Author: Andrew M. Koch
Publisher: Lexington Books
ISBN: 9780739113080
Category : Biography & Autobiography
Languages : en
Pages : 264
Book Description
In Romance and Reason Andrew Koch notes that in the annals of social research the jury is still out on Max Weber. It is for no other reason than Weber's enormous body of foundational work in sociology that he is continually undergoing several simultaneous versions of integration into contemporary social research. Whether Weber is a central, secondary, or tertiary consideration in social research it behooves any social scientist to take a position on the work of Max Weber. In this erudite new intellectual biography Koch argues that Weber's understanding of the Enlightenment, in all its epistemological and ontological structures, conveys the Enlightenment itself as an alienating worldview. As a result, Koch contends, the full depth of Weber's body of work has yet to be excavated and studied. Romance and Reason is an analysis of the genesis of the concept of alienation and, in an imaginative and necessary turn, Koch works to recreate the context in which Weber understood alienation in both the intellectual and lived sense. This book is a fundamental explication on the contemporary Weber and is a salient addition to sociology, cultural studies, cultural anthropology, and any field that is invested in understanding contemporary culture and society.
Romance and Reason
Author: Andrew M. Koch
Publisher: Lexington Books
ISBN: 9780739113080
Category : Biography & Autobiography
Languages : en
Pages : 264
Book Description
In Romance and Reason Andrew Koch notes that in the annals of social research the jury is still out on Max Weber. It is for no other reason than Weber's enormous body of foundational work in sociology that he is continually undergoing several simultaneous versions of integration into contemporary social research. Whether Weber is a central, secondary, or tertiary consideration in social research it behooves any social scientist to take a position on the work of Max Weber. In this erudite new intellectual biography Koch argues that Weber's understanding of the Enlightenment, in all its epistemological and ontological structures, conveys the Enlightenment itself as an alienating worldview. As a result, Koch contends, the full depth of Weber's body of work has yet to be excavated and studied. Romance and Reason is an analysis of the genesis of the concept of alienation and, in an imaginative and necessary turn, Koch works to recreate the context in which Weber understood alienation in both the intellectual and lived sense. This book is a fundamental explication on the contemporary Weber and is a salient addition to sociology, cultural studies, cultural anthropology, and any field that is invested in understanding contemporary culture and society.
Publisher: Lexington Books
ISBN: 9780739113080
Category : Biography & Autobiography
Languages : en
Pages : 264
Book Description
In Romance and Reason Andrew Koch notes that in the annals of social research the jury is still out on Max Weber. It is for no other reason than Weber's enormous body of foundational work in sociology that he is continually undergoing several simultaneous versions of integration into contemporary social research. Whether Weber is a central, secondary, or tertiary consideration in social research it behooves any social scientist to take a position on the work of Max Weber. In this erudite new intellectual biography Koch argues that Weber's understanding of the Enlightenment, in all its epistemological and ontological structures, conveys the Enlightenment itself as an alienating worldview. As a result, Koch contends, the full depth of Weber's body of work has yet to be excavated and studied. Romance and Reason is an analysis of the genesis of the concept of alienation and, in an imaginative and necessary turn, Koch works to recreate the context in which Weber understood alienation in both the intellectual and lived sense. This book is a fundamental explication on the contemporary Weber and is a salient addition to sociology, cultural studies, cultural anthropology, and any field that is invested in understanding contemporary culture and society.
Romance and Reason
Author: Roberta Casagrande-Kim
Publisher: Princeton University Press
ISBN: 0691181845
Category : Art
Languages : en
Pages : 152
Book Description
Catalog of an exhibition held at the Institute for the Study of the Ancient World from February 14, 2018-May 13, 2018.
Publisher: Princeton University Press
ISBN: 0691181845
Category : Art
Languages : en
Pages : 152
Book Description
Catalog of an exhibition held at the Institute for the Study of the Ancient World from February 14, 2018-May 13, 2018.
Reason and Romance
Author: Jenn Young
Publisher: Jenn Young
ISBN:
Category :
Languages : en
Pages : 155
Book Description
Being stuck in the godforsaken desert is Adrian Blake’s worst nightmare come true. Senior year is all about making fun memories. It’s not about starting over at a new school and navigating a new Brady Bunch family. It’s really not about living with a sexy, arrogant would-be stepbrother who knows how to push her buttons. Alex Montgomery is the very definition of a player. The only thing he commits to is a one night stand. He’s exactly the kind of guy she hates. When she sleeps with him, it’s the biggest mistake of her life. Now she can’t stop thinking about him. Not at school. Not at home. Sometimes the best mistakes are the ones that you make over and over again…
Publisher: Jenn Young
ISBN:
Category :
Languages : en
Pages : 155
Book Description
Being stuck in the godforsaken desert is Adrian Blake’s worst nightmare come true. Senior year is all about making fun memories. It’s not about starting over at a new school and navigating a new Brady Bunch family. It’s really not about living with a sexy, arrogant would-be stepbrother who knows how to push her buttons. Alex Montgomery is the very definition of a player. The only thing he commits to is a one night stand. He’s exactly the kind of guy she hates. When she sleeps with him, it’s the biggest mistake of her life. Now she can’t stop thinking about him. Not at school. Not at home. Sometimes the best mistakes are the ones that you make over and over again…
The Selfish Path to Romance
Author: Edwin A. Locke
Publisher:
ISBN: 9780982411759
Category : Love
Languages : en
Pages : 0
Book Description
"Inspired by the ideas of Ayn Rand"--Cover.
Publisher:
ISBN: 9780982411759
Category : Love
Languages : en
Pages : 0
Book Description
"Inspired by the ideas of Ayn Rand"--Cover.
Romance and Reason
Author: Lafcadio Hearn
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 264
Book Description
The Edge of Reason
Author: J Saman
Publisher:
ISBN: 9781700069085
Category :
Languages : en
Pages : 316
Book Description
I have a certain set of rules I try to live by. Rules that have always served me well. Until now... Rule one: Don't have sex with someone you work with.Rule two: Don't have sex with your friend's ex-boyfriend. Rule three: Don't have sex with your best friend who also happens to be the same ex-boyfriend of your friend.Rule four: Don't ever, under any circumstances, fall in love with your best friend. I guess it's safe to say, I officially broke all four of my rules.Doctor Andrew Albright. Sexy, arrogant, insanely gorgeous, and eternally off-limits. Not only is he still in love with my friend, his ex, but he's my rock. My perfect best friend.The one person I cannot lose under any circumstances. Especially when my life has a habit of falling apart on a regular basis. But one mercy kiss later, to save me from an awkward situation, and suddenly everything changes. He flirts relentlessly. Corners me in dark hallways. Throws me panty-melting stares that render me helpless. I crossed the uncrossable line. Broke every damn rule. Now our perfect friendship is falling apart. And he's doing everything he can to keep it that way... THE EDGE OF REASON is a funny, sexy, and emotional best friends to lovers, STANDALONE romance
Publisher:
ISBN: 9781700069085
Category :
Languages : en
Pages : 316
Book Description
I have a certain set of rules I try to live by. Rules that have always served me well. Until now... Rule one: Don't have sex with someone you work with.Rule two: Don't have sex with your friend's ex-boyfriend. Rule three: Don't have sex with your best friend who also happens to be the same ex-boyfriend of your friend.Rule four: Don't ever, under any circumstances, fall in love with your best friend. I guess it's safe to say, I officially broke all four of my rules.Doctor Andrew Albright. Sexy, arrogant, insanely gorgeous, and eternally off-limits. Not only is he still in love with my friend, his ex, but he's my rock. My perfect best friend.The one person I cannot lose under any circumstances. Especially when my life has a habit of falling apart on a regular basis. But one mercy kiss later, to save me from an awkward situation, and suddenly everything changes. He flirts relentlessly. Corners me in dark hallways. Throws me panty-melting stares that render me helpless. I crossed the uncrossable line. Broke every damn rule. Now our perfect friendship is falling apart. And he's doing everything he can to keep it that way... THE EDGE OF REASON is a funny, sexy, and emotional best friends to lovers, STANDALONE romance
Give Me a Reason
Author: A. L. Jackson
Publisher: Entangled: Amara
ISBN: 1649377797
Category : Fiction
Languages : en
Pages : 0
Book Description
Eden Murphy came into my club looking to make some extra cash. A girl like her didn't belong in a place like this. She'd get ripped to shreds. Most likely by me. There's nothing but sweetness dripping from her sexy little body, and I'm the monster who's salivating to get a taste. Trent Lawson is the last man I should want. Dark. Dangerous. So wickedly gorgeous he makes my knees weak. He's also an arrogant jerk who happens to be my new boss. When I discover his adorable son is also in my kindergarten class, I know I have to keep my distance. But neither of us can ignore the attraction that flames. One glance, and our hearts race. One touch, and we’re aching for what we can’t have. One night, and we’re falling fast. Dragging her into my sordid world is wrong. It doesn’t matter. Eden Murphy is mine.
Publisher: Entangled: Amara
ISBN: 1649377797
Category : Fiction
Languages : en
Pages : 0
Book Description
Eden Murphy came into my club looking to make some extra cash. A girl like her didn't belong in a place like this. She'd get ripped to shreds. Most likely by me. There's nothing but sweetness dripping from her sexy little body, and I'm the monster who's salivating to get a taste. Trent Lawson is the last man I should want. Dark. Dangerous. So wickedly gorgeous he makes my knees weak. He's also an arrogant jerk who happens to be my new boss. When I discover his adorable son is also in my kindergarten class, I know I have to keep my distance. But neither of us can ignore the attraction that flames. One glance, and our hearts race. One touch, and we’re aching for what we can’t have. One night, and we’re falling fast. Dragging her into my sordid world is wrong. It doesn’t matter. Eden Murphy is mine.
Romancing the Beat
Author: Gwen Hayes
Publisher: Createspace Independent Publishing Platform
ISBN: 9781530838615
Category : Romance fiction
Languages : en
Pages : 0
Book Description
What makes a romance novel a romance? How do you write a kissing book?Writing a well-structured romance isn't the same as writing any other genre-something the popular novel and screenwriting guides don't address. The romance arc is made up of its own story beats, and the external plot and theme need to be braided to the romance arc-not the other way around.Told in conversational (and often irreverent) prose, Romancing the Beat can be read like you are sitting down to coffee with romance editor and author Gwen Hayes while she explains story structure. The way she does with her clients. Some of whom are regular inhabitants of the New York Times and USA Today bestseller lists.Romancing the Beat is a recipe, not a rigid system. The beats don't care if you plot or outline before you write, or if you pants your way through the drafts and do a "beat check" when you're revising. Pantsers and plotters are both welcome. So sit down, grab a cuppa, and let's talk about kissing books.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781530838615
Category : Romance fiction
Languages : en
Pages : 0
Book Description
What makes a romance novel a romance? How do you write a kissing book?Writing a well-structured romance isn't the same as writing any other genre-something the popular novel and screenwriting guides don't address. The romance arc is made up of its own story beats, and the external plot and theme need to be braided to the romance arc-not the other way around.Told in conversational (and often irreverent) prose, Romancing the Beat can be read like you are sitting down to coffee with romance editor and author Gwen Hayes while she explains story structure. The way she does with her clients. Some of whom are regular inhabitants of the New York Times and USA Today bestseller lists.Romancing the Beat is a recipe, not a rigid system. The beats don't care if you plot or outline before you write, or if you pants your way through the drafts and do a "beat check" when you're revising. Pantsers and plotters are both welcome. So sit down, grab a cuppa, and let's talk about kissing books.
Reading the Romance
Author: Janice A. Radway
Publisher: Univ of North Carolina Press
ISBN: 0807898856
Category : Social Science
Languages : en
Pages : 289
Book Description
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.
Publisher: Univ of North Carolina Press
ISBN: 0807898856
Category : Social Science
Languages : en
Pages : 289
Book Description
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.
All the Right Reasons
Author: Bethany Mangle
Publisher: Simon and Schuster
ISBN: 1534499059
Category : Young Adult Fiction
Languages : en
Pages : 294
Book Description
“Made my Bachelor-loving heart very happy.” —Rachel Lynn Solomon, author of Today Tonight Tomorrow The Bachelor meets Gilmore Girls in this laugh-out-loud young adult romance about a girl who joins her mother on a reality dating show for single parents—only to fall for a contestant’s son. Cara Hawn’s life fell apart after her father cheated on her mother and got remarried to a woman Cara can’t stand. When Cara accidentally posts a rant about her father online, it goes viral—and catches the attention of the TV producers behind a new reality dating show for single parent families. The next thing Cara and her mother know, they’ve been cast as leads on the show and are whisked away to sunny Key West where they’re asked to narrow a field of suitors and their kids down to one winning pair. All of this is outside of Cara’s comfort zone, from the meddling producers to the camera-hungry contestants, especially as Cara and her mother begin to clash on which suitors are worth keeping around. And then comes Connor. As the son of a contestant, Connor is decidedly off-limits. Except that he doesn’t fit in with the cutthroat atmosphere in all the same ways as Cara, and she can’t get him out of her head. Now Cara must juggle her growing feelings while dodging the cameras and helping her mom pick a bachelor they both love, or else risk fracturing their family even more for the sake of ratings. Maybe there’s a reason most people don’t date on TV.
Publisher: Simon and Schuster
ISBN: 1534499059
Category : Young Adult Fiction
Languages : en
Pages : 294
Book Description
“Made my Bachelor-loving heart very happy.” —Rachel Lynn Solomon, author of Today Tonight Tomorrow The Bachelor meets Gilmore Girls in this laugh-out-loud young adult romance about a girl who joins her mother on a reality dating show for single parents—only to fall for a contestant’s son. Cara Hawn’s life fell apart after her father cheated on her mother and got remarried to a woman Cara can’t stand. When Cara accidentally posts a rant about her father online, it goes viral—and catches the attention of the TV producers behind a new reality dating show for single parent families. The next thing Cara and her mother know, they’ve been cast as leads on the show and are whisked away to sunny Key West where they’re asked to narrow a field of suitors and their kids down to one winning pair. All of this is outside of Cara’s comfort zone, from the meddling producers to the camera-hungry contestants, especially as Cara and her mother begin to clash on which suitors are worth keeping around. And then comes Connor. As the son of a contestant, Connor is decidedly off-limits. Except that he doesn’t fit in with the cutthroat atmosphere in all the same ways as Cara, and she can’t get him out of her head. Now Cara must juggle her growing feelings while dodging the cameras and helping her mom pick a bachelor they both love, or else risk fracturing their family even more for the sake of ratings. Maybe there’s a reason most people don’t date on TV.