Author: Francis Grose
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 254
Book Description
Rules for Drawing Caricaturas
Author: Francis Grose
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 254
Book Description
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 254
Book Description
Rules for Drawing Caricaturas:
Author: Francis Grose
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 40
Book Description
Rules for Drawing Caricaturas
Author: Francis Grose
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 42
Book Description
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 42
Book Description
Rules for Drawing Caricaturas
Author: Francis Grose
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 0
Book Description
Rules for drawing Caricatures: with an essay on Comic Painting ... Second edition
Author: Francis Grose
Publisher:
ISBN:
Category :
Languages : en
Pages : 98
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 98
Book Description
Rules for Drawing Caricaturas
Author: Francis Grose
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 0
Book Description
Baudelaire and Caricature: From the Comic to an Art of Modernity
Author:
Publisher: Penn State Press
ISBN: 9780271042879
Category : Art
Languages : en
Pages : 368
Book Description
Baudelaire's essays on caricature offered the first sustained defense of the value of caricature as a serious art, worthy of study in its own right. This book argues for the crucial importance of the essays for his conception of modernity, so fundamental to the subsequent history of modernism. From the theory of the comic formulated in De l'essence du rire to his discussions of Daumier, Goya, Hogarth, Cruikshank, Bruegel, Grandville, Gavarni, Charlet, and many others, Baudelaire develops not only an aesthetic of caricature but also a caricatural aesthetic--dual and contradictory, grotesque, ironic, violent, farcical, fantastic, and fleeting--that defines an art of modern life. In particular, Baudelaire's insistence on the dualism and ambiguity of laughter has radical implications for such emblems of modernity as the city and the flâneur who roams the streets. The modern city is the space of the comic, a kind of caricature, presenting the flâneur with an image of dualism, one's position as subject and object, implicated in the same urban experiences one seems to control. The theory of the comic invests the idea of modernity with reciprocity, one's status as laughter and object of laughter, thus preventing the subjective construction and appropriation of the world that has so often been linked with the project of modernism. Comic art reflects what Walter Benjamin later defined as Baudelairean allegory, at once representing and revealing the alienation of modern experience. But Baudelaire also transforms the dualism of the comic into a peculiarly modern unity-- the doubling of the comic artist enacted for the benefit of the audience, the self-generating and self-reflexive experience of the flâneur in a "communion" with the crowd. This study examines his views in the context of the history of comic theory and contemporary accounts of the individual artists. Complete with illustrations of the many works discussed, it illuminates the history and theory of caricature, the comic, and the grotesque, and adds to our understanding of modernism in literature and the visual arts.
Publisher: Penn State Press
ISBN: 9780271042879
Category : Art
Languages : en
Pages : 368
Book Description
Baudelaire's essays on caricature offered the first sustained defense of the value of caricature as a serious art, worthy of study in its own right. This book argues for the crucial importance of the essays for his conception of modernity, so fundamental to the subsequent history of modernism. From the theory of the comic formulated in De l'essence du rire to his discussions of Daumier, Goya, Hogarth, Cruikshank, Bruegel, Grandville, Gavarni, Charlet, and many others, Baudelaire develops not only an aesthetic of caricature but also a caricatural aesthetic--dual and contradictory, grotesque, ironic, violent, farcical, fantastic, and fleeting--that defines an art of modern life. In particular, Baudelaire's insistence on the dualism and ambiguity of laughter has radical implications for such emblems of modernity as the city and the flâneur who roams the streets. The modern city is the space of the comic, a kind of caricature, presenting the flâneur with an image of dualism, one's position as subject and object, implicated in the same urban experiences one seems to control. The theory of the comic invests the idea of modernity with reciprocity, one's status as laughter and object of laughter, thus preventing the subjective construction and appropriation of the world that has so often been linked with the project of modernism. Comic art reflects what Walter Benjamin later defined as Baudelairean allegory, at once representing and revealing the alienation of modern experience. But Baudelaire also transforms the dualism of the comic into a peculiarly modern unity-- the doubling of the comic artist enacted for the benefit of the audience, the self-generating and self-reflexive experience of the flâneur in a "communion" with the crowd. This study examines his views in the context of the history of comic theory and contemporary accounts of the individual artists. Complete with illustrations of the many works discussed, it illuminates the history and theory of caricature, the comic, and the grotesque, and adds to our understanding of modernism in literature and the visual arts.
Rules for Drawing Caricaturas
Author: Francis Grose
Publisher: Forgotten Books
ISBN: 9780282534165
Category : Art
Languages : en
Pages : 50
Book Description
Excerpt from Rules for Drawing Caricaturas: With an Essay on Comic Painting The features of the human face, and the form and proportions of the body and limbs are in particular coun tries fubjeci to certain peculiarities; an agreement with, or material deviation from which, confiitutes the local idea of beauty or deformity. I fay local, becaufe it does not appear that there are any fixed or pofitive ideas of either; if there were, they mufi neceffarily be the fame every where, which is by no means the fact for they differ fo greatly in different places, that what 18 efieemed a perfec tion in one country, is in another pronounced a defot mity. In China and Morocco, exceffwe corpulency is el'teem ed a beauty and among the vallies of the Alps, the na tives return thanks to God for his partiality to them in decorating their necks with thecomely goiter or craw, here 'late1y {hewn as an object of the mofi {hocking deformity. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780282534165
Category : Art
Languages : en
Pages : 50
Book Description
Excerpt from Rules for Drawing Caricaturas: With an Essay on Comic Painting The features of the human face, and the form and proportions of the body and limbs are in particular coun tries fubjeci to certain peculiarities; an agreement with, or material deviation from which, confiitutes the local idea of beauty or deformity. I fay local, becaufe it does not appear that there are any fixed or pofitive ideas of either; if there were, they mufi neceffarily be the fame every where, which is by no means the fact for they differ fo greatly in different places, that what 18 efieemed a perfec tion in one country, is in another pronounced a defot mity. In China and Morocco, exceffwe corpulency is el'teem ed a beauty and among the vallies of the Alps, the na tives return thanks to God for his partiality to them in decorating their necks with thecomely goiter or craw, here 'late1y {hewn as an object of the mofi {hocking deformity. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
RULES FOR DRAWING CARICATURAS
Author: Francis 1731?-1791 Grose
Publisher: Wentworth Press
ISBN: 9781362982678
Category : History
Languages : en
Pages : 86
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Wentworth Press
ISBN: 9781362982678
Category : History
Languages : en
Pages : 86
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Monthly review. New and improved ser
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 738
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 738
Book Description