Author: Frederick Fisher
Publisher: Antique Collector's Club
ISBN: 9781939621870
Category : Architecture
Languages : en
Pages : 112
Book Description
"Robert Venturi’s Rome is a guidebook to the city of Rome seen through the eyes of Robert Venturi and re-interpreted by two subsequent Rome Prize fellows and architect, Frederick Fisher and Stephen Harby. Published in 1966, Venturi viewed architecture, landscape, and art as different manifestations of common themes. Fundamental to the develo9pment of any young architects’ outlook on architecture, Venturi wrote this seminal publication following a two-year Rome Prize fellowship at the American Academy in Rome. Many buildings in Rome serve as examples that illustrate his theories, underscoring the city’s profound influence on Venturi’s thinking: from the Pantheon, through works by his favorite artist, Michelangelo, and on to 20th century buildings by Armando Brasini and Luigi Moretti, Venturi reveals Rom as a complex and contradictory city." -- Book jacket.
Robert Venturi's Rome
Author: Frederick Fisher
Publisher: Antique Collector's Club
ISBN: 9781939621870
Category : Architecture
Languages : en
Pages : 112
Book Description
"Robert Venturi’s Rome is a guidebook to the city of Rome seen through the eyes of Robert Venturi and re-interpreted by two subsequent Rome Prize fellows and architect, Frederick Fisher and Stephen Harby. Published in 1966, Venturi viewed architecture, landscape, and art as different manifestations of common themes. Fundamental to the develo9pment of any young architects’ outlook on architecture, Venturi wrote this seminal publication following a two-year Rome Prize fellowship at the American Academy in Rome. Many buildings in Rome serve as examples that illustrate his theories, underscoring the city’s profound influence on Venturi’s thinking: from the Pantheon, through works by his favorite artist, Michelangelo, and on to 20th century buildings by Armando Brasini and Luigi Moretti, Venturi reveals Rom as a complex and contradictory city." -- Book jacket.
Publisher: Antique Collector's Club
ISBN: 9781939621870
Category : Architecture
Languages : en
Pages : 112
Book Description
"Robert Venturi’s Rome is a guidebook to the city of Rome seen through the eyes of Robert Venturi and re-interpreted by two subsequent Rome Prize fellows and architect, Frederick Fisher and Stephen Harby. Published in 1966, Venturi viewed architecture, landscape, and art as different manifestations of common themes. Fundamental to the develo9pment of any young architects’ outlook on architecture, Venturi wrote this seminal publication following a two-year Rome Prize fellowship at the American Academy in Rome. Many buildings in Rome serve as examples that illustrate his theories, underscoring the city’s profound influence on Venturi’s thinking: from the Pantheon, through works by his favorite artist, Michelangelo, and on to 20th century buildings by Armando Brasini and Luigi Moretti, Venturi reveals Rom as a complex and contradictory city." -- Book jacket.
Complexity and Contradiction in Architecture
Author: Robert Venturi
Publisher: The Museum of Modern Art
ISBN: 9780870702822
Category : Architecture
Languages : en
Pages : 142
Book Description
Foreword by Arthur Drexler. Introduction by Vincent Scully.
Publisher: The Museum of Modern Art
ISBN: 9780870702822
Category : Architecture
Languages : en
Pages : 142
Book Description
Foreword by Arthur Drexler. Introduction by Vincent Scully.
Architecture as Signs and Systems
Author: Robert Venturi
Publisher: Belknap Press
ISBN:
Category : Architecture
Languages : en
Pages : 272
Book Description
The observer-designer-theorists who analyzed the Las Vegas strip as an archetype in "Learning from Las Vegas" now turn their iconoclastic vision onto their own remarkable partnership and the rule-breaking architecture it has spawned for this fascinating retrospective of their life work.
Publisher: Belknap Press
ISBN:
Category : Architecture
Languages : en
Pages : 272
Book Description
The observer-designer-theorists who analyzed the Las Vegas strip as an archetype in "Learning from Las Vegas" now turn their iconoclastic vision onto their own remarkable partnership and the rule-breaking architecture it has spawned for this fascinating retrospective of their life work.
ロバートヴェンチューリ作品集
Author: Robert Venturi
Publisher:
ISBN:
Category : Architectural firms
Languages : ja
Pages : 244
Book Description
Publisher:
ISBN:
Category : Architectural firms
Languages : ja
Pages : 244
Book Description
Learning from Las Vegas
Author: Robert Venturi
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Learning from Las Vegas
Author: Robert Venturi
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
I Am a Monument
Author: Aron Vinegar
Publisher: MIT Press
ISBN: 0262220822
Category : Architectural writing
Languages : en
Pages : 249
Book Description
"Learning from Las Vegas, originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Thirty-five years later, it remains a perennial bestseller and a definitive theoretical text. Its authorsاarchitects Robert Venturi, Denise Scott Brown, and Steven Izenourاfamously used the Las Vegas Strip to argue the virtues of the "ordinary and ugly" above the "heroic and original" qualities of architectural modernism. Learning from Las Vegas not only moved architecture to the center of cultural debates, it changed our ideas about what architecture was and could be. In this provocative rereading of an iconic text, Aron Vinegar argues that Learning from Las Vegas is not only of historical interest but of absolute relevance to current critical debates in architectural and visual culture. Vinegar argues that to read Learning from Las Vegas only as an exemplary postmodernist textاto understand it, for example, as a call for pastiche or as ironic provocationاis to underestimate its deeper critical and ethical meaning, and to miss the underlying dialectic between skepticism and the ordinary, expression and the deadpan, that runs through the text. Vinegar's close attention to the graphic design of Learning from Las Vegas, and his fresh interpretations of now canonical images from the book such as the Duck, the Decorated Shed, and the "recommendation for a monument," make his book unique. Perhaps most revealing is his close analysis of the differences between the first 1972 edition, designed for the MIT Press by Muriel Cooper, and the "revised" edition of 1977, which was radically stripped down and largely redesigned by Denise Scott Brown. The dialogue between the two editions continues with this book, where for the first time the two versions of Learning from Las Vegas are read comparatively."--Publisher's website.
Publisher: MIT Press
ISBN: 0262220822
Category : Architectural writing
Languages : en
Pages : 249
Book Description
"Learning from Las Vegas, originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Thirty-five years later, it remains a perennial bestseller and a definitive theoretical text. Its authorsاarchitects Robert Venturi, Denise Scott Brown, and Steven Izenourاfamously used the Las Vegas Strip to argue the virtues of the "ordinary and ugly" above the "heroic and original" qualities of architectural modernism. Learning from Las Vegas not only moved architecture to the center of cultural debates, it changed our ideas about what architecture was and could be. In this provocative rereading of an iconic text, Aron Vinegar argues that Learning from Las Vegas is not only of historical interest but of absolute relevance to current critical debates in architectural and visual culture. Vinegar argues that to read Learning from Las Vegas only as an exemplary postmodernist textاto understand it, for example, as a call for pastiche or as ironic provocationاis to underestimate its deeper critical and ethical meaning, and to miss the underlying dialectic between skepticism and the ordinary, expression and the deadpan, that runs through the text. Vinegar's close attention to the graphic design of Learning from Las Vegas, and his fresh interpretations of now canonical images from the book such as the Duck, the Decorated Shed, and the "recommendation for a monument," make his book unique. Perhaps most revealing is his close analysis of the differences between the first 1972 edition, designed for the MIT Press by Muriel Cooper, and the "revised" edition of 1977, which was radically stripped down and largely redesigned by Denise Scott Brown. The dialogue between the two editions continues with this book, where for the first time the two versions of Learning from Las Vegas are read comparatively."--Publisher's website.
Rome, Postmodern Narratives of a Cityscape
Author: Dom Holdaway
Publisher: Routledge
ISBN: 1317320611
Category : Architecture
Languages : en
Pages : 231
Book Description
Until the mid-twentieth century the Western imagination seemed intent on viewing Rome purely in terms of its classical past or as a stop on the Grand Tour. This collection of essays looks at Rome from a postmodern perspective, including analysis of the city's 'unmappability', its fragmented narratives and its iconic status in literature and film.
Publisher: Routledge
ISBN: 1317320611
Category : Architecture
Languages : en
Pages : 231
Book Description
Until the mid-twentieth century the Western imagination seemed intent on viewing Rome purely in terms of its classical past or as a stop on the Grand Tour. This collection of essays looks at Rome from a postmodern perspective, including analysis of the city's 'unmappability', its fragmented narratives and its iconic status in literature and film.
Rome
Author: Jon Michael Schwarting
Publisher: Applied Research and Design Publishing
ISBN: 9781939621702
Category : Architecture
Languages : en
Pages : 0
Book Description
"Formation is ideal and utopian thinking, whereas Transformation is the adaptation of the ideal to the real or existing conditions. Are the two mutually exclusive? Or do they exist in conversation, a constant back-and-forth, push-and-pull between the idealised and the pragmatic? This book examines the dialectical relation of Formation and Transformation in the creation of the city. Taking Rome as its central case study, it develops a contextual theory of urban development that incorporates Italian Renaissance, Baroque architecture, and classical history. Similarly, this book encourages the aspiring architectural student to consider the ramifications of practice and praxis. How can utopian thinking, and the actualised execution of that thinking, continue to operate in existing urban contexts? How can we relate the complexity of Roman urbanism to the role of Roman architecture in its urban context? This book manoeuvres through such difficult questions deftly, illuminating its points with a wide selection of colour images."--
Publisher: Applied Research and Design Publishing
ISBN: 9781939621702
Category : Architecture
Languages : en
Pages : 0
Book Description
"Formation is ideal and utopian thinking, whereas Transformation is the adaptation of the ideal to the real or existing conditions. Are the two mutually exclusive? Or do they exist in conversation, a constant back-and-forth, push-and-pull between the idealised and the pragmatic? This book examines the dialectical relation of Formation and Transformation in the creation of the city. Taking Rome as its central case study, it develops a contextual theory of urban development that incorporates Italian Renaissance, Baroque architecture, and classical history. Similarly, this book encourages the aspiring architectural student to consider the ramifications of practice and praxis. How can utopian thinking, and the actualised execution of that thinking, continue to operate in existing urban contexts? How can we relate the complexity of Roman urbanism to the role of Roman architecture in its urban context? This book manoeuvres through such difficult questions deftly, illuminating its points with a wide selection of colour images."--
Digital Draw Connections
Author: Fabio Bianconi
Publisher: Springer Nature
ISBN: 3030597431
Category : Science
Languages : en
Pages : 1137
Book Description
This book stems from the seminal work of Robert Venturi and aims at re-projecting it in the current cultural debate by extending it to the scale of landscape and placing it in connection with representative issues. It brings out the transdisciplinary synthesis of a necessarily interdisciplinary approach to the theme, aimed at creating new models which are able to represent the complexity of a contradictory reality and to redefine the centrality of human dimension. As such, the volume gathers multiple experiences developed in different geographical areas, which come into connection with the role of representation. Composed of 43 chapters written by 81 authors from around the world, with an introduction by Jim Venturi and Cezar Nicolescu, the volume is divided into two parts, the first one more theoretical and the other one which showcases real-world applications, although there is never a total split between criticism and operational experimentation of research.
Publisher: Springer Nature
ISBN: 3030597431
Category : Science
Languages : en
Pages : 1137
Book Description
This book stems from the seminal work of Robert Venturi and aims at re-projecting it in the current cultural debate by extending it to the scale of landscape and placing it in connection with representative issues. It brings out the transdisciplinary synthesis of a necessarily interdisciplinary approach to the theme, aimed at creating new models which are able to represent the complexity of a contradictory reality and to redefine the centrality of human dimension. As such, the volume gathers multiple experiences developed in different geographical areas, which come into connection with the role of representation. Composed of 43 chapters written by 81 authors from around the world, with an introduction by Jim Venturi and Cezar Nicolescu, the volume is divided into two parts, the first one more theoretical and the other one which showcases real-world applications, although there is never a total split between criticism and operational experimentation of research.