Author: The Team
Publisher: Bloomsbury Publishing
ISBN: 1783198184
Category : Drama
Languages : en
Pages : 68
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Book Description
On a hallucinatory road trip from the Badland to Graceland, the spirits of Theodore Roosevelt and Elvis Presley battle over the soul of Ann, a painfully shy meat-processing plant worker. Set against the boundless blue skies of the Great Plains and endless American highway, RoosevElvis is a new work about gender, appetite, and the multitudes we contain.
Author: Iwan Morgan
Publisher: Bloomsbury Publishing
ISBN: 0755602080
Category : Political Science
Languages : en
Pages : 281
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Book Description
Presidential Image has become an integral part of the campaign, presidency and legacy of Modern American presidents. Across the 20th century to the age of Trump, presidential image has dominated media coverage and public consciousness, winning elections, gaining support for their leadership in office and shaping their reputation in history. Is the creation of the presidential image part of a carefully conceived public relations strategy or result of the president's critics and opponents? Can the way the media interpret a presidents' actions and words alter their image? And how much influence do cultural outputs contribute to the construction of a presidential image? Using ten presidential case studies. this edited collection features contributions from scholars and political journalists from the UK and America, to analyse aspects of Presidential Image that shaped their perceived effectiveness as America's leader, and to explore this complex, controversial, and continuous element of modern presidential politics.
Author: Rachel Anderson-Rabern
Publisher: Northwestern University Press
ISBN: 0810141477
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
Staging Process examines contemporary collective creation practices, with particular focus on the work of four third wave American performance ensembles: Goat Island, Elevator Repair Service, Nature Theater of Oklahoma, and the TEAM. The book examines ways in which these groups create blueprints for developing collaborative performance, entwining methodology with emerging performance aesthetics. Rachel Anderson-Rabern explores the ideas of boredom and quotidian employment that permeate particular performance projects. Using Henri Lefebvre’s concepts of work roles within everyday philosophy, she demonstrates that collective creation gives rise to new economies of performance. The book also presents theories of the political stakes of danced gestural forms in performance, informed by Giorgio Agamben’s writings on gesture, and elaborates the ways in which these ensembles make use of durational performance to posit ethical frameworks: ways of living in the world. Conversing with the ideas of Paul Virilio and Guy Debord among others, Anderson- Rabern claims that these groups posit new models of aesthetic politics through careful, speed-based investigations of construction and destruction that unearth the powerful potential of contemporary collaborative methods to be at once aesthetically minded, ethically driven, and politically engaged.
Author: The Team
Publisher: Bloomsbury Publishing
ISBN: 1783196890
Category : Performing Arts
Languages : en
Pages : 453
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Book Description
Includes the plays: Give Up! Start Over! (In the darkest of times I look to Richard Nixon for hope); A Thousand Natural Shocks; Particularly in the Heartland; Architecting; Mission Drift. Founded in 2004, the TEAM is an internationally-acclaimed Brooklyn-based collaborative ensemble. Once described as “Gertrude Stein meets MTV,” the TEAM's mission is to make new work about the experience of living in America today. Released in celebration of the company's 10th anniversary, Five Plays by the TEAM includes a timeline of events, exclusive production and rehearsal images, personal introductions to the plays by members of the company, and a foreword by John Tiffany (Blackwatch, Once).
Author: Barbara Simonsen
Publisher: Bloomsbury Publishing
ISBN: 1474291996
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
What are the key elements that go into creating a work of art for the stage? Which are the most productive conditions and methods of rehearsal? In this collection of interviews, 18 international artists share their experience and offer practical advice on the creation of performance work. Their answers provide a goldmine of tried and tested approaches as they discuss the common problems and difficulties of creative work, their turning-point experiences, and ways in which they have challenged performers and themselves to go beyond conditioned reflexes to create groundbreaking new work.
Author: M.J. Harding
Publisher: Bloomsbury Publishing
ISBN: 1786820692
Category : Drama
Languages : en
Pages : 105
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Book Description
Mo is 31. He works in an immigration removal centre. He’s a Detention Officer. He wears a shirt, a tie, and sometimes even trousers. He’s from Bishops Stortford. Mo’s in trouble. Mo’s in love. Dangerous and unsettling, beautiful and hilarious, Removal Men is a play with live music and songs. It tells the story of a fragmented 21st century Britain, trying to be powerful, trying to love, trying to escape.
Author: Damon Kiely
Publisher: Routledge
ISBN: 1351053752
Category : Performing Arts
Languages : en
Pages : 142
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Book Description
Based on interviews with over forty award-winning artists, How to Rehearse a Play offers multiple solutions to the challenges that directors face from first rehearsal to opening night. The book provides a wealth of information on how to run a rehearsal room, suggesting different paths and encouraging directors to shape their own process. It is divided into four sections: lessons from the past: a brief survey of influential directors, including Stanislavski’s acting methods and Anne Bogart’s theories on movement; a survey of current practices: practical advice on launching a process, analyzing scripts, crafting staging, detailing scene work, collaborating in technical rehearsals and previews, and opening the play to the public; rehearsing without a script: suggestions, advice, and exercises for devising plays through collaborative company creation; rehearsal workbook: prompts and exercises to help directors discover their own process. How to Rehearse a Play is the perfect guide for any artist leading their first rehearsal, heading to graduate school for intense study, or just looking for ways to refresh and reinvigorate their artistry.
Author: Chris Thorpe
Publisher: Bloomsbury Publishing
ISBN: 1786826100
Category : Performing Arts
Languages : en
Pages : 52
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Book Description
Status is a show about someone who doesn't want his any more. About running away from the national story you're given. About who is responsible for that story and what might happen to it if you give it up. A globe-spanning journey of attempted escape, with songs along the way. Status springs from conversations about who we might be, and whether your country needs you more than you might need it. A new show from the multi Fringe First winning team that created Confirmation: written and performed by Chris Thorpe (Unlimited Theatre, Third Angel) developed with and directed by Rachel Chavkin (The TEAM).
Author: Damon Kiely
Publisher: Routledge
ISBN: 1317283627
Category : Performing Arts
Languages : en
Pages : 174
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Book Description
How to Read a Play outlines the cruicial work required for a play before the first rehearsal, the first group reading or even the before the cast have met. Directors and dramaturgs must know how to analyze, understand and interpret a play or performance text if they hope to bring it to life on the stage. This book provides a broad range of tools and methods that can be used when reading a text, including: Lessons from the past. What can we learn from Aristotle, Stanislavsky, Meyerhold, Vakhtangov, Brecht and Harold Clurman? This section establishes the models and methods that underpin much of a director’s work today. A survey of current practices in Western theatre. A combination of research, interviews and observation of practical work addresses the main stages in understanding a play, such as getting to know characters, sharing ideas, mapping the action and grappling with language. A workbook, setting out twenty one ways of breaking down a play, from the general to the particular. Contributions, reflections and interjections from a host of successful directors make this the ideal starting point for anyone who wants to direct a play, or even devise one of their own. This wide range of different approaches, options and techniques allows each reader to create their own brand of play analysis.
Author: Caridad Svich
Publisher: Bloomsbury Publishing
ISBN: 1350241083
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
Featuring conversations with theatre makers in the US and UK during the first 8 months of the Covid-19 lockdown, this collection reveals the innovations in digital theatre as artists, companies and theatres had to adjust to the restrictions and formulate new ways of working and reaching audiences. Besides documenting in their own words the work that was generated, this book captures the artists' dreams for a new post-Covid reality in which theatre is reimagined and issues of racial and economic injustice are addressed. With conversations grouped under 5 broad areas, a host of theatre makers candidly discuss the present and the future of theatre: * R/evolution: How should theatre evolve rather than re-set? What kind of field could this be, if the arts sector is to survive in the US and UK and if white supremacist, classist, ableist, and patriarchal structures are dismantled, and acts of regeneration and reformation occur? * What does theatre look like at the local and hyper-local level and when working with young people and communities at risk? * What are the challenges of creating work in the digital realm and/or exploring socially distanced performance in new ways? * How may theatre address social inequalities and be a place for acts of political and artistic resistance? How has the pandemic galvanised their commitments to communities, arts advocacy, use of languages on the stage and page, and considerations of the living archive? * Acts of communion with audiences, readers, fellow artists, students, and within ensembles and collectives. How do we find new ways to gather and make when liveness and the shared experience are challenged?
