Robert Ryman PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Robert Ryman PDF full book. Access full book title Robert Ryman by Vittorio Colaizzi. Download full books in PDF and EPUB format.
Author: Vittorio Colaizzi
Publisher: Phaidon Press
ISBN: 9780714849348
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
The only comprehensive monograph on the artist whose abstract 'white' paintings have inspired generations. A much-revered figure in the art world, Robert Ryman has, over six decades, continuously and methodically experimented with the different possibilities inherent within a painting - abolishing colour in order to focus on material, brushstroke, support, and scale. This, the only comprehensive monograph covering his career to date, places his famous square 'white' paintings with lesser-known but increasingly exhibited works, in order to show that he is not a reductionist, but in fact a restless experimenter.
Author: Vittorio Colaizzi
Publisher: Phaidon Press
ISBN: 9780714849348
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
The only comprehensive monograph on the artist whose abstract 'white' paintings have inspired generations. A much-revered figure in the art world, Robert Ryman has, over six decades, continuously and methodically experimented with the different possibilities inherent within a painting - abolishing colour in order to focus on material, brushstroke, support, and scale. This, the only comprehensive monograph covering his career to date, places his famous square 'white' paintings with lesser-known but increasingly exhibited works, in order to show that he is not a reductionist, but in fact a restless experimenter.
Author: Stephen Hoban
Publisher: Yale University Press
ISBN: 9780300226713
Category : ART
Languages : en
Pages : 0
Get Book Here
Book Description
"Dia organized a two-part symposium, held in Dia:Beacon on March 12, 2016, and in Dia:Chelsea on May 21, 2016 ... the point of departure for this publication"--Page 1
Author: Robert Ryman
Publisher: Peter Blum Editions
ISBN:
Category : Art
Languages : en
Pages : 80
Get Book Here
Book Description
The works in this exhibition catalogue record the time when Robert Ryman, then in his early twenties, was formulating his disciplined approach to painting. On off-white and translucent materials including wallpaper, a circular coffee filter, newsprint and mylar, Ryman drew, tooled, brushed and pressed his marks using a flat table to support the work. His decision to use the square as a consistent format for non-narrative work was set, and while he sporadically used color in these earliest works, he subsequently chose white almost exclusively in the process of eliminating all that was superfluous to a painting.
Author: Robert Ryman
Publisher:
ISBN: 9780943044354
Category : Painting
Languages : en
Pages : 0
Get Book Here
Book Description
Published on the occasion of an exhibition held at the Phillips Collection, Washington, D.C., June 5-Sept. 12, 2010.
Author: Stefan Sulzer
Publisher:
ISBN: 9783981451870
Category : Art
Languages : fr
Pages : 0
Get Book Here
Book Description
Le livre de Stefan Sulzer raconte l'histoire d'une visite à la Dia Art Foundation à Beacon, près de New York, au cours de laquelle la mère de l'artiste s'est sentie si troublée par l'élégante simplicité des peintures de l'américain Robert Ryman, qu'elle a laissé glisser lentement et avec la plus grande concentration sa main sur une de ces peintures. Le livre de Stefan Sulzer raconte l'histoire d'une visite à la Dia Art Foundation à Beacon, près de New York, au cours de laquelle la mère de l'artiste s'est sentie si troublée par l'élégante simplicité des peintures de l'américain Robert Ryman, qu'elle a laissé glisser lentement et avec la plus grande concentration sa main sur une de ces peintures.
Author: Yve-Alain Bois
Publisher: MIT Press
ISBN: 9780262521802
Category : Design
Languages : en
Pages : 356
Get Book Here
Book Description
Informed by both structuralism and poststructuralism, these essays by art critic and historian Yve Alain Bois seek to redefine the status of theory in modernist critical discourse. Warning against the uncritical adoption of theoretical fashions and equally against the a priori rejection of all theory, Bois argues that theory is best employed in response to the specific demands of a critical problem. The essays lucidly demonstrate the uses of various theoretical approaches in conjunction with close reading of both paintings and texts.
Author: Robert Ryman
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
Get Book Here
Book Description
Author: Cornelia H. Butler
Publisher: The Museum of Modern Art
ISBN: 0870707825
Category : Art
Languages : en
Pages : 225
Get Book Here
Book Description
On Line: Drawing Through the Twentieth Century explores the radical transformation of drawing that began during the last century as numerous artists critically re-examined the traditional concepts of the medium. In a revolutionary departure from the institutional definition of drawing and from reliance on paper as the fundamental support material, artists instead pushed the line into real space, expanding the medium's relationship to gesture and form and connecting it with painting, sculpture, photography, film and dance. Published in conjunction with an exhibition at The Museum of Modern Art, On Line presents a discursive history of mark-making through nearly 250 works by 100 artists, including Aleksandr Rodchenko, Alexander Calder, Karel Malich, Eva Hesse, Anna Maria Maiolino, Richard Tuttle, Mona Hatoum and Monika Grzymala, among many others. Essays by the curators illuminate individual practices and examine broader themes, such as the exploration of the line by the avant-garde and the relationship between drawing and dance.
Author: Linda Patricia Cleary
Publisher:
ISBN: 9781320549431
Category :
Languages : en
Pages :
Get Book Here
Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Author: Suzanne P. Hudson
Publisher: MIT Press
ISBN: 0262551209
Category : Art
Languages : en
Pages : 334
Get Book Here
Book Description
This first book-length study of Robert Ryman argues that his work is a continuous experiment in the possibilities of painting. In this first book-length study of Robert Ryman, Suzanne Hudson traces the artist's production from his first paintings in the early 1950s, many of which have never been exhibited or reproduced, to his recent gallery shows. Ryman's largely white-on-white paintings represent his careful working over of painting's conventions at their most radically reduced. Through close readings of the work, Hudson casts Ryman as a painter for whom painting was conducted as a continuous personal investigation. Ryman's method—an act of “learning by doing”—as well as his conception of painting as “used paint” sets him apart from second-generation abstract expressionists, minimalists, or conceptualists. Ryman (born in 1930) is a self-taught artist who began to paint in earnest while working as a guard at the Museum of Modern Art in New York in the 1950s. Hudson argues that Ryman's approach to painting developed from quotidian contact with the story of modern painting as assembled by MoMA director and curator Alfred Barr and rendered widely accessible by director of the education department Victor D'Amico and colleagues. Ryman's introduction to artistic practice within the (white) walls of MoMA, Hudson contends, was shaped by an institutional ethos of experiential learning. (Others who worked at the MoMA during these years include Lucy Lippard, who married Ryman in 1961; Dan Flavin, another guard; and Sol LeWitt, a desk assistant.) Hudson's chapters—“Primer,” “Paint,” “Support,” “Edge,” and “Wall,” named after the most basic elements of the artist's work—eloquently explore Ryman's ongoing experiment in what makes a painting a painting. Ryman's work, she writes, tests the medium's material and conceptual possibilities. It signals neither the end of painting nor guarantees its continued longevity but keeps the prospect of painting an open question, answerable only through the production of new paintings.
