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Author: Mark Taylor-Batty
Publisher: Peter Lang
ISBN: 9783039105021
Category : Biography & Autobiography
Languages : en
Pages : 280
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Book Description
Roger Blin's career in the Arts was woven inextricably into the fabric of the Twentieth-Century French Avant-Garde. First appearing in the films of Abel Gance, Marcel Carné and Jean Cocteau, his acting career led him to a close friendship and association with Antonin Artaud, for whom he performed the function of assistant director. He championed Samuel Beckett's En attendant Godot, otherwise rejected unanimously by the French theatrical establishment, was Jean Genet's director of choice and was long associated with artists and practitioners as diverse as Arthur Adamov, Jean-Louis Barrault and Jacques Prévert. Marxist in outlook, Blin also sought to apply rigorous humanist principles to his art and delighted in the opportunities he enjoyed to disrupt and upturn the attitudes and complacencies of certain of his audiences. This book surveys all aspects of Blin's artistic output to consider and clarify his motivations, his ambitions and his aesthetic preferences. In doing so, the author hopes to offer perspectives on the methodologies that Blin employed and define the influence his work and his legacy has exerted on the French and World stage.
Author: Mark Taylor-Batty
Publisher: Peter Lang
ISBN: 9783039105021
Category : Biography & Autobiography
Languages : en
Pages : 280
Get Book Here
Book Description
Roger Blin's career in the Arts was woven inextricably into the fabric of the Twentieth-Century French Avant-Garde. First appearing in the films of Abel Gance, Marcel Carné and Jean Cocteau, his acting career led him to a close friendship and association with Antonin Artaud, for whom he performed the function of assistant director. He championed Samuel Beckett's En attendant Godot, otherwise rejected unanimously by the French theatrical establishment, was Jean Genet's director of choice and was long associated with artists and practitioners as diverse as Arthur Adamov, Jean-Louis Barrault and Jacques Prévert. Marxist in outlook, Blin also sought to apply rigorous humanist principles to his art and delighted in the opportunities he enjoyed to disrupt and upturn the attitudes and complacencies of certain of his audiences. This book surveys all aspects of Blin's artistic output to consider and clarify his motivations, his ambitions and his aesthetic preferences. In doing so, the author hopes to offer perspectives on the methodologies that Blin employed and define the influence his work and his legacy has exerted on the French and World stage.
Author: Odette Aslan
Publisher: Cambridge University Press
ISBN: 9780521224406
Category : Drama
Languages : en
Pages : 206
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Book Description
From her own knowledge of Blin's rigorous working habits, from interviews with close associates, and Blin's own rare statements, production notes and drawings, Odette Aslan has pieced together the history of Blin's work as actor, critic, and director, his relationship with playwrights and actors, and how he struggled against obstacles to stage works by then unknown authors and bring out the peculiar qualities of the plays he chose.
Author: James Knowlson
Publisher: Bloomsbury Publishing
ISBN: 1408857669
Category : Biography & Autobiography
Languages : en
Pages : 878
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Book Description
_______________ 'A triumph of scholarship and sympathy... one of the great post-war biographies' - Independent 'A landmark in scholarly criticism... Knowlson is the world's largest Beckett scholar. His life is right up there with George Painter's Proust and Richard Ellmann's Joyce in sensitivity and fascination' - Daily Telegraph 'It is hard to imagine a fuller portrait of the man who gave our age some of the myths by which it lives' - Evening Standard _______________ SHORTLISTED FOR THE WHITBREAD PRIZE _______________ Samuel Beckett's long-standing friend, James Knowlson, recreates Beckett's youth in Ireland, his studies at Trinity College, Dublin in the early 1920s and from there to the Continent, where he plunged into the multicultural literary society of late-1920s Paris. The biography throws new light on Beckett's stormy relationship with his mother, the psychotherapy he received after the death of his father and his crucial relationship with James Joyce. There is also material on Beckett's six-month visit to Germany as the Nazi's tightened their grip. The book includes unpublished material on Beckett's personal life after he chose to live in France, including his own account of his work for a Resistance cell during the war, his escape from the Gestapo and his retreat into hiding. Obsessively private, Beckett was wholly committed to the work which eventually brought his public fame, beginning with the controversial success of "Waiting for Godot" in 1953, and culminating in the award of the Nobel Prize for Literature in 1969.
Author: Gene A. Plunka
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838634615
Category : Literary Criticism
Languages : en
Pages : 366
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Book Description
"In this book, Gene A. Plunka argues that the most important single element that solidifies all of Genet's work is the concept of metamorphosis. Genet's plays and prose demonstrate the transition from game playing to the establishment of one's identity through a state of risk taking that develops from solitude. However, risk taking per se is not as important as the rite of passage. Anthropologist Victor Turner's work in ethnography is used as a focal point for the examination of rites of passage in Genet's dramas." "Rejecting society, Genet has allied himself with peripheral groups, marginal men, and outcasts--scapegoats who lack power in society. Much of their effort is spent in revolt or direct opposition in mainstream society that sees them as objects to be abused. As an outcast or marginal man, Genet solved his problem of identity through artistic creation and metamorphosis. Likewise, Genet's protagonists are outcasts searching for positive value in a society over which they have no control; they always appear to be the victims or scapegoats. As outcasts, Genet's protagonists establish their identities by first willing their actions and being proud to do so." "Unfortunately, man's sense of Being is constantly undermined by society and the way individuals react to roles, norms, and values. Roles are the products of carefully defined and codified years of positively sanctioned institutional behavior. According to Genet, role playing limits individual freedom, stifles creativity, and impedes differentiation. Genet equates role playing with stagnant bourgeois society that imitates rather than invents; the latter is a word Genet often uses to urge his protagonists into a state of productive metamorphosis. Imitation versus invention is the underlying dialectic between bourgeois society and outcasts that is omnipresent in virtually all of Genet's works." "Faced with rejection, poverty, oppression, and degradation, Genet's outcasts often escape their horrible predicaments by living in a world of illusion that consists of ceremony, game playing, narcissism, sexual and secret rites, or political charades. Like children, Genet's ostracized individuals play games to imitate a world that they can not enter. Essentially, the play acting becomes catharsis for an oppressed group that is otherwise confined to the lower stratum of society." "Role players and outcasts who try to find an identity through cathartic game playing never realize their potential in Genet's world. Instead, Genet is interested in outcasts who immerse themselves in solitude and create their own sense of dignity free from external control. Most important, these isolated individuals may initially play games, yet they ultimately experience metamorphosis from a world of rites, charades, and rituals to a type of "sainthood" where dignity and nobility reign. The apotheosis is achieved through a distinct act of conscious revolt designed to condemn the risk taker to a degraded life of solitude totally distinct from society's norms and values." --Book Jacket.
Author: Deirdre Bair
Publisher: Simon and Schuster
ISBN: 0671691732
Category : Authors, French
Languages : en
Pages : 762
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Book Description
Samuel Beckett has become the standard work on the enigmatic, controversial, and Nobel Prize-winning creator of such contributions to 20th-century theater as Waiting for Godot and Endgame. 16 pages of black-and-white photographs.
Author: Christopher Innes
Publisher: Routledge
ISBN: 1134920881
Category : Performing Arts
Languages : en
Pages : 278
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Book Description
Examining the development of avant garde theatre from its inception in the 1890s right up to the present day, Christopher Innes exposes a central paradox of modern theatre; that the motivating force of theatrical experimentation is primitivism. What links the work of Strindberg, Artaud, Brook and Mnouchkine is an idealisation of the elemental and a desire to find ritual in archaic traditions. This widespread primitivism is the key to understanding both the political and aesthetic aspects of modern theatre and provides fresh insights into contemporary social trends. The original text, first published in 1981 as Holy Theatre, has been fully revised and up-dated to take account of the most recent theoretical developments in anthropology, critical theory and psychotherapy. New sections on Heiner Muller, Robert Wilson, Eugenio Barba, Ariane Mnouchkine and Sam Shepard have been added. As a result, the book now deals with all the major avant garde theatre practitioners, in Europe and North America. Avant Garde Theatre will be essential reading for anyone attempting to understand contemporary drama.
Author: Christopher Innes
Publisher: CUP Archive
ISBN: 9780521269438
Category : Drama
Languages : en
Pages : 312
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Book Description
Author: David Bradby
Publisher: Cambridge University Press
ISBN: 9780521594295
Category : Drama
Languages : en
Pages : 276
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Book Description
Waiting for Godot is a byword in every major world language. No other twentieth-century play has achieved such global currency. His innovations have affected not only the writing of plays, but all aspects of their staging. In this book David Bradby explores the impact of the play and its influence on acting, directing, design, and the role of theatre in society. Bradby begins with an analysis of the play and its historical context. After discussing the first productions in France, Britain and America, he examines subsequent productions in Africa, Eastern Europe, Israel, America, China and Japan. The book assesses interpretations by actors such as Bert Lahr, David Warrilow, Georges Wilson, Barry McGovern and Ben Kingsley, and directors Roger Blin, Susan Sontag, Sir Peter Hall, Luc Bondy, Yukio Ninagawa and Beckett himself. It also contains an extensive production chronology, bibliography and illustrations from major productions.
Author: Kennelly
Publisher: BRILL
ISBN: 9004649026
Category : Drama
Languages : en
Pages : 135
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Book Description
This is the first study systematically to appraise Splendid's, «Elle», and Le Bagne, the three plays by Jean Genet published after his death, both in the context of the dramatist's dramatic canon and with respect to one another. After showing that their unusual publishing history necessarily sets these works apart from Haute surveillance, Les Bonnes, Le Balcon, Les Nègres, and Les Paravents, it argues that from Splendid's to Le Bagne, the question of incompletion is 'exteriorized' -- moving from a purely thematic to an increasingly formal context -- and that the status of each posthumously published work differs: Splendid's is a 'completed' play, thematizing incompletion; «Elle», with its seemingly incomplete form having thematic currency, is a 'properly unfinished' play; and as the intentionally 'fragmentary', purposefully suspended 'beginning' of a play, Le Bagne is shaped by incompletion.
Author: Harold Clurman
Publisher: Grove Press
ISBN: 9780802150325
Category : Drama
Languages : en
Pages : 914
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Book Description
Contains the scripts of nine significant plays of the modern theater, written between 1944 and 1975 by playwrights including Harold Pinter, Bertolt Brecht, Samuel Beckett, Friedrich Durrenmatt, Jean Genet, Eugene Ionesco, Slawomir Mrozek, Tom Stoppard, and David Mamet.
