Author: Richard R. Ruppel
Publisher: Camden House
ISBN: 9781571130556
Category : Literary Criticism
Languages : en
Pages : 242
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Survey of the criticism devoted to Gottfried Keller, the important nineteenth-century writer in German. The works of Gottfried Keller (1819-1890) rank alongside those of Goethe and Thomas Mann, yet this volume is the first in any language to examine the critical assessment and scholarly expertise devoted to him, ranging from the early stages of journalistic criticism to the present day. Professor Ruppel begins by exploring the literary industry in the nineteenth century, the literary market place, the tastes of the reading public, and the expectations of editors, before going on to survey representative journalistic assessments of Keller's writing, including critical correspondence from Keller's contemporaries. Subsequent chapters examine in chronological order the most important milestones in Keller scholarship, particularly twentieth-century criticism and the Anglo-American tradition. There is also a brief history of the translations of Keller's works into English, investigating some of the difficulties confronting English translators of Keller's poetically creative German. The study concludes with an overview of recent scholarly assessments covering the past twenty-five years.
Author: Helen Chambers
Publisher: Camden House
ISBN: 9781571133045
Category : Literary Criticism
Languages : en
Pages : 240
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Brings to light unsuspectedly rich sources of humor in the works of prominent nineteenth-century women writers. Nineteenth-century German literature is seldom seen as rich in humor and irony, and women's writing from that period is perhaps even less likely to be seen as possessing those qualities. Yet since comedy is bound to societal norms, and humor and irony are recognized weapons of the weak against authority, what this innovative study reveals should not be surprising: women writers found much to laugh at in a bourgeois age when social constraints, particularlyon women, were tight. Helen Chambers analyzes prose fiction by leading female writers of the day who prominently employ humor and irony. Arguing that humor and irony involve cognitive and rational processes, she highlights the inadequacy of binary theories of gender that classify the female as emotional and the male as rational. Chambers focuses on nine women writers: Annette von Droste-Hülshoff, Ida Hahn-Hahn, Ottilie Wildermuth, Helene Böhlau, Marie vonEbner-Eschenbach, Ada Christen, Clara Viebig, Isolde Kurz, and Ricarda Huch. She uncovers a rich seam of unsuspected or forgotten variety, identifies fresh avenues of approach, and suggests a range of works that merit a place onuniversity reading lists and attention in scholarly studies. Helen Chambers is Professor of German at the University of St Andrews, Scotland, UK.
Author: Gottfried Keller
Publisher: Forgotten Books
ISBN: 9781391100418
Category : Foreign Language Study
Languages : en
Pages : 134
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Excerpt from Romeo Und Julia Auf Dem Dorfe There are readers of German who do not know of Gottfried Keller; to others he is merely a name; others both know and prize him. The last class is daily growing in number. Keller is neither a Shakespeare nor a Goethe. Neither as a poet nor as a man is he great as, in the history of literature, some half-dozen men have been great. Yet in his distinctive field he reigns supreme in German literature at least and as poet and man he is not without merit. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Alexander Sorenson
Publisher: Cornell University Press
ISBN: 1501777122
Category : Literary Criticism
Languages : en
Pages : 150
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Book Description
The Waiting Water addresses one of the most recurrent and troubling motifs in German Realist literature—death by drowning. Characters find themselves before bodies of water, presented with the familiar realm above the surface and the unobservable, uncanny domain beneath it. With somber regularity, they then disappear into the depths. Alexander Sorenson explores the role that these hidden deaths in water play within a literary movement that set out precisely to reveal universal truths about human life. The poetics of submergence, he argues, revolve around two concepts fundamental to Poetic Realism—order and sacrifice. Focusing on texts by Adalbert Stifter, Gottfried Keller, Marie von Ebner-Eschenbach, and Theodor Storm, along with material from earlier and later epochs, The Waiting Water shows that the pervasive symbolism of drowning scenes in German Realism, which typically occur in zones of narrative invisibility on the social periphery, reveals the extent to which realist narrative uses the natural environment to work through deeply embedded and hidden tensions that troubled the social and moral life of the age.
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
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Author: Gottfried Keller
Publisher: Livraria Press
ISBN: 398988803X
Category : Fiction
Languages : en
Pages : 257
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The People of Seldwyla (Die Leute von Seldwyla) is a two-part novella cycle. The first five novellas, Part I, were written by Keller between 1853 and 1855 in Berlin, and they were published in 1856 by the Vieweg Verlag. The subsequent five novellas, Part II, were composed in several stages between 1860 and 1875, primarily during Keller's tenure as State Secretary in Zurich. It comprises ten "life portraits" (the working title during the Berlin phase), interconnected by a shared setting—the fictional Swiss town of Seldwyla. With the exception of "Romeo und Julia auf dem Dorfe," an adaptation of Shakespeare's tragedy, the Seldwyla stories are comedies in novella form, characterized by a strong satirical and grotesque element. Two of the novellas, "Romeo und Julia auf dem Dorfe" and "Kleider machen Leute," hold a place in world literature and are among the most widely read narratives in German-language literature. They have been adapted into films and operas multiple times, translated into numerous languages, and are available in an extensive array of editions. "The People of Seldwyla," is regarded as a masterpiece of 19th-century German narrative art and is representative of the poetic realism style. If one disregards Goethe's writings, the best German book there is: what actually remains of German prose literature that deserves to be read again and again? Lichtenberg's aphorisms, the first book of Jung-Stilling's Lebensgeschichte, Adalbert Stifter's Nachsommer and Gottfried Keller's The people of Seldwyla, - and that will be the end of it for the time being. Nietzsche, Human, All Too Human ("Menschliches, Allzumenschliches") Part I Pankraz, the Schmoller Pankraz, der Schmoller is the first story in Die Leute von Seldwyla, which was published in Braunschweig in 1856. The title character works his way up from a day thief in Seldwyla to a colonel in the French legion, but is unable to find happiness. Romeo and Juliet in the village In this tale, Keller adapted a true incident that he had taken from a newspaper report. Two neighboring farmers live together in harmony until they begin to quarrel over a small piece of land. Frau Regel Amrain and her youngest Frau Regel Amrain und ihr Jüngster is a story from the cycle of novellas Die Leute von Seldwyla, published in Braunschweig in 1856. It is about the education of a boy to become an upright man and citizen. Franz Duncker had the text printed in the Berlin Volks-Zeitung in 1855. Mr Amrain, a former button-maker, had mixed with the speculators of Seldwyl and bought a quarry on the outskirts of the small town. He never quarried any stone, however, but merely speculated on the new property. When a conservative financier saw through the liberal Mr Amrain, he withdrew his capital from the quarry. Mr Amrain then left his wife Regula and their three children in Seldwyla and left for North America. The Three Righteous Comb Makers (Die drei gerechten Kammacher) The story is about three German journeymen craftsmen who work for a master craftsman in Seldwyla, all three of them hardworking, thrifty, frugal, calculating, and conflict-averse. Despite this - or perhaps because of it - they become fierce rivals: each wants to buy the comb-making business, and each wants to marry the same wealthy maiden to do so. A decisive race ensues, which ends badly for two of the Mirror, the kitten (Spiegel das Kätzchen) An animal fable within the tradition of the classical-romantic art fairy tale. His tomcat "Spiegel" (Mirror in German), so called because of his shiny fur, is inclined to philosophical contemplation like Puss Murr and, like Reineke Fuchs (a famous fairy tale by Goethe), possesses the gift of saving his head through tall tales and cunningly contrived intrigues. This novella is one of Keller's best-known tales and has been adapted several times.
Author: Sonja Boos
Publisher: Springer Nature
ISBN: 3030828166
Category : Literary Criticism
Languages : en
Pages : 262
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The Emergence of Neuroscience and the German Novel: Poetics of the Brain revises the dominant narrative about the distinctive psychological inwardness and introspective depth of the German novel by reinterpreting the novel’s development from the perspective of the nascent discipline of neuroscience, the emergence of which is coterminous with the rise of the novel form. In particular, it asks how the novel’s formal properties—stylistic, narrative, rhetorical, and figurative—correlate with the formation of a neuroscientific discourse, and how the former may have assisted, disrupted, and/or intensified the medical articulation of neurological concepts. This study poses the question: how does this rapidly evolving field emerge in the context of nineteenth century cultural practices and what were the conditions for its emergence in the German-speaking world specifically? Where did neuroscience begin and how did it broaden in scope? And most crucially, to what degree does it owe its existence to literature?
Author: Wilhelmine Wissmann Yoakum
Publisher:
ISBN:
Category :
Languages : en
Pages : 198
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Author: Petra Fachinger
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773569553
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
The "margins" in Petra Fachinger's work are occupied largely by second-generation migrant writers from Spain, Italy, and Turkey, German Jewish writers of diverse ethnic origins, and writers born in the GDR. She demonstrates that during the 1980s and 1990s writers from various cultural backgrounds engaged in oppositional discourse to construct their own version of Germany and write back to the German canon. While most studies of texts by minority writers in Germany favour content over form, Fachinger focuses on identifying counter-discursive strategies, and applies postcolonial theory concerned with textual resistance to the German situation. In doing so, this study effectively relates marginal writing in Germany to similar forms of writing in other national and cultural contexts. The oppositional impulse, whether manifested in counter-canonical discourse, postcolonial picaresque, hybridity, rewriting of genre, or grotesque realism, is prompted by the exclusionary politics of the dominant culture. The discursive strategies used by the authors discussed to rewrite Germany expose the assumptions that underlie German public discourse and destabilize notions of Germanness, Jewishness, and Turkishness. Fachinger's reading of texts by marginal writers in Germany, all of whom endeavour to resist marginalization while simultaneously experiencing or even celebrating the margin as a site of empowerment, was motivated by the absence of comparative studies of such writing. Rewriting Germany from the Margins demonstrates the necessity and usefulness of comparative approaches to minority discourses across national and cultural borders.
Author: Gottfried Keller
Publisher: Livraria Press
ISBN: 3989888803
Category : Fiction
Languages : en
Pages : 25
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Book Description
A new translation of Gottfried Keller's Romanticism and the Present (Die Romantik und die Gegenwart) followed by an Afterword by the translator, a timeline of his life and works and an index of his works. Here Keller makes a clear argument that he basically shares the views of the German realists in the field of aesthetics. He argues that poetry requires a favorable terrain or good soil on which its entities can operate and live accordingly but also that every landscape also needs "its poetic inhabitants." Here he elucidates his political philosophy which he dramatically and artistically extrapolates upon in his later works. To Keller, literary moderation results from the historical fact that the liberal revolution of 1848 was successful in Switzerland.
