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Author: Julia S. Carlson
Publisher: University of Pennsylvania Press
ISBN: 0812292960
Category : Literary Criticism
Languages : en
Pages : 369
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Book Description
In the late eighteenth century, British print culture took a diagrammatic and accentual turn. In graphs of emphasis and tonal inflection, in signs for indicating poetic stress, and in tabulations of punctuation, elocutionists, grammarians, and prosodists deployed new typographic marks and measures to represent English speech on the page. At the same time, cartographers and travel writers published reconfigurations of landscape on large-scale topographical maps, in geometric surveys, and in guidebooks that increasingly featured charts and diagrams. Within these diverse fields of print, blank verse was employed as illustration and index, directing attention to newly discovered features of British speech and space and helping to materialize the vocal and visual contours of the nation. In Romantic Marks and Measures, Julia S. Carlson examines Wordsworth's poetry of "speech" and "nature" as a poetry of print, written and read in the midst of topographic and typographic experimentation and change. Investigating the notebook drafts of "The Discharged Soldier," the printer's copy of Lyrical Ballads, Lake District guidebooks, John Thelwall's scansion of The Excursion, and revisions and editions of The Prelude, she explores Wordsworth's major blank verse poems as sites of intervention—visual and graphic as well as formal and thematic—in cultural contests to represent Britain, on the page, as a shared landscape and language community.
Author: Julia S. Carlson
Publisher: University of Pennsylvania Press
ISBN: 0812292960
Category : Literary Criticism
Languages : en
Pages : 369
Get Book Here
Book Description
In the late eighteenth century, British print culture took a diagrammatic and accentual turn. In graphs of emphasis and tonal inflection, in signs for indicating poetic stress, and in tabulations of punctuation, elocutionists, grammarians, and prosodists deployed new typographic marks and measures to represent English speech on the page. At the same time, cartographers and travel writers published reconfigurations of landscape on large-scale topographical maps, in geometric surveys, and in guidebooks that increasingly featured charts and diagrams. Within these diverse fields of print, blank verse was employed as illustration and index, directing attention to newly discovered features of British speech and space and helping to materialize the vocal and visual contours of the nation. In Romantic Marks and Measures, Julia S. Carlson examines Wordsworth's poetry of "speech" and "nature" as a poetry of print, written and read in the midst of topographic and typographic experimentation and change. Investigating the notebook drafts of "The Discharged Soldier," the printer's copy of Lyrical Ballads, Lake District guidebooks, John Thelwall's scansion of The Excursion, and revisions and editions of The Prelude, she explores Wordsworth's major blank verse poems as sites of intervention—visual and graphic as well as formal and thematic—in cultural contests to represent Britain, on the page, as a shared landscape and language community.
Author: M. Wiley
Publisher: Springer
ISBN: 0230611206
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
Analyzing real, speculative, and imaginary schemes of migration to and from Britain, this book addresses three interrelated movements: between France and Britain after the French Revolution, between Britain and North America also after the Revolution, and between West Africa and Britain in the years leading to the Revolution.
Author: Orianne Smith
Publisher: Cambridge University Press
ISBN: 1107027063
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
This book challenges our current critical understanding of the relations between gender, genre, and literary authority in this period.
Author: Michael Gamer
Publisher: Cambridge University Press
ISBN: 1139426842
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.
Author: David Perkins
Publisher: Cambridge University Press
ISBN: 1139440918
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
In England in the second half of the eighteenth century an unprecedented amount of writing urged kindness to animals. This theme was carried in many genres, from sermons to encyclopedias, from scientific works to literature for children, and in the poetry of Cowper, Wordsworth, Coleridge, Clare and others. Romanticism and Animal Rights discusses the arguments writers used, and the particular meanings of these arguments in a social and economic context so different from the present. After introductory chapters, the material is divided according to specific practices that particularly influenced feeling or aroused protest: pet keeping, hunting, baiting, working animals, eating them, and the various harms inflicted on wild birds. The book shows how extensively English Romantic writing took up issues of what we now call animal rights. In this respect it joins the growing number of studies that seek precedents or affinities in English Romanticism for our own ecological concerns.
Author: Maureen N. McLane
Publisher: Cambridge University Press
ISBN: 1139426877
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
This study, published in 2000, examines the dialogue between Romantic poetry and the human sciences of the period. Maureen McLane reveals how Romantic writers participated in a new-found consciousness of human beings as a species, by analysing their work in relation to discourses on moral philosophy, political economy and anthropology. Writers such as Wordsworth, Coleridge, Mary Shelley and Percy Shelley explored the possibilities and limits of human being, language and hope. They engaged with the work of theorisers of the human sciences - Malthus, Godwin and Burke among them. The book offers original readings of canonical works, including Lyrical Ballads, Frankenstein and Prometheus Unbound, to show how the Romantics internalised and transformed ideas about the imagination, perfectibility, immortality and population which so energised contemporary moral and political debates. McLane provides a defence of poetry in both Romantic and contemporary theoretical terms, reformulating the predicament of Romanticism in general and poetry in particular.
Author: Alexander Regier
Publisher: Cambridge University Press
ISBN: 052150967X
Category : History
Languages : en
Pages : 257
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Book Description
This book explains why 'fracture' and 'fragmentation' are two critical concepts that are particularly suited to understanding what is special about Romanticism. The book also discusses how Romanticism comes to be both an historical as well as a philosophical category, and offers new readings of key Romantic writers.
Author: Patrick Vincent
Publisher: Cambridge University Press
ISBN: 1009210270
Category : Literary Criticism
Languages : en
Pages : 331
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Book Description
The first detailed treatment of Switzerland in British literature and culture from Joseph Addison to John Ruskin, this book analyzes the aesthetic and political uses of what is commonly called the 'Swiss myth' in the parallel development of Romanticism and liberalism. The myth merged the country's legends going back to the Middle Ages with the Enlightenment image of a happy, free nation of alpine shepherds. Its unique combination of conservative, progressive, and radical associations enabled writers before the French Revolution to call for democratic reforms, whereas those coming after could refigure it as a conservative alternative to French liberté. Integrating intellectual history with literary studies, and addressing a wide range of Romantic-period texts and authors, among them Byron, the Shelleys, Hemans, Scott, Coleridge, and, above all, Wordsworth, the book argues that the myth contributed to the liberal idea of the people as a sublime yet sleeping sovereign.
Author: Julie Kipp
Publisher: Cambridge University Press
ISBN: 1139436171
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
In Romanticism, Maternity, and the Body Politic, Julie Kipp examines Romantic writers' treatments of motherhood and maternal bodies in the context of the legal, medical, educational and socioeconomic debates about motherhood so popular during the period. She argues that these discussions turned the physical processes associated with mothering into matters of national importance. The privately shared space signified by the womb or the maternal breast were made public by the widespread interest in the workings of the maternal body. These private spaces evidenced for writers of the period the radical exposure of mother and child to one another - for good or ill. Kipp's primary concern is to underline the ways that writers used representations of mother-child bonds as ways of naturalizing, endorsing and critiquing Enlightenment constructions of interpersonal and intercultural relations. This fascinating literary and cultural study will appeal to all scholars of Romanticism.
Author: Gillen D'Arcy Wood
Publisher: Cambridge University Press
ISBN: 052111733X
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
This book surveys the role of music in British culture throughout the long Romantic period.
