Roosevelt's Blues: AfricanAmerican Blues and Gospel Songs on FDR PDF Download
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Author: Guido van Rijn
Publisher: Univ. Press of Mississippi
ISBN: 9781604731651
Category : African Americans
Languages : en
Pages : 316
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Book Description
Author: Guido van Rijn
Publisher: Univ. Press of Mississippi
ISBN: 9781604731651
Category : African Americans
Languages : en
Pages : 316
Get Book Here
Book Description
Author: Alex van der Tuuk
Publisher:
ISBN: 9789082657067
Category :
Languages : en
Pages : 0
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Book Description
Fifty-eight updated biographies of Paramount blues artists with sensational new information based on years of research. Some of the artists covered by the New Paramount Book of Blues recorded prolifically during the 1920s and 1930s; others cut less than a handful of songs. Some of them recorded exclusively for Paramount; others also made records for other companies. Most of them have received less attention than the likes of Charlie Patton, Skip James and Tommy Johnson (all Paramount recording artists) or Bukka White, John Hurt and Robert Wilkins, who recorded elsewhere.00In the "rediscovery" days of the 1960s and later, some Paramount artists were not considered interesting enough to bother with; others, like Freddie Spruell, seemed to have vanished from the earth. Ike Rodgers and Bessie Mae Smith died too soon to encounter researchers; Joel Taggart, Will Ezell, Charlie McFadden, Elzadie Robinson and others were still around, but received no attention until long after their deaths. We still do not know for certain when and where Charlie Spand and Willard "Ramblin?" Thomas died.00New information is presented on all these artists, and on others, including Willie Brown, Piano Kid Edwards, Walter Hawkins, Bo Weavil Jackson and Blind Joe Reynolds. There are a few previously published biographies included, like those of Joel Taggart and the Graves Brothers, but most are being seen here for the first time.00Inevitably, first-hand information about Paramount blues artists and their lives has almost dried up with the passage of time, but the internet has made it possible to fill in many blanks, and sometimes to a surprising extent.
Author: Guido van Rijn
Publisher: Univ. Press of Mississippi
ISBN: 1628469315
Category : Music
Languages : en
Pages : 351
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Book Description
Kennedy's Blues: African American Blues and Gospel Songs on JFK collects in a single volume the blues and gospel songs written by African Americans about the presidency of John F. Kennedy and offers a close analysis of Kennedy's hold upon the African-American imagination. These blues and gospel songs have never been transcribed and analyzed in a systematic way, so this volume provides a hitherto untapped source on the perception of one of the most intriguing American presidents. After eight years of Republican rule, the young Democratic president received a warm welcome from African Americans. However, with the Cold War military draft and the slow pace of civil rights measures, inspiration temporarily gave way to impatience. Dr. Martin Luther King, Jr., Medgar Evers, the March on Washington, and the groundbreaking civil rights bill all found their way into blues and gospel songs. The many blues numbers devoted to the assassination and the president's legacy are evidence of JFK's near-canonization by African Americans. Blues historian Guido van Rijn shows that John F. Kennedy became a mythical hero to blues songwriters despite what was left unaccomplished.
Author: Sue Thrasher
Publisher: The Institute for Southern Studies
ISBN:
Category :
Languages : en
Pages : 227
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Book Description
Author: Lawrence W. Levine
Publisher: Univ of California Press
ISBN: 0520265548
Category : Biography & Autobiography
Languages : en
Pages : 286
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Book Description
Selected letters originally published in The people and the president, c2002 by Beacon Press.
Author: Allan Moore
Publisher: Cambridge University Press
ISBN: 1107494532
Category : Music
Languages : en
Pages : 238
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Book Description
From Robert Johnson to Aretha Franklin, Mahalia Jackson to John Lee Hooker, blues and gospel artists figure heavily in the mythology of twentieth-century culture. The styles in which they sang have proved hugely influential to generations of popular singers, from the wholesale adoptions of singers like Robert Cray or James Brown, to the subtler vocal appropriations of Mariah Carey. Their own music, and how it operates, is not, however, always seen as valid in its own right. This book provides an overview of both these genres, which worked together to provide an expression of twentieth-century black US experience. Their histories are unfolded and questioned; representative songs and lyrical imagery are analysed; perspectives are offered from the standpoint of the voice, the guitar, the piano, and also that of the working musician. The book concludes with a discussion of the impact the genres have had on mainstream musical culture.
Author: Robert Ford
Publisher: Routledge
ISBN: 1135865078
Category : Music
Languages : en
Pages : 2397
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Book Description
A Blues Bibliography, Second Edition is a revised and enlarged version of the definitive blues bibliography first published in 1999. Material previously omitted from the first edition has now been included, and the bibliography has been expanded to include works published since then. In addition to biographical references, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations and lyric transcriptions and musical analysis. The Blues Bibliography is an invaluable guide to the enthusiastic market among libraries specializing in music and African-American culture and among individual blues scholars.
Author: John Minton
Publisher: Univ. Press of Mississippi
ISBN: 1604733276
Category : Music
Languages : en
Pages : 299
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Book Description
When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key “hillbilly” and “race” records released between the 1920s and World War II. In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and R&B, honky-tonk and western swing, gospel, soul, and rock 'n' roll. These old-time records preserve the work of some of America's greatest musical geniuses such as Jimmie Rodgers, Robert Johnson, Charlie Poole, and Blind Lemon Jefferson. They are also crucial mile markers in the course of American popular music and the growth of the modern recording industry. When these records first circulated, the very notion of recorded music was still a novelty. All music had been created live and tied to particular, intimate occasions. How were listeners to understand an impersonal technology like the phonograph record as a musical event? How could they reconcile firsthand interactions and traditional customs with technological innovations and mass media? The records themselves, several hundred of which are explored fully in this book, offer answers in scores of spoken commentaries and skits, in song lyrics and monologues, or other more subtle means.
Author: David Evans
Publisher: University of Illinois Press
ISBN: 0252091124
Category : Music
Languages : en
Pages : 442
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Book Description
This compilation of essays takes the study of the blues to a welcome new level. Distinguished scholars and well-established writers from such diverse backgrounds as musicology, anthropology, musicianship, and folklore join together to examine blues as literature, music, personal expression, and cultural product. Ramblin' on My Mind contains pieces on Ella Fitzgerald, Son House, and Robert Johnson; on the styles of vaudeville, solo guitar, and zydeco; on a comparison of blues and African music; on blues nicknames; and on lyric themes of disillusionment. Contributors are Lynn Abbott, James Bennighof, Katharine Cartwright, Andrew M. Cohen, David Evans, Bob Groom, Elliott Hurwitt, Gerhard Kubik, John Minton, Luigi Monge, and Doug Seroff.
Author: Roger House
Publisher: LSU Press
ISBN: 0807138096
Category : Biography & Autobiography
Languages : en
Pages : 270
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Book Description
A contemporary of blues greats Blind Blake, Tampa Red, and Papa Charlie Jackson, Chicago blues artist William "Big Bill" Broonzy influenced an array of postwar musicians, including Muddy Waters, Memphis Slim, and J. B. Lenoir. In Blue Smoke, Roger House tells the extraordinary story of "Big Bill," a working-class bluesman whose circumstances offer a window into the dramatic social transformations faced by African Americans during the first half of the twentieth century. One in a family of twenty-one children and reared by sharecropper parents in Mississippi, Broonzy seemed destined to stay on the land. He moved to Arkansas to work as a sharecropper, preacher, and fiddle player, but the army drafted him during World War I. After his service abroad, Broonzy, like thousands of other black soldiers, returned to the racism and bleak economic prospects of the Jim Crow South and chose to move North to seek new opportunities. After learning to play the guitar, he performed at neighborhood parties in Chicago and in 1927 attracted the attention of Paramount Records, which released his first single, "House Rent Stomp," backed by "Big Bill's Blues." Over the following decades, Broonzy toured the United States and Europe. He released dozens of records but was never quite successful enough to give up working as a manual laborer. Many of his songs reflect this experience as a blue-collar worker, articulating the struggles, determination, and optimism of the urban black working class. Before his death in 1958, Broonzy finally achieved crossover success as a key player in the folk revival movement led by Pete Seeger and Alan Lomax, and as a blues ambassador to British musicians such as Lonnie Donegan and Eric Clapton. Weaving Broonzy's recordings, writings, and interviews into a compelling narrative of his life, Blue Smoke offers a comprehensive portrait of an artist recognized today as one of the most prolific and influential working-class blues musicians of the era.
