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Author: Rolf Toman
Publisher: H F Ullmann
ISBN: 9783833160059
Category : Architecture, Romanesque
Languages : en
Pages : 0
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Book Description
All over Europe, examples of Romanesque architecture shape our image of the Middle Ages. This volume presents the grand views of cathedrals along with fascinating details drawn from sculpture and painting. The Romanesque was the first epoch of medieval art that encompassed all of Europe. Its origins hearken back to characteristic elements of Roman construction - reflected in the name of the period - and in the course of the High Middle Ages developed into the embodiment of Christian sacred art. Architecture, painting, and sculpture were permeated with the Christian worldview and the spirit of the religion. The book at hand helps us understand and even experience this tight integration and masterfully explains the manifold aspects of Romanesque artistic composition, in which the hopes and fears of the people of the time found their expression. AUTHOR: For this work, editor Rolf Toman gathered contributions from nine renowned authors with profound expertise in the fields of architecture and art history whose competent knowledge clearly elucidates the art of the Romanesque period. SELLING POINTS: Comprehensive contributions which incorporate aspects of culture and the mentality of the times in addition to art historical information An extensive introduction to the forms and shapes of the Romanesque explains the stylistic "tools" of sacred architecture, from round arches to the most varied development of choirs or crypts A separate chapter is devoted to the pictorial realm of Romanesque sculpture Photographs taken specially for this book show the diversity of forms of Romanesque architecture over 750 illustrations
Author: Rolf Toman
Publisher: H F Ullmann
ISBN: 9783833160059
Category : Architecture, Romanesque
Languages : en
Pages : 0
Get Book
Book Description
All over Europe, examples of Romanesque architecture shape our image of the Middle Ages. This volume presents the grand views of cathedrals along with fascinating details drawn from sculpture and painting. The Romanesque was the first epoch of medieval art that encompassed all of Europe. Its origins hearken back to characteristic elements of Roman construction - reflected in the name of the period - and in the course of the High Middle Ages developed into the embodiment of Christian sacred art. Architecture, painting, and sculpture were permeated with the Christian worldview and the spirit of the religion. The book at hand helps us understand and even experience this tight integration and masterfully explains the manifold aspects of Romanesque artistic composition, in which the hopes and fears of the people of the time found their expression. AUTHOR: For this work, editor Rolf Toman gathered contributions from nine renowned authors with profound expertise in the fields of architecture and art history whose competent knowledge clearly elucidates the art of the Romanesque period. SELLING POINTS: Comprehensive contributions which incorporate aspects of culture and the mentality of the times in addition to art historical information An extensive introduction to the forms and shapes of the Romanesque explains the stylistic "tools" of sacred architecture, from round arches to the most varied development of choirs or crypts A separate chapter is devoted to the pictorial realm of Romanesque sculpture Photographs taken specially for this book show the diversity of forms of Romanesque architecture over 750 illustrations
Author: Meyer Schapiro
Publisher:
ISBN: 9780707612942
Category : Art, Romanesque
Languages : en
Pages : 368
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Book Description
Author: Victoria Charles
Publisher: Parkstone International
ISBN: 1783103256
Category : Art
Languages : en
Pages : 200
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Book Description
In art history, the term ‘Romanesque art’ distinguishes the period between the beginning of the 11th and the end of the 12th century. This era showed a great diversity of regional schools each with their own unique style. In architecture as well as in sculpture, Romanesque art is marked by raw forms. Through its rich iconography and captivating text, this work reclaims the importance of this art which is today often overshadowed by the later Gothic style.
Author: Conrad Rudolph
Publisher: John Wiley & Sons
ISBN: 1119077729
Category : Art
Languages : en
Pages : 1040
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Book Description
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
Author: David Stephenson
Publisher: Princeton Architectural Press
ISBN: 9781568988405
Category : Architecture
Languages : en
Pages : 200
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Book Description
The author documents photographically more than eighty Romanesque and Gothic vaults from medieval churches, cathedrals, and basilicas.
Author:
Publisher: Penn State Press
ISBN: 9780271048352
Category :
Languages : en
Pages : 420
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Book Description
Author: Norbert Wolf
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 100
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Book Description
Reaching its peak in the 11th and 12th centuries, the Romanesque movement was marked by a peculiar, vivid, and often monumental expressiveness in architecture and fine arts. Exploring the first universal style of the European Middle Ages, this book looks at some of the most important works of the epoch.
Author: Paul Zanker
Publisher: Getty Publications
ISBN: 1606061011
Category : Art
Languages : en
Pages : 61
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Book Description
Traditional studies of Roman art have sought to identify an indigenous style distinct from Greek art and in the process have neglected the large body of Roman work that creatively recycled Greek artworks. Now available in paperback, this fresh reassessment offers instead a cultural history of the functions of the visual arts, the messages that these images carried, and the values that they affirmed in late Republican Rome and the Empire. The analysis begins at the point at which the characteristic features of Roman art started to emerge, when the Romans were exposed to Hellenistic culture through their conquest of Greek lands in the third century B.C. As a result, the values and social and political structure of Roman society changed, as did the functions and character of the images it generated. This volume, presented in very clear and accessible language, offers new and fascinating insights into the evolution of the forms and meanings of Roman art. "Zanker, one of the foremost ancient Roman art historians, has produced an excellent general study of Roman art and its reception. . . . This book would be ideal for students at all levels interested in Roman art, history, and culture."—Choice
Author: John McNeill
Publisher: Routledge
ISBN: 9781909662100
Category : Architecture, Romanesque
Languages : en
Pages : 0
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Book Description
The nineteen papers collected in this volume explore a notable phenomenon, that of retrospection in the art and architecture of Romanesque Europe. They arise from a conference organized by the British Archaeological Association in 2010, and reflect its interest in how and why the past manifested itself in the visual culture of the 11th and 12th centuries. This took many forms, from the casual re-use of ancient material to a specific desire to re-present or emulate earlier objects and buildings. Central to it is a concern for the revival of Roman and early medieval forms, spolia, selective quotation, archaism and the construction of histories. The individual essays presented here cover a wide range of topics and media: the significance of consecration ceremonies in the creation of architectural memory, the rise of pictorial concepts in 12th-century chronicles, the creation of history in the Paris of Hugh of St-Victor, and the appeal of the works of Bernward of Hildesheim and of Hrabanus Maurus in the centuries after their deaths. There are studies of buildings and the ideological purpose behind them at Tarragona, Ripoll, Cluny, Pannonhalma (Hungary), La Roccelletta (Calabria), and Old St Peter's, comparative studies of Trier, Villenauxe and Glastonbury, and of Bury St Edmunds, Rievaulx and Canterbury, and wide-ranging papers on the tantalizing evidence for an engagement with an overseas past in Ireland, an Anglo-Saxon past in England, and a Milanese past among the aisleless cruciform churches of Augustinian Europe. The volume concludes with an assessment of the very concept of Romanesque.
Author: Eric Fernie
Publisher:
ISBN: 9780300203547
Category : Architecture, Romanesque
Languages : en
Pages : 0
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Book Description
Eric Fernie presents a chronological survey of Romanesque architecture and the political systems that gave rise to the style. It is known for its massiv quality, thick walls, round arches, piers, groin vaults, large towers, and decorative arcading, as well as the measured articulation of volumes and surfaces. Romanesque architecture was also, at the time of its greatest popularity in the 11th and 12th centuries, the first destinctive style to dominate western and central Europe. The book includes an exploration of the gestation of the style in the 9th and 10th centuries and its survival in competition with the Gothic up to the 14th century.
