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Author: Christopher Hartop
Publisher: John Adamson Dist A/C
ISBN:
Category : Architecture
Languages : en
Pages : 180
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Book Description
The partnership of Philip Rundell and John Bridge began in London toward the end of the eighteenth century and went on to become the greatest firm of goldsmiths, jewelers and medalists of the age. Its stable of distinguished artists, headed by the sculptor John Flaxman, was the driving force in the adoption of a new imperial style
Author: Christopher Hartop
Publisher: John Adamson Dist A/C
ISBN:
Category : Architecture
Languages : en
Pages : 180
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Book Description
The partnership of Philip Rundell and John Bridge began in London toward the end of the eighteenth century and went on to become the greatest firm of goldsmiths, jewelers and medalists of the age. Its stable of distinguished artists, headed by the sculptor John Flaxman, was the driving force in the adoption of a new imperial style
Author: John F. Cherry
Publisher: University of Toronto Press
ISBN: 9780802077110
Category : Art
Languages : en
Pages : 76
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Book Description
Explains the connection between goldsmiths and monasteries, describes the work of goldsmiths, and looks at their materials, methods, and finished work
Author: Worshipful Company of Goldsmiths
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 466
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Book Description
Author:
Publisher:
ISBN:
Category : Goldwork
Languages : en
Pages : 636
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Book Description
Author: John Cherry
Publisher:
ISBN: 9780714128238
Category : Art metal-work, Medieval
Languages : en
Pages : 0
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Book Description
Goldsmiths were among the most highly regarded craftsmen in the medieval world, making extravagant objects from precious gold and silver, often enriched with rare stones and engraved gems. As well as royal and aristocratic patrons, much of their work was created for the Church, as it was thought that 'such display praised God'. For this reason many pieces that survive today were preserved in the treasuries of churches, where they escaped the ravages of history. In this wonderfully illustrated book, John Cherry explores the goldsmith's craft through works in the British Museum and from collections around the world. The British Museum holds some of the most splendid examples of medieval goldsmiths' work in the world, including the peerless Royal Gold Cup. With a description of the craft, its reputation in medieval times, and the raw materials used, the author offers an intriguing introduction to the expertise of the workmanship and the success of the trade. Who were the goldsmiths? Who did they work for? What influenced them, and how much freedom were they given to design? These questions and others are explored in this classic book, now redesigned in a lovely new format and illustrated throughout with new colour photography.
Author: Sir Charles James Jackson
Publisher:
ISBN:
Category : Goldsmiths
Languages : en
Pages : 778
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Book Description
Author: Elizabeth Ferry
Publisher: University of Toronto Press
ISBN: 1487517343
Category : Social Science
Languages : en
Pages : 217
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Book Description
Why do people single out gold, sapphires, diamonds, and other minerals as particularly “precious”? What makes precious minerals “precious”? Drawing from ethnographic and cross-cultural research, this collection of anthropological essays and case studies answers these questions by exploring humans’ multifaceted relationships with the minerals they deem “precious.” The Anthropology of Precious Minerals addresses the entanglement of humans and minerals, with a particular focus on the practices of scrappers, miners, and hunters as they work to extract value. The editors draw from history, archaeology, and ethnography, and remind us that “preciousness” must always be understood in relation to complex cultural, political-economic, and semiotic systems of value.
Author: William Chaffers
Publisher:
ISBN:
Category : Hallmarks
Languages : en
Pages : 484
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Book Description
Author: Emily Kelley
Publisher: Routledge
ISBN: 1351171348
Category : Religion
Languages : en
Pages : 217
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Book Description
Offering snapshots of mercantile devotion to saints in different regions, this volume is the first to ask explicitly how merchants invoked saints, and why. Despite medieval and modern stereotypes of merchants as godless and avaricious, medieval traders were highly devout – and rightly so. Overseas trade was dangerous, and merchants’ commercial activities were seen as jeopardizing their souls. Merchants turned to saints for protection and succor, identifying those most likely to preserve their goods, families, reputations, and souls. The essays in this collection, written from diverse angles, range across later medieval western Europe, from Spain to Italy to England and the Hanseatic League. They offer a multi-disciplinary examination of the ways that medieval merchants, from petty traders to influential overseas wholesalers, deployed the cults of saints. Three primary themes are addressed: danger, community, and the unity of spiritual and cultural capital. Each of these themes allows the international panel of contributors to demonstrate the significant role of saints in mercantile life. This book is unique in its exploration of saints and commerce, shedding light on the everyday role religion played in medieval life. As such, it will be of keen interest to scholars of religious history, medieval history, art history, and literature.
Author: Iris Moon
Publisher: Penn State Press
ISBN: 0271093080
Category : Art
Languages : en
Pages : 471
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Book Description
When Louis XVI was guillotined on January 21, 1793, vast networks of production that had provided splendor and sophistication to the royal court were severed. Although the king’s royal possessions—from drapery and tableware to clocks and furniture suites—were scattered and destroyed, many of the artists who made them found ways to survive. This book explores the fabrication, circulation, and survival of French luxury after the death of the king. Spanning the final years of the ancien régime from the 1790s to the first two decades of the nineteenth century, this richly illustrated book positions luxury within the turbulent politics of dispersal, disinheritance, and dispossession. Exploring exceptional works created from silver, silk, wood, and porcelain as well as unrealized architectural projects, Iris Moon presents new perspectives on the changing meanings of luxury in the revolutionary and Napoleonic periods, a time when artists were forced into hiding, exile, or emigration. Moon draws on her expertise as a curator to revise conventional accounts of the so-called Louis XVI style, arguing that it was only after the revolutionary auctions liquidated the king’s collections that their provenance accrued deeper cultural meanings as objects with both a royal imprimatur and a threatening reactionary potential. Lively and accessible, this thought-provoking study will be of interest to curators, art historians, scholars, and students of the decorative arts as well as specialists in the French Revolution.
