout the nineteenth and twentieth centuries. It explores Ruskin’s different ideologies, such as the adorned wall veil, which were instrumental in bringing focus to structures that were previously unconsidered. John Ruskin and the Fabric of Architecture examines the ways in which Ruskin perceives the evolution of architecture through the idea that architecture is surface. The creative act in architecture, analogous to the divine act of creation, was viewed as a form of dressing. By adding highly aesthetic features to designs, taking inspiration from the 'veil' of women’s clothing, Ruskin believed that buildings could be transformed into meaningful architecture. This volume discusses the importance of Ruskin’s surface theory and the myth of feminine architecture, and additionally presents a competing theory of textile analogy in architecture based on morality and gender to counter Gottfried Semper’s historicist perspective. This book would be beneficial to students and academics of architectural history and theory, gender studies and visual studies who wish to delve into Ruskin’s theories and to further understand his capacity for thinking beyond the historical methods. The book will also be of interest to architectural practitioners, particularly Ruskin’s theory of surface architecture.