Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 42
Book Description
Die schottische Romanze "Roswall and Lillian", I. u. II.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 42
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 42
Book Description
Roswall and Lillian
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
The Impetus of Amateur Scholarship
Author: Monica Santini
Publisher: Peter Lang
ISBN: 9783034303286
Category : Foreign Language Study
Languages : en
Pages : 260
Book Description
Three quarters of what is now considered the corpus of Middle English romances were recovered and edited between the 1760s and the 1860s by a handful of dilettante scholars (from Thomas Percy to Frederick J. Furnivall) whose progress in the understanding of the texts and of the time in which they were written follows paths very different from those of modern textual and philological analysis. The present volume describes and discusses more than one hundred primary sources (collections, editions, dissertations, and marginal writings such as glosses and introductions) in order to provide a picture of the infancy of the study of medieval romance in Britain. The volume is arranged as a chronological review of the amateur scholars and their editorial and critical practices and it was conceived as a reference book, providing a complete list of the romances edited in the period considered and information about single texts and their manuscript and printed versions. The author offers a picture of the first steps towards the gradual rehabilitation of a genre that had been despised for more than two centuries and its inclusion in the literary canon. Her discussion illuminates several aspects of the transmission and reshaping of the medieval culture in the nineteenth century and constitutes a contribution to the desideratum of a history of medieval studies.
Publisher: Peter Lang
ISBN: 9783034303286
Category : Foreign Language Study
Languages : en
Pages : 260
Book Description
Three quarters of what is now considered the corpus of Middle English romances were recovered and edited between the 1760s and the 1860s by a handful of dilettante scholars (from Thomas Percy to Frederick J. Furnivall) whose progress in the understanding of the texts and of the time in which they were written follows paths very different from those of modern textual and philological analysis. The present volume describes and discusses more than one hundred primary sources (collections, editions, dissertations, and marginal writings such as glosses and introductions) in order to provide a picture of the infancy of the study of medieval romance in Britain. The volume is arranged as a chronological review of the amateur scholars and their editorial and critical practices and it was conceived as a reference book, providing a complete list of the romances edited in the period considered and information about single texts and their manuscript and printed versions. The author offers a picture of the first steps towards the gradual rehabilitation of a genre that had been despised for more than two centuries and its inclusion in the literary canon. Her discussion illuminates several aspects of the transmission and reshaping of the medieval culture in the nineteenth century and constitutes a contribution to the desideratum of a history of medieval studies.
The English and Scottish Popular Ballads
Author: Francis James Child
Publisher: Courier Corporation
ISBN: 0486145891
Category : Literary Collections
Languages : en
Pages : 642
Book Description
This 19th-century collection compiles all the extant ballads with all known variants and features Child's commentaries. Includes Parts IX and X of the original set — ballads 266-305 — plus indexes, glossary.
Publisher: Courier Corporation
ISBN: 0486145891
Category : Literary Collections
Languages : en
Pages : 642
Book Description
This 19th-century collection compiles all the extant ballads with all known variants and features Child's commentaries. Includes Parts IX and X of the original set — ballads 266-305 — plus indexes, glossary.
The Press and the People
Author: Adam Fox
Publisher:
ISBN: 0198791291
Category : History
Languages : en
Pages : 466
Book Description
This groundbreaking study examines the production of ephemeral literature and the creation of a mass reading public in lowland Scotland between the sixteenth and eighteenth centuries. The Press and the People transforms our understanding of popular culture in early modern Scotland and Britain more widely.
Publisher:
ISBN: 0198791291
Category : History
Languages : en
Pages : 466
Book Description
This groundbreaking study examines the production of ephemeral literature and the creation of a mass reading public in lowland Scotland between the sixteenth and eighteenth centuries. The Press and the People transforms our understanding of popular culture in early modern Scotland and Britain more widely.
The English and Scottish Popular Ballads
Author: Francis James Child
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 306
Book Description
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 306
Book Description
Handbook to the Popular, Poetical and Dramatic Literature of Great Britain
Author: William Carew Hazlitt
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 732
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 732
Book Description
Hand-book to the Popular, Poetical, and Dramatic Literature of Grait Britain, from the Invention of Printing to the Restoration. By W. Carew Hazlitt
Author: William Carew Hazlitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 724
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 724
Book Description
The Bibliographer's Manual of English Literature
Author: William Thomas Lowndes
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 970
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 970
Book Description
The English Romance in Time
Author: Helen Cooper
Publisher: OUP Oxford
ISBN: 0191530271
Category : Literary Criticism
Languages : en
Pages : 560
Book Description
The English Romance in Time is a study of English romance across the Middle Ages and the Renaissance. It explores romance motifs - quests and fairy mistresses, passionate heroines and rudderless boats and missing heirs - from the first emergence of the genre in French and Anglo-Norman in the twelfth century down to the early seventeenth. This is a continuous story, since the same romances that constituted the largest and most sophisticated body of secular fiction in the Middle Ages went on to enjoy a new and vibrant popularity at all social levels in black-letter prints as the pulp fiction of the Tudor age. This embedded culture was reworked for political and Reformation propaganda and for the 'writing of England', as well as providing a generous reservoir of good stories and dramatic plots. The different ways in which the same texts were read over several centuries, or the same motifs shifted meaning as understanding and usage altered, provide a revealing and sensitive measure of historical and cultural change. The book accordingly looks at those processes of change as well as at how the motifs themselves work, to offer a historical semantics of the language of romance conventions. It also looks at how politics and romance intersect - the point where romance comes true. The historicizing of the study of literature is belatedly leading to a wider recognition that the early modern world is built on medieval foundations. This book explores both the foundations and the building. Similarly, generic theory, which previously tended to operate on transhistorical assumptions, is now acknowledging that genre interacts crucially with cultural context - with changing audiences and ideologies and means of dissemination. The generation into which Spenser and Shakespeare were born was the last to be brought up on a wide range of medieval romances in their original forms, and they could therefore exploit their generic codings in new texts aimed at both elite and popular audiences. Romance may since then have lost much of its cultural centrality, but the universal appeal of these same stories has continued to fuel later works from Bunyan's Pilgrim's Progress to C.S. Lewis and Tolkien.
Publisher: OUP Oxford
ISBN: 0191530271
Category : Literary Criticism
Languages : en
Pages : 560
Book Description
The English Romance in Time is a study of English romance across the Middle Ages and the Renaissance. It explores romance motifs - quests and fairy mistresses, passionate heroines and rudderless boats and missing heirs - from the first emergence of the genre in French and Anglo-Norman in the twelfth century down to the early seventeenth. This is a continuous story, since the same romances that constituted the largest and most sophisticated body of secular fiction in the Middle Ages went on to enjoy a new and vibrant popularity at all social levels in black-letter prints as the pulp fiction of the Tudor age. This embedded culture was reworked for political and Reformation propaganda and for the 'writing of England', as well as providing a generous reservoir of good stories and dramatic plots. The different ways in which the same texts were read over several centuries, or the same motifs shifted meaning as understanding and usage altered, provide a revealing and sensitive measure of historical and cultural change. The book accordingly looks at those processes of change as well as at how the motifs themselves work, to offer a historical semantics of the language of romance conventions. It also looks at how politics and romance intersect - the point where romance comes true. The historicizing of the study of literature is belatedly leading to a wider recognition that the early modern world is built on medieval foundations. This book explores both the foundations and the building. Similarly, generic theory, which previously tended to operate on transhistorical assumptions, is now acknowledging that genre interacts crucially with cultural context - with changing audiences and ideologies and means of dissemination. The generation into which Spenser and Shakespeare were born was the last to be brought up on a wide range of medieval romances in their original forms, and they could therefore exploit their generic codings in new texts aimed at both elite and popular audiences. Romance may since then have lost much of its cultural centrality, but the universal appeal of these same stories has continued to fuel later works from Bunyan's Pilgrim's Progress to C.S. Lewis and Tolkien.