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Author: Paul L. Sawyer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 344
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Book Description
Author: Paul L. Sawyer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 344
Get Book Here
Book Description
Author: Judith Stoddart
Publisher: University of Virginia Press
ISBN: 9780813918068
Category : Art
Languages : en
Pages : 220
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Book Description
In Ruskin's Culture Wars, Judith Stoddart provides the first sustained modern critical reading of Fors Clavigera, placing this classic work in the context of its Victorian contemporaries: art journals, liberal and working-class periodicals, and popular criticism. In recreating the intellectual climate, she demonstrates the sense of cultural crisis and change evident at the time. Rebelling against the tendency to treat Ruskin's letters as the prose lyric of a damaged psyche, Stoddart shows how the cumulative text of Fors Clavigera not only records but revises and redirects the preoccupations of his period. He was an integral part of Victorian discussions of literary tradition and of the roles of democracy and nationality in late-nineteenth-century Europe.
Author: John Ruskin
Publisher: University of Virginia Press
ISBN: 9780813917894
Category : Literary Collections
Languages : en
Pages : 572
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Book Description
This volume powerfully demonstrates the range and inexhaustible vitality of Ruskin's prose and will once again become an indispensable reference for Victorianists from a range of disciplines.
Author: David Birch
Publisher: Routledge
ISBN: 1134971354
Category : Language Arts & Disciplines
Languages : en
Pages : 201
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Book Description
Using a wide-ranging variety of texts the author reviews and evaluates a broad range of approaches to textual commentary, introducing the reader to the fundamental distinction between `actual' and `virtual' worlds in critical practice.
Author: Anuradha Chatterjee
Publisher: Routledge
ISBN: 1317048253
Category : Architecture
Languages : en
Pages : 167
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Book Description
Through the theoretical lenses of dress studies, gender, science, and visual studies, this volume analyses the impact John Ruskin has had on architecture throughout the nineteenth and twentieth centuries. It explores Ruskin’s different ideologies, such as the adorned wall veil, which were instrumental in bringing focus to structures that were previously unconsidered. John Ruskin and the Fabric of Architecture examines the ways in which Ruskin perceives the evolution of architecture through the idea that architecture is surface. The creative act in architecture, analogous to the divine act of creation, was viewed as a form of dressing. By adding highly aesthetic features to designs, taking inspiration from the 'veil' of women’s clothing, Ruskin believed that buildings could be transformed into meaningful architecture. This volume discusses the importance of Ruskin’s surface theory and the myth of feminine architecture, and additionally presents a competing theory of textile analogy in architecture based on morality and gender to counter Gottfried Semper’s historicist perspective. This book would be beneficial to students and academics of architectural history and theory, gender studies and visual studies who wish to delve into Ruskin’s theories and to further understand his capacity for thinking beyond the historical methods. The book will also be of interest to architectural practitioners, particularly Ruskin’s theory of surface architecture.
Author: Denae Dyck
Publisher: Bloomsbury Publishing
ISBN: 135033538X
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Examining the creative thought that arose in response to 19th-century religious controversies, this book demonstrates that the pressures exerted by historical methods of biblical scholarship prompted an imaginative recovery of wisdom literature. During the Victorian period, new approaches to the interpretation of sacred texts called into question traditional ideas about biblical inspiration, motivating literary transformations of inherited symbols, metaphors, and forms. Drawing on the theoretical work of Paul Ricoeur, Denae Dyck considers how Victorian writers from a variety of belief positions used wisdom literature to reframe their experiences of questioning, doubt, and uncertainty: Elizabeth Barrett Browning, George MacDonald, George Eliot, John Ruskin, and Olive Schreiner. This study contributes to the reassessment of historical and contemporary narratives of secularization by calling attention to wisdom literature as a vital, distinctive genre that animated the search for meaning within an increasingly ideologically diverse world.
Author: John Ruskin
Publisher: University of Delaware Press
ISBN: 9780874133738
Category : Art
Languages : en
Pages : 310
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Book Description
Presented here for the first time is the full text of John Ruskin's Christmas Story and his related letters of interpretation in which he describes what he believes to be a mystic experience placing him under the guidance of the soul of his lost love, Rose La Touche.
Author: C. Stephen Finley
Publisher: Penn State Press
ISBN: 9780271040400
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Nature's Covenant, a reading of John Ruskin, including his neglected poems and early prose writings, brings forth a fresh awareness of his career as an interpreter of landscape, where landscape is conceived as a filter of human meaning, of aesthetic and theological significance. The book shows the correlation in Ruskin's work between the Reformed theology of his religious tradition and the Romantic poetics of literature that he sought to practice. It reconstructs the particular hermeneutic of landscape that Ruskin developed, a vision of the natural world that depended equally upon the Romantic/evangelical renovation of heart and eye and a remarkable articulation of the typology of nature. Ruskin's own theôria, or contemplation of nature's text, the full-scale development of which takes place in Modern Painters II, is revealed and explored, inviting renewed understanding of works both early and late, especially of certain key chapters of such often neglected works as "The Requiem" of St. Mark's Rest or the "Revision" of Deucalion. Finley shifts the emphasis away from the secularized readings of this century to recover lost religious meanings in Ruskin's critical writing, including his unpublished sermons. No previous modern study has focused on Ruskin's religious upbringings and its influence on his mature writings while countering the critical received orthodoxy about his faith, his "unconversion," and inevitable secularization often retold as part of the narrative of modernism, which proclaimed the necessary supersession of Victorian superstition by modern enlightenment. Because of its commitment to a reading of Ruskin's religious sense in light of his romantic inheritance, Nature's Covenant is also a book about Victorian romanticism, sharing in the current reevaluation of Wordsworth's later career, and in the renewed scholarly attention to Sir Walter Scott.
Author: Michael Wheeler
Publisher: Manchester University Press
ISBN: 9780719037108
Category : Architecture
Languages : en
Pages : 270
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Book Description
Author: Adam Parkes
Publisher: Oxford University Press
ISBN: 0195383818
Category : Art
Languages : en
Pages : 303
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Book Description
What does modern British and Irish literature have to do with French impressionist painting? And what does Henry James have to do with the legal dispute between John Ruskin and J.M.W. Whistler? What links Walter Pater with Conrad's portrait of a genocidal maniac in Heart of Darkness? Or George Moore with Irish nationalism, Virginia Woolf with modern distraction, and Ford Madox Ford with the Great Depression?Adam Parkes argues that we must answer such questions if we are to appreciate the full impact of impressionist aesthetics on modern British and Irish writers. Complicating previous accounts of the influence of painting and philosophy on literary impressionism, A Sense of Shock highlights the role of politics, uncovering new and deeper linkages. In the hands of such practitioners as Conrad, Ford, James, Moore, Pater, and Woolf, literary impressionism was shaped by its engagement with important social issues and political events that defined the modern age. As Parkes demonstrates, the formal and stylistic practices that distinguish impressionist writing were the result of dynamic and often provocative interactions between aesthetic and historical factors.Parkes ultimately suggests that it was through this incendiary combination of aesthetics and history that impressionist writing forced significant change on the literary culture of its time. A Sense of Shock will appeal to students and scholars of nineteenth- and twentieth-century literature, as well as the growing readership for books that explore problems of literary history and interdisciplinarity.
