Author: Thomas Lodge
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 230
Book Description
Rosalynde
Author: Thomas Lodge
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 230
Book Description
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 230
Book Description
Lodge's 'Rosalynde,'
Author: Thomas Lodge
Publisher:
ISBN:
Category : Rosalind (Fictitious character)
Languages : en
Pages : 254
Book Description
Publisher:
ISBN:
Category : Rosalind (Fictitious character)
Languages : en
Pages : 254
Book Description
Thomas Lodge: Rosalynd
Author: Brian Nellist
Publisher: Edinburgh University Press
ISBN: 1474471250
Category : Literary Criticism
Languages : en
Pages : 129
Book Description
A book on Thomas Lodge's Rosalynd.
Publisher: Edinburgh University Press
ISBN: 1474471250
Category : Literary Criticism
Languages : en
Pages : 129
Book Description
A book on Thomas Lodge's Rosalynd.
Rosalynde; Or, Euphues' Golden Legacy
Author: Thomas Lodge
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 200
Book Description
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 200
Book Description
A Feminist Companion to Shakespeare
Author: Dympna Callaghan
Publisher: John Wiley & Sons
ISBN: 1118501268
Category : Literary Criticism
Languages : en
Pages : 581
Book Description
The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare. Provides the definitive feminist statement on Shakespeare for the 21st century Updates address some of the newest theatrical andcreative engagements with Shakespeare, offering fresh insights into Shakespeare’s plays and poems, and gender dynamics in early modern England Contributors come from across the feminist generations and from various stages in their careers to address what is new in the field in terms of historical and textual discovery Explores issues vital to feminist inquiry, including race, sexuality, the body, queer politics, social economies, religion, and capitalism In addition to highlighting changes, it draws attention to the strong continuities of scholarship in this field over the course of the history of feminist criticism of Shakespeare The previous edition was a recipient of a Choice Outstanding Academic Title award; this second edition maintains its coverage and range, and bringsthe scholarship right up to the present day
Publisher: John Wiley & Sons
ISBN: 1118501268
Category : Literary Criticism
Languages : en
Pages : 581
Book Description
The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare. Provides the definitive feminist statement on Shakespeare for the 21st century Updates address some of the newest theatrical andcreative engagements with Shakespeare, offering fresh insights into Shakespeare’s plays and poems, and gender dynamics in early modern England Contributors come from across the feminist generations and from various stages in their careers to address what is new in the field in terms of historical and textual discovery Explores issues vital to feminist inquiry, including race, sexuality, the body, queer politics, social economies, religion, and capitalism In addition to highlighting changes, it draws attention to the strong continuities of scholarship in this field over the course of the history of feminist criticism of Shakespeare The previous edition was a recipient of a Choice Outstanding Academic Title award; this second edition maintains its coverage and range, and bringsthe scholarship right up to the present day
Alarum Against Usurers
Author: Thomas Lodge
Publisher:
ISBN: 9781018063294
Category : Business & Economics
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781018063294
Category : Business & Economics
Languages : en
Pages : 0
Book Description
Thomas Lodge
Author: Charles C. Whitney
Publisher: Routledge
ISBN: 1351879073
Category : Literary Criticism
Languages : en
Pages : 568
Book Description
Thomas Lodge was the most versatile of the pioneering professional writers of the English Renaissance, experimenting in an astonishing variety of forms. His long, eventful, and well-documented life makes him one of the most individualized figures of his age, and yet also one of the most representative. This is the first-ever collection of Lodge scholarship. It comprises a selection of the best and most important biographical and critical work, ranging from 1932 to 2008 and including first-time English translations. Charles Whitney's discerning introduction discusses each article or book chapter in the context of Lodge scholarship and beyond, and is supplemented by a bibliography of additional material. This unique collection offers a distinctive vantage on both Lodge and many current topics in Renaissance and early modern studies such as humanism, republicanism, romance, intertextuality, plagiarism, gender, colonization, Shakespearean sources, the histories of print and of reading, authorship, and English Catholicism and religious conflict.
Publisher: Routledge
ISBN: 1351879073
Category : Literary Criticism
Languages : en
Pages : 568
Book Description
Thomas Lodge was the most versatile of the pioneering professional writers of the English Renaissance, experimenting in an astonishing variety of forms. His long, eventful, and well-documented life makes him one of the most individualized figures of his age, and yet also one of the most representative. This is the first-ever collection of Lodge scholarship. It comprises a selection of the best and most important biographical and critical work, ranging from 1932 to 2008 and including first-time English translations. Charles Whitney's discerning introduction discusses each article or book chapter in the context of Lodge scholarship and beyond, and is supplemented by a bibliography of additional material. This unique collection offers a distinctive vantage on both Lodge and many current topics in Renaissance and early modern studies such as humanism, republicanism, romance, intertextuality, plagiarism, gender, colonization, Shakespearean sources, the histories of print and of reading, authorship, and English Catholicism and religious conflict.
Rewriting Shakespeare’s Plays For and By the Contemporary Stage
Author: Michael Dobson
Publisher: Cambridge Scholars Publishing
ISBN: 1443878707
Category : Art
Languages : en
Pages : 195
Book Description
Why have contemporary playwrights been obsessed by Shakespeare’s plays to such an extent that most of the canon has been rewritten by one rising dramatist or another over the last half century? Among other key figures, Edward Bond, Heiner Müller, Carmelo Bene, Arnold Wesker, Tom Stoppard, Howard Barker, Botho Strauss, Tim Crouch, Bernard Marie Koltès, and Normand Chaurette have all put their radical originality into the service of adapting four-century-old classics. The resulting works provide food for thought on issues such as Shakespearean role-playing, narrative and structural re-shuffling. Across the world, new writers have questioned the political implications and cultural stakes of repeating Shakespeare with and without a difference, finding inspiration in their own national experiences and in the different ordeals they have undergone. How have our contemporaries carried out their rewritings, and with what aims? Can we still play Hamlet, for instance, as Dieter Lesage asks in his book bearing this title, or do we have to “kill Shakespeare” as Normand Chaurette implies in a work where his own creative process is detailed? What do these rewritings really share with their sources? Are they meaningful only because of Shakespeare’s shadow haunting them? Where do we draw the lines between “interpretation,” “adaptation” and “rewriting”? The contributors to this collection of essays examine modern rewritings of Shakespeare from both theoretical and pragmatic standpoints. Key questions include: can a rewriting be meaningful without the reader’s or spectator’s already knowing Shakespeare? Do modern rewritings supplant Shakespeare’s texts or curate them? Does the survival of Shakespeare in the theatrical repertory actually depend on the continued dramatization of our difficult encounters with these potentially obsolete scripts represented by rewriting?
Publisher: Cambridge Scholars Publishing
ISBN: 1443878707
Category : Art
Languages : en
Pages : 195
Book Description
Why have contemporary playwrights been obsessed by Shakespeare’s plays to such an extent that most of the canon has been rewritten by one rising dramatist or another over the last half century? Among other key figures, Edward Bond, Heiner Müller, Carmelo Bene, Arnold Wesker, Tom Stoppard, Howard Barker, Botho Strauss, Tim Crouch, Bernard Marie Koltès, and Normand Chaurette have all put their radical originality into the service of adapting four-century-old classics. The resulting works provide food for thought on issues such as Shakespearean role-playing, narrative and structural re-shuffling. Across the world, new writers have questioned the political implications and cultural stakes of repeating Shakespeare with and without a difference, finding inspiration in their own national experiences and in the different ordeals they have undergone. How have our contemporaries carried out their rewritings, and with what aims? Can we still play Hamlet, for instance, as Dieter Lesage asks in his book bearing this title, or do we have to “kill Shakespeare” as Normand Chaurette implies in a work where his own creative process is detailed? What do these rewritings really share with their sources? Are they meaningful only because of Shakespeare’s shadow haunting them? Where do we draw the lines between “interpretation,” “adaptation” and “rewriting”? The contributors to this collection of essays examine modern rewritings of Shakespeare from both theoretical and pragmatic standpoints. Key questions include: can a rewriting be meaningful without the reader’s or spectator’s already knowing Shakespeare? Do modern rewritings supplant Shakespeare’s texts or curate them? Does the survival of Shakespeare in the theatrical repertory actually depend on the continued dramatization of our difficult encounters with these potentially obsolete scripts represented by rewriting?
Shakespeare in the Marketplace of Words
Author: Jonathan P. Lamb
Publisher: Cambridge University Press
ISBN: 1107193311
Category : Drama
Languages : en
Pages : 257
Book Description
This book explores the words, forms, and styles Shakespeare used to interact with the verbal marketplace of early modern England.
Publisher: Cambridge University Press
ISBN: 1107193311
Category : Drama
Languages : en
Pages : 257
Book Description
This book explores the words, forms, and styles Shakespeare used to interact with the verbal marketplace of early modern England.
Phillis
Author: Thomas Lodge
Publisher:
ISBN:
Category : Sonnets, English
Languages : en
Pages : 180
Book Description
Publisher:
ISBN:
Category : Sonnets, English
Languages : en
Pages : 180
Book Description