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Author: Jon Mee
Publisher: Oxford University Press, USA
ISBN: 9780199284788
Category : History
Languages : en
Pages : 342
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Book Description
This study looks at the way writers in the Romantic period, both canonical and popular, attempted to situate themselves in relation to enthusiasm, frequently craving the idea of its therapeutic power, but often also seeking to distinguish their writing from what many regarded as its destructive and pathological power.
Author: Jon Mee
Publisher: Oxford University Press, USA
ISBN: 9780199284788
Category : History
Languages : en
Pages : 342
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Book Description
This study looks at the way writers in the Romantic period, both canonical and popular, attempted to situate themselves in relation to enthusiasm, frequently craving the idea of its therapeutic power, but often also seeking to distinguish their writing from what many regarded as its destructive and pathological power.
Author: Simon Swift
Publisher: A&C Black
ISBN: 9780826486448
Category : Philosophy
Languages : en
Pages : 204
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Book Description
A highly original and well researched monograph covering Romanticism and philosophy, focusing particularly on aesthetics and reason, now available in paperback.
Author: Jon Mee
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
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Book Description
"Although enthusiasm might be thought of as a distinctly Romantic term, this study looks at the way the inherited discourse on enthusiasm structured most writing of the Romantic period. Many of those new to writing as a career in the period took enthusiasm to licence their feelings as a legitimate basis for turning to print. Others took this as an alarming version of the old virus. Few elite writers, Coleridge and Wordsworth included, did not take pains to show they were on the right side of the fence that separated the noble enthusiasm of the poet from either the fanaticism of the crowd or the undisciplined pretensions of hacks and scribblers. Understanding the influence of these processes of regulation and the difficulty faced by writers in clearly articulating the difference Romantic writing was meant to enshrine is at the centre of Romanticism, Enthusiasm, and Regulation."--Résumé de l'éditeur.
Author: Michael O'Neill
Publisher: Taylor & Francis
ISBN: 9780415247252
Category : European literature
Languages : en
Pages : 412
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Book Description
Author: Joel Faflak
Publisher: John Wiley & Sons
ISBN: 1119129613
Category : Literary Criticism
Languages : en
Pages : 440
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Book Description
The Handbook to Romanticism Studies is an accessible and indispensible resource providing students and scholars with a rich array of historical and up-to-date critical and theoretical contexts for the study of Romanticism. Focuses on British Romanticism while also addressing continental and transatlantic Romanticism and earlier periods Utilizes keywords such as imagination, sublime, poetics, philosophy, race, historiography, and visual culture as points of access to the study of Romanticism and the theoretical concerns and the culture of the period Explores topics central to Romanticism studies and the critical trends of the last thirty years
Author: Sarah Eron
Publisher: Rowman & Littlefield
ISBN: 1611495008
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
Inspiration in the Age of Enlightenment reconsiders theories of apostrophe and poetic authority to argue that the Augustan age created a new form of inspiration, one that not only changed the relationship of literary production to authority in the modern period but also crucially contributes to defining the movement of secularization in literature from the Renaissance to Romanticism. Seeking to redefine what we mean by secularization in the early stages of modernity, Eron argues that secularization’s link to enthusiasm, or inspiration, often associated with Romanticism, begins in the imaginative literature of the early eighteenth century. If Romantic enthusiasm has been described through the rhetoric of transport, or “unworlding,” then Augustan invocation appears more akin to a process of “worlding” in its central aim to appeal to the social other as a function of the eighteenth-century belief in a literary public sphere. By reformulating the passive structure of ancient invocation and subjecting it to the more dialogical methods of modern apostrophe and address, authors such as the Third Earl of Shaftesbury, Alexander Pope, Henry Fielding, and Anna Laetitia Barbauld formally revise inspiration in a way that generates a new and distinctive representation of the author. In this context, inspiration becomes a social gesture—an apostrophe to a friend or judging spectator or an allusion to the mental or aesthetic faculties of the author himself, his genius. Articulating this struggle toward modernity at its inception, this book examines modern authority at the moment of its extraordinariness, when it was still tied to the creative energies of inspiration, to the revelatory powers that marked the awakening of a new age, an era and an ethos of Enlightenment.
Author: Alex Benchimol
Publisher: Routledge
ISBN: 1317115031
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
Intellectual Politics and Cultural Conflict in the Romantic Period maps the intellectual formation of English plebeian radicalism and Scottish philosophic Whiggism over the long eighteenth century and examines their associated strategies of critical engagement with the cultural, social and political crises of the early nineteenth century. It is a story of the making of a wider British public sphere out of the agendas and discourses of the radical and liberal publics that both shaped and responded to them. When juxtaposed, these competing intellectual formations illustrate two important expressions of cultural politics in the Romantic period, as well as the peculiar overlapping of national cultural histories that contributed to the ideological conflict over the public meaning of Britain's industrial modernity. Alex Benchimol's study provides an original contribution to recent scholarship in Romantic period studies centred around the public sphere, recovering the contemporary debates and national cultural histories that together made up a significant part of the ideological landscape of the British public sphere in the early nineteenth century.
Author: Casie LeGette
Publisher: Springer
ISBN: 3319469290
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
This book shows that the publishers and editors of the radical press deployed Romantic-era texts for their own political ends—and for their largely working-class readership—long after those works’ original publication. It examines how the literature of the British Romantic period was excerpted and reprinted in radical political papers in Britain in the nineteenth century. The agents of this story were bound by neither the chronological march of literary history, nor by the original form of the literary texts they reprinted. Godwin’s Caleb Williams and poems by Wordsworth, Southey, Coleridge, and Shelley appear throughout this book as they appeared in the nineteenth century, in bits and pieces. Radical publishers and editors carefully and purposefully excerpted the works of their recent past, excavating useful political claims from the midst of less amenable texts, and remaking texts and authors alike in the process.
Author: David Herd
Publisher: Manchester University Press
ISBN: 1526125110
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Enthusiast! is a polemical history of American literature told from the point of view of six of its major enthusiasts. Complaining that his age was ‘retrospective’, Emerson injected enthusiasm into American literature as a way of making it new. ‘What,’ he asked, ‘is a man good for without enthusiasm? and what is enthusiasm but the daring of ruin for its object?’ This book takes enthusiasm to be a defining feature of American literature, showing how successive major writers – Melville, Thoreau, Pound, Moore, Frank O’Hara and James Schuyler – have modernized and re-modeled Emerson’s founding sense of enthusiasm. The book presents the writer as enthusiast, showing how enthusiasm is fundamental to the composition and the circulation of literature. Enthusiasm, it is argued, is the way literary value is passed on. Starting with a brief history of enthusiasm from Plato to Kant and Emerson, the book features chapters on each of Melville, Thoreau, Pound, Moore, O’Hara, and Schuyler. Each chapter presents an aspect of the writer as enthusiast, the book as a whole charting the changing sense of literary enthusiasm from Romanticism to the present day. Lucidly written and combatively argued, the book will appeal to readers of American Literature or Modern Poetry, and to all those interested in the circulation of literary work.
Author: Neil Ramsey
Publisher: Cambridge University Press
ISBN: 1009121324
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
Military literature was one of the most prevalent forms of writing to appear during the Romantic era, yet its genesis in this period is often overlooked. Ranging from histories to military policy, manuals, and a new kind of imaginative war literature in military memoirs and novels, modern war writing became a highly influential body of professional writing. Drawing on recent research into the entanglements of Romanticism with its wartime trauma and revisiting Michel Foucault's ground-breaking work on military discipline and the biopolitics of modern war, this book argues that military literature was deeply reliant upon Romantic cultural and literary thought and the era's preoccupations with the body, life, and writing. Simultaneously, it shows how military literature runs parallel to other strands of Romantic writing, forming a sombre shadow against which Romanticism took shape and offering its own exhortations for how to manage the life and vitality of the nation.
