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Author: Otto Demus
Publisher:
ISBN:
Category : Mural painting and decoration, Romanesque
Languages : en
Pages : 654
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Book Description
Author: Otto Demus
Publisher:
ISBN:
Category : Mural painting and decoration, Romanesque
Languages : en
Pages : 654
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Book Description
Author: Otto Demus
Publisher: Spotlight Poets
ISBN:
Category : Art
Languages : en
Pages : 296
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Book Description
Romanesque mural painting was arguably the most visible field for religious images in Western churches between the eleventh and thirteenth centuries. Beyond its traditional justification as Bible of the illiterate mural painting demarcated the principal functional spaces within the church and propagated the sacred narratives, the systems of belief and institutional politics. The present volume provides the first accessible collection of essays devoted exclusively to the contextual interpretation of Romanesque mural painting. They are offered in homage to Otto Demus, who established the essential parameters for the field with his unsurpassed survey of the field over thirty years ago. Presenting previously unpublished research on individual case studies from Italy, France and Spain, the collection of essays published here pursues Demus's premise that mural painting was designed both to shape the experience and ritual use of distinctive spaces within the medieval church, and to advertise certain institutional affiliations and political agendas. The introduction, by Thomas Dale, provides a methodological overview to the field, assessing Demus's contribution to the study of Romanesque mural painting and surveying the scholarship of the past thirty years. It also furnishes the first overview of primary texts that refer to the functions and exegesis of mural painting between the tenth and thirteenth centuries. The ten essays are grouped under four topics 1. Patterns of Narrative Disposition in Sacred Space 2. Reinforcing the Praesentia of the Saints: The Church as Locus Sanctus 3. The Burial Crypt as Mediator between the Living and the Dead, Terrestrial and Celestial Space 4. Ecclesiastical Politics and Institutional Identity.
Author: Otto Demus
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 648
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Book Description
Author: Andre Grabar
Publisher:
ISBN: 9780758137234
Category :
Languages : en
Pages : 229
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Book Description
Author:
Publisher: Penn State Press
ISBN: 9780271048352
Category :
Languages : en
Pages : 420
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Book Description
Author: Victoria Charles
Publisher: Parkstone International
ISBN: 1783103256
Category : Art
Languages : en
Pages : 200
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Book Description
In art history, the term ‘Romanesque art’ distinguishes the period between the beginning of the 11th and the end of the 12th century. This era showed a great diversity of regional schools each with their own unique style. In architecture as well as in sculpture, Romanesque art is marked by raw forms. Through its rich iconography and captivating text, this work reclaims the importance of this art which is today often overshadowed by the later Gothic style.
Author: Charles L. Kuhn
Publisher:
ISBN: 9780674180987
Category :
Languages : en
Pages : 0
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Book Description
Author: Thomas E. A. Dale
Publisher: Princeton University Press
ISBN: 9780691011752
Category : Art
Languages : en
Pages : 272
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Book Description
Against a historical backdrop of relic theft and propaganda campaigns waged by two cities vying for patriarchal authority in medieval Venetia, Thomas Dale shows how Romanesque mural painting shaped sacred space and institutional identity. His focus is on the late twelfth-century murals in the crypt of Aquileia Cathedral. The crypt, which contains the relics of Aquileia's founding bishop, Saint Hermagoras, has a historical significance rooted in a legend identifying the saint as a direct disciple of Saint Mark the Evangelist. On this basis, the Carolingians promoted the city's status as patriarchal see of Venetia--a claim that prompted Venice to steal Mark's relics from Alexandria, Egypt, and appropriate Aquileia's history. This book, the first English-language study of the crypt, explores how the paintings complement the relics of Hermagoras in their distinct devotional and political roles. Hermagoras's intercessory power is activated by his orant image displayed over the central aisle within a larger hierarchy of apostles, martyrs, and bishops. The surrounding hagiographic cycle justifies in legalistic fashion Aquileia's patriarchal title and the consecration of the city as locus sanctus of Venetia by the blood of its martyrs. The iconic images in the eastern lunettes present the Virgin's compassio as a pictorial model for the vicarious experience of Christ's Passion. Finally, a fictive curtain over the socle presents allegories of spiritual warfare in the form of exempla from crusades, pilgrimage, and the epic poem Psychomachia, which Dale analyzes as a gloss on the main program.
Author: Jiří Mašín
Publisher:
ISBN:
Category : Art, Czech
Languages : en
Pages : 140
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Book Description
Author: Edgar Waterman Anthony
Publisher: Greenwood
ISBN:
Category : Architecture
Languages : en
Pages : 432
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Book Description
