Ronsard and Biblical Tradition PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Ronsard and Biblical Tradition PDF full book. Access full book title Ronsard and Biblical Tradition by Joyce Main Hanks. Download full books in PDF and EPUB format.
Author: Joyce Main Hanks
Publisher: Gunter Narr Verlag
ISBN: 9783878088967
Category : Bible
Languages : en
Pages : 206
Get Book Here
Book Description
Author: Joyce Main Hanks
Publisher: Gunter Narr Verlag
ISBN: 9783878088967
Category : Bible
Languages : en
Pages : 206
Get Book Here
Book Description
Author: Isidore Silver
Publisher: Librairie Droz
ISBN: 9782600031295
Category : French poetry
Languages : en
Pages : 472
Get Book Here
Book Description
Author: Isidore Silver
Publisher:
ISBN:
Category : French poetry
Languages : en
Pages : 440
Get Book Here
Book Description
Author: Isidore Silver
Publisher: Librairie Droz
ISBN: 9782600031806
Category :
Languages : en
Pages : 276
Get Book Here
Book Description
Author: Malcolm Smith
Publisher: Librairie Droz
ISBN: 9782600000994
Category : Allusions in literature
Languages : en
Pages : 148
Get Book Here
Book Description
Author: Malcolm Quainton
Publisher: Manchester University Press
ISBN: 9780719007606
Category :
Languages : en
Pages : 274
Get Book Here
Book Description
Author: Anne-Pascale Pouey-Mounou
Publisher: BRILL
ISBN: 9004438564
Category : Literary Criticism
Languages : en
Pages : 391
Get Book Here
Book Description
The French poets Ronsard and Du Bartas enjoyed a wide but varied reception throughout early modern Europe. This volume is the first book length monograph to study the transnational reception histories of both poets in conjunction with each other.
Author: Phillip John Usher
Publisher: Fordham Univ Press
ISBN: 0823284239
Category : Literary Criticism
Languages : en
Pages : 240
Get Book Here
Book Description
Exterranean concerns the extraction of stuff from the Earth, a process in which matter goes from being sub- to exterranean. By opening up a rich archive of nonmodern texts and images from across Europe, this work offers a bracing riposte to several critical trends in ecological thought. By shifting emphasis from emission to extraction, Usher reorients our perspective away from Earthrise-like globes and shows what is gained by opening the planet to depths within. The book thus maps the material and immaterial connections between the Earth from which we extract, the human and nonhuman agents of extraction, and the extracted matter with which we live daily. Eschewing the self-congratulatory claims of posthumanism, Usher instead elaborates a productive tension between the materially-situated homo of nonmodern humanism and the abstract and aggregated anthropos of the Anthropocene. In dialogue with Michel Serres, Bruno Latour, and other interdisciplinary work in the environmental humanities, Usher shows what premodern material can offer to contemporary theory. Examining textual and visual culture alike, Usher explores works by Ronsard, Montaigne, and Rabelais, early scientific works by Paracelsus and others, as well as objects, engravings, buildings, and the Salt Mines of Wieliczka. Both historicist and speculative in approach, Exterranean lays the groundwork for a comparative ecocriticism that reaches across and untranslates theoretical affordances between periods and languages.
Author: Book Builders LLC.
Publisher: Infobase Publishing
ISBN: 1438108699
Category : Authors, English
Languages : en
Pages : 817
Get Book Here
Book Description
Presents a two-volume A to Z reference on English authors from the sixteenth, seventeenth and eighteenth centuries, providing information about major figures, key schools and genres, biographical information, author publications and some critical analyses.
Author: Roberto E. Campo
Publisher: Unc Department of Romance Studies
ISBN:
Category : Art
Languages : en
Pages : 292
Get Book Here
Book Description
This book examines Ronsard's participation in the heated paragone debate between poets and painters: the Renaissance contest for superiority in the ranking of the arts that emerged in counterpoint to the parity-centered, pseudo-Horatian principle of ut pictura poesis ("as is painting, so is poetry"). The book explores issues that, despite their importance throughout Ronsard's poetry and the writings of leading paragone theorists such as Leone Battista Alberti and Leonardo da Vinci, have remained largely unnoticed. In broadest terms, Roberto Campo investigates the poet's notions about the differences between poems and pictures. More precisely, it examines Ronsard's views on two fundamental preoccupations of the theoretical and practical discussions about the arts during the Renaissance: which mode of expression, word or image, can more accurately and meaningfully represent natural realities and abstract celestial truths; and thus, whose art, the poet's or the painter's, holds the highest station in the hierarchy of human creative endeavor?
